"Los pódcast se han convertido en una modalidad de reposición, distribución y difusión de contenidos derivada de la práctica productiva de la radio. El trabajo de laboratorio realizado en Infinito Radio adoptó como propuesta formativa la elaboración de series de narrativas sonoras que perfecc
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ionan los aprendizajes de las y los comunicadores de la Universidad Politécnica Salesiana. Estas producciones evidencian el uso de espacios virtuales con agendas temáticas contemporáneas, variedad de estructuras narrativas e interactividad, caracterÃsticas propias de la transmedia actual. Las experiencias expuestas contribuyen a los procesos educativos, resaltan las mediaciones de situaciones reales que no son abordadas con frecuencia en los medios convencionales y potencian la inclusión de realidades y visiones juveniles vinculadas con la era de la tecnologÃa digital. Cada práctica documentada por los estudiantes de la carrera de Comunicación de la UPS recopilada en este libro fomenta el ejercicio comunicacional y el uso de una estética multisensorial, promoviendo el desarrollo de competencias y habilidades que superan las dificultades en la divulgación del talento universitario." (Descripción de la casa editorial)
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"Die vorliegende Studie untersucht die Entwicklungen der Diasporagemeinschaften aus Osteuropa, die in Deutschland und seinen östlichen EU-Nachbarländern seit 2020 an Größe und Bedeutung gewinnen – bedingt durch politische Krisen und Repressionen im autokratisch regierten Belarus und Russland u
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nd den Krieg in der Ukraine. Die Studie beschreibt Herausforderungen, Bedürfnisse und Potenziale dieser Gemeinschaften und fragt, inwiefern emigrierte bzw. im Exil lebende Kulturtätige als „Brückenbauer:innen“ den kulturellen Austausch in Zeiten von Konflikten und schrumpfenden Handlungsräumen (shrinking spaces) unterstützen und die interkulturelle Verständigung nachhaltig fördern können. Analysiert werden sowohl gruppenbezogene Rahmenbedingungen und Formen der deutsch-belarussischen, deutsch-russischen und deutsch-ukrainischen kulturellen Zusammenarbeit als auch länder- wie gruppenübergreifende Strategien und Projekte, die die einzelnen Diaspora-Vertreter:innen in Verbindung bringen (können) und dialogfähig sind. Das Hauptaugenmerk liegt dabei auf (1) der Einbindung der osteuropäischen Kulturtätigen in den deutschen Kulturbetrieb, (2) möglichen internationalen Kooperationen auf EU-Ebene und (3) dem Erhalt zivilgesellschaftlicher Räume in Herkunftsregionen und im Exil." (Zusammenfassung)
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"Con quince contribuciones de investigadores procedentes de universidades italianas e internacionales, este volumen construye una perspectiva de los estudios sobre el humor, las posibles variaciones tropológicas y las metodologÃas que se necesitan a la hora de acotar sus diferentes expresiones. Es
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, al mismo tiempo, un recorrido por las urgencias, las propuestas y los sufrimientos de las sociedades latinoamericanas (en la patria o en el exilio) frente a los tiempos ásperos que fueron y los que se van aproximando." (Descripción de la casa editorial)
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"Centered around Mexico as a case study, the book explores the production of political entertainment in post-authoritarian legacy media and how political and economic conditions constrain the range and edge of discourse; how political entertainment in social media is shaped by the structure of platf
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orms, as creators are encouraged to conform to specific norms such as constant publication; and the impacts of these media on attitude formation among the population. The book proposes a theoretical framework for identifying the specific conditions of post-authoritarian democracies that constrain the production of political entertainment, as well as its outcomes in terms of content and effects. This framework can be applied to the analysis of similar case studies, particularly in the Global South at large." (Publisher description)
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"Over the past decade, digital technologies have profoundly reshaped the Chinese cultural landscape. With a focus on the creative agency of new media and online communities, this volume examines this development through the notion of the Sinocybersphere - the networked spaces across the globe that n
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ot only operate on the Chinese script, but also imaginatively negotiate the meanings of Chinese culture in the digital age. Instead of asking what makes the internet or new media "Chinese," the chapters situate contemporary entanglements of cultural and digital practices within specific historical, social, and discursive contexts. Covering topics as diverse as live-streaming, AI poetry, online literature, poetry memes, cyberpunk fiction, virtual art exhibitions, cooking videos, censorship, and viral translations, the collection as a whole not only engages with a wide range of Chinese new media phenomena, but also demonstrates their relevance to our understanding of contemporary digital culture." (Publisher description)
