Document details

Pablo Escobar and Colombian Narcoculture

Gainesville: University of Florida Press (2020), x, 293 pp.

Contains bibliogr. pp. 267-285, index

Series: Reframing Media, Technology, and Culture in Latin/o America

ISBN 978-1-68340-151-3 (hbk); 978-1-68340-178-0 (online)

"In the years since his death in 1993, Colombian drug lord Pablo Escobar has become a globally recognized symbol of crime, wealth, power, and masculinity. In this long-overdue exploration of Escobars impact on popular culture, Aldona Bialowas Pobutsky shows how his legacy inspired the development of narcocultura— television, music, literature, and fashion representing the drug-trafficking lifestyle in Colombia and around the world. Pobutsky looks at the ways the “Escobar brand” surfaces in bars, restaurants, and clothing lines; in Colombia’s tourist industry; and in telenovelas, documentaries, and narco memoirs about his life, which in turn have generated popular interest in other drug traffickers such as Griselda Blanco and Miami’s “cocaine cowboys.” Pobutsky illustrates how the Colombian state strives to erase his memory while Escobar’s notoriety only continues to increase in popular culture through the transnational media. She argues that the image of Escobar is inextricably linked to Colombia’s internal tensions in the areas of cocaine politics, gender relations, class divisions, and political corruption and that his “brand” perpetuates the country’s reputation as a center of organized crime, to the dismay of the Colombian people." (Back cover)
Introduction, 1
I. PERFORMING PABLO
1 Pablo Escobar and Narco Nostalgia, 29
2 From Mans Man to Mama’s Boy: Escobar, el patrón del mal, 63
3 Romancing Pablo Escobar: The Allure of the Narco Caudillo, 95
II. BEYOND ESCOBAR
4 Who’s the Real Boss? Griselda Blanco Refashioned, 133
5 Mad about Boobs: Sin tetas no hay paraíso, 166
6 Colombian Sicariato and Rosario Tijeras, 197
Epilogue: Escobar’s Global Brand, 229