"The article explores the phenomenon of political deification within the framework of religious populism, focusing on the leadership of Narendra Modi in India. Drawing on discourse theory, religious studies, and critical media studies, the paper examines how Modi’s image is sacralized, positioning
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him as more than a political leader – transforming him into a deity-like figure. Furthermore, by employing the concept of populist darshan, the article highlights how Modi’s visual and rhetorical strategies, amplified by digital media and mass communication technologies, construct a direct and intimate connection between him and the people. The Modi effect, characterized by the projection of an omnipresent and accessible leader, mirrors religious practices, fostering a perception of authority and reinforcing the Modi myth. This fusion of religious symbolism and political rhetoric is central to religious populism, where the boundaries between the sacred and the secular are fluid, and the leader is elevated to an exalted status. The article argues that Modi’s political deification is a powerful tool in consolidating power, offering insights into the intersection of religion, media, and populism in contemporary political life." (Abstract)
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"Digital Religion refers to the contemporary practice and understanding that religion takes place in both online and offline contexts, and how these contexts intersect with each other. Scholars in this growing field of Digital Religion studies recognize that religion has been influenced by its engag
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ement with computer-mediated digital spaces, including not only the Internet, but other emerging technologies, such as mobile phones, digital wearables, virtual reality, and