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"The appearance of new media and its enormous diffusion in the last decades of the 20th century and up to the present has greatly increased and diversified the reception of Egyptian themes and motifs and Egyptian influence in various cultural spheres. So-called popular or pop culture (cinema, genre
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fiction, TV-series, comics, graffiti, computer and video games, rock and heavy music, radio serials, among others) often makes use of narratives and motifs drawn from the observation and study of ancient Egypt, updated and reinterpreted in various ways, and which is now the subject of study by scholars of Egyptology. The present monograph seeks to provide new evidence of this interdisciplinarity between Egyptology and popular culture. It explores the conscious reinterpretation of the past in the work of contemporary authors, who shape an image of the Egyptian reality that in each case is determined by their own circumstances and contexts." (Publisher description)
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"Korean popular culture has taken the world by storm with the recent rise of Korean entertainment globally, such as Squid Game on Netflix and the Oscar Award-winning Parasite. Fans of Korean popular culture have formed coalitions in Asia, North and SouthAmerica, and other parts of the world. These c
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oalitions or fandom groups go beyond merely meeting up, exchanging paraphernalia, or posting photos of their pop idols on social media; their enthusiasm has thrived in the realm of social activism. This research examines K-pop fandom activities during Thailand’s 2020 Student Uprising, tracing the operationalization of fandom, the transfer of skills and affective fandom practices into political engagement, and the role of digital proficiency in their fan-driven, collective movement." (Abstract)
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"Our richly illustrated volume takes a multifaceted approach to the giant continent of Africa, transcending prejudices and stereotypes through cultural history and contemporary art, constant shifts in perspective, and artistic diversity: human history encounters the colonial past and the omnipresenc
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e of Africa in countless regions of the world. On the one hand, surprising views of Africa are presented from Europe. On the other hand, works and installations created locally by Africans or members of the diaspora present ideas, impulses, and identities that all mean Africa. The texts illuminate the broad temporal arc from the first humans to Pan-Africanism and Afrofuturism and also offer literary and philosophical narratives. Artists: Dele Adeyemo, John Akomfrah, James Gregory Atkinson, Sammy Baloji, Arébénor Basséne, Memory Biwa, MarÃa Magdalena Campos-Pons, Catpc, Omar Victor Diop, Sokari Douglas Camp, William Kentridge, Kongo Astronauts, Susana Pilar Delahanta Mantienzo, Roméo Mivekannin, Zanele Muholi, Josèfa Ntjam, Kaloki Nyamai, Emeka, Ogboh, Zineb Sedira, Sandra Seghir, Yinka Shonibare, The Singh Twins, Géraldine Tobe, Kara Walker, Carrie Mae Weems." (Publisher description)
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"The book Videogames in the Indian Subcontinent. Development, Culture(s) and Representations is the first ever comprehensive presentation and discussion of material spanning over all nations of South Asia, including Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan, and Sri Lanka. Discussed b
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y the leading expert on the theme, it offers both an overview of as well as numerous detailed examples of both, historical and contemporary developments. Appropriately, this work also situates the regional characteristics in larger global contexts and cultural flows, and contemporary developments in historical contexts." (Review by Xenia Zeiler, CyberOrient, Vol. 17, Iss. 1, 2023, pp. 70-73)
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"This article analyses how young African writers challenge stereotypes about the continent through their imagination of places in online short stories. These stories appear on the literary websites Brittle Paper, Jalada, Saraba, Flash Fiction Ghana, Adda and African Writer Magazine with a focus on c
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ities and villages. Authored by ten writers from Ghana, Nigeria, Kenya, Malawi and Egypt, the stories contain elements of fiction that risk perpetuating negative stereotypes about Africa as they imagine their respective settings. However, textual analysis supported by an appreciation of context reveals how the writers use these stereotypes as basis to craft strong African narratives. By doing so, the writers emphasize the effect that places have on characters, theme, setting and the image of Africa. Ultimately, the roles that urban and rural spaces play in online fiction are multifaceted and enhance the African narrative in complex ways." (Abstract)
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"Fictional Practices of Spirituality" provides critical insight into the implementation of belief, mysticism, religion, and spirituality into worlds of fiction, be it interactive or non-interactive. This first volume focuses on interactive, virtual worlds - may that be the digital realms of video ga
