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Die Rapper aus dem Regenwald
welt-sichten, 14. Januar (2025)
"Im Amazonasgebiet, abgelegen von den brasilianischen Metropolen, hat sich eine lebendige Rap-Szene etabliert. Anders als im Großstadt-Rap geht es in ihren Texten weniger um soziale Ungleichheit, sondern vor allem um Umweltzerstörung und kulturelle Identität." (Einleitung)
K-Pop Fandom and Political Activism in Thailand’s 2020 Student Uprising
International Journal of Communication, volume 18 (2024), pp. 5296-5320
"Korean popular culture has taken the world by storm with the recent rise of Korean entertainment globally, such as Squid Game on Netflix and the Oscar Award-winning Parasite. Fans of Korean popular culture have formed coalitions in Asia, North and SouthAmerica, and other parts of the world. These c
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Musikindustrie in Afrika: Fette Beats, magere Tantiemen
welt-sichten, 24. Januar (2024)
"Musik ist weltweit ein Riesengeschäft. Verwertungsgesellschaften sollen dafür sorgen, dass Musikerinnen und Musiker einen fairen Anteil der Gewinne kriegen. In Afrika funktioniert das noch nicht so richtig; engagierte Künstler und Produzenten wollen das ändern." (Einleitung)
Sonoridades midiáticas: Rádio, música e cinema
São Paulo: Universidade de São Paulo, Escola de Comunicações e Artes (ECA) (2023), 319 pp.
ReSounding Poverty: Romani Music and Development Aid
New York: Oxford University Press (2023), 240 pp.
"ReSounding Poverty offers a microethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from th
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Relevância do rádio local e o crescimento das redes musicais: Inquietações sobre a migração do AM-FM
Revista Latinoamericana de Ciencias de la Comunicación, volume 22, issue 44 (2023), pp. 105-114
"A migração do rádio AM-FM alterou o modo de produzir, emitir, circular e ouvir o meio no Brasil. São mais de mil emissoras brasileiras operando em novo espectro desde 2016. A troca de banda enquanto política pública resultou em melhoria técnica para o setor, que amargava um cenário de crise
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Music and Digital Media: A Planetary Anthropology
London: UCL Press (2022), xvi, 526 pp.
"Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital as
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The Neoliberal Houdini Who Escaped from (poverty And) Prison: Chapo’s Narcocorridos, Political Communication and Propaganda
Media, War & Conflict, volume 15, issue 1 (2022), pp. 99-117
"Chapo Guzmán was the leader of the Sinaloa Cartel. Although he was a well-known criminal, there is a scarcity of first-hand information about his career. This situation raises a question: how did Guzmán become a public figure without having public exposure? This communicative phenomenon is possib
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Earthquake aftersongs: Music videos and the imagining of an online Nepali public
Popular Communication, volume 20, issue 1 (2022), pp. 42-59
"The major earthquake that struck central Nepal in April 2015 inspired a flurry of literary and cultural production, including the creation and online publication of over 50 earthquake-related music videos. Although they share a common thematic focus, these videos’ representations of the earthquak
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Sounding the Nation, Sounding the Revolution: Music and Radio Broadcasting in Post-Colonial Mozambique (1975-1986)
Journal of Radio & Audio Media, volume 29, issue 1 (2022), pp. 80-103
"This article aims to identify the sounds, editorial policies and values promoted by Radio Moçambique (RM) during the so-called “socialist period” (1975–1986). Given the high illiteracy rate in the country, RM became the primary medium for informing the populations of FRELIMO’s ideology –
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K-pop pedagogy in the digital platform era
International Journal of Media & Cultural Politics, volume 17, issue 2 (2021), pp. 183-190
"K-pop pedagogy is an operational term that points to a set of practices and methods of enhancing digital media literacy through the critical analysis of K-pop and its global circulation.1 K-pop is more than a music genre; it has emerged as a global cultural phenomenon that comprises various compone
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Sound Communities in the Asia Pacific: Music, Media, and Technology
New York City: Bloomsbury Academic (2021), 272 pp.
"The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural tra
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Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State
Brighton, UK: Institute of Development Studies (IDS) (2020), 51 pp.
"The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field interviews and observations among audiences at selected popular music concerts and public workshops in Maputo city. Secondary data were drawn from radio broadc
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The Bloomsbury Handbook of Popular Music Video Analysis
New York; London: Bloomsbury Academic (2020), xviii, 446 pp.
La radio sigue siendo la reina de la música
Lima: CPI (2020), 4 pp.
"Una antigua canción de 1979 (Video killed the radio star de The Buggles) decía en su título que el video había matado a la radio. Quizás esa fue la percepción que se tuvo por un momento debido al surgimiento de fenómenos sociales como MTV (una cadena de televisión que sólo transmitía vide
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Myanmar's Pop Music Industry in Transition
In: Myanmar Media in Transition: Legacies, Challenges and Change
Singapore: ISEAS (2019), pp. 267-286
"I begin this chapter with a review of the scholarly literature on music scenes during and after political transitions. Next, I report on how Myanmar's popular music scene developed in the immediate wake of the cancellation of censorship. I argue that the popular music scene is being significantly a
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Ganyingo: Voces y espiritualidad afroboliviana. Historias, saya, zemba, cueca, huayño, mauchi y la chihuanita
Cochabamba: Fundación Intercultural Martin Luther King (2018), 300 pp.
"Las expresiones de música y danza afrobolivianas trascienden la folclorización, al son de las “Cajas” (tambores), dónde el “Ganyingo” es el más pequeño y más agudo, y junto al “reque reque” de la Guancha, cargados de cadencia y espiritualidad el pueblo afroboliviano con “La Saya
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The Bloomsbury Handbook of Religion and Popular Music
London et al.: Bloomsbury Academic (2017), xiv, 425 pp.
"The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifi
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