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mes and VR applications or the imaginary spaces of life action role-playing and soul-searching practices. It features analyses of spirituality as gameplay facilitator, sacred spaces and architecture in video game geography, religion in video games and spiritual acts and their dramaturgic function in video games, tabletop, or LARP, among other topics. The contributors offer a first-time ever comprehensive overview of play-rites as spiritual incentives and playful spirituality in various medial incarnations." (Publisher description)
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"This book analyses a South-to-South connection between media activists and artivists – artists who are activists – in the Global South. The authors, Andrea Medrado and Isabella Rega, emphasise the urgent need to engage in South-to-South dialogues in order to create more sustainable connections
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between Global South communities and as an essential step towards identifying and facing global problems, such as state repression, social inequality and climate crises. Medrado and Rega analyse the characteristics of this connection, identify its unique contributions to the study of media and social change and discuss its long-term sustainability. They do so by focusing on instances when media narratives in countries of different Global South(s) intertwine and transform each other; specifically, the exchanges between Latin America (Brazil) and Africa (Kenya). They explore how media activism and artivism can be used as tools for global movement building and to challenge colonial legacies. They also discuss how to connect people with varied skill sets in different Global South contexts, promoting South-to-South solidarity, in a cross-continental challenge to marginalisation." (Publisher description)
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"This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective. Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global
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media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization. After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people’s understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions." (Publisher description)
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"This book observes and analyses transnational interactions of East Asian pop culture and current cultural practices, comparing them to the production and consumption of Western popular culture and providing a theoretical discussion regarding the specific paradigm of East Asian pop culture. Drawing
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on innovative theoretical perspectives and grounded empirical research, an international team of authors consider the history of transnational flows within pop culture and then systematically address pop culture, digital technologies, and the media industry. Chapters cover the Hallyu—or Korean Wave—phenomenon, as well as Japanese and Chinese cultural industries. Throughout the book, the authors address the convergence of the once-separated practical, industrial, and business aspects of popular culture under the influence of digital culture. They further coherently synthesize a vast collection of research to examine the specific realities and practices of consumers that exist beyond regional boundaries, shared cultural identities, and historical constructs." (Publisher description)
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"Hivos sees vital opportunities to support creatives and build alternative digital spaces and activist communities that will stand up to the digital monoculture. They are essential if we want to imagine and work towards a more humane and sustainable digital future. In 'Counter the Digital Monocultur
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e', the team interviews seven future-oriented activists, artists and academics to answer the question 'How can we counter the digital monoculture?' The interviews cover a wide range of topics, from indigenous futurism to afro-feminism, speculative storytelling, and the need for a fossil-free internet. A recurring theme is the importance of amplifying the work of activists, artists, and filmmakers to reach wide audiences with narratives that focus on humane digital futures." (Publisher description)
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"Annekathrin Kohout und Wolfgang Ullrich versammeln Beiträge, die sich verschiedenen Aspekten der zeitgenössischen visuellen Kultur widmen: Was zeichnet die Kommunikation über Memes aus, und warum sind sie so beliebt? Wie funktionieren GIFs, und wie haben sich das Dateiformat und seine Nutzung ü
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ber die Zeit verändert? Was bedeutet der zunehmende Einfluss von Influencerinnen und Influencern für die Rezeption und Verbreitung von Mode? Und welche Konsequenzen hat es, dass die Allgegenwart von Bildern mit der zunehmenden Verbreitung von Software einhergeht, die in der Lage ist, automatisiert Gesichter zu erkennen? Die Beiträge nehmen unterschiedliche Facetten eines tiefgreifenden kulturellen Wandels in den Blick und zeigen seine Grundlagen, Potenziale und Ambivalenzen auf." (Buchrücken)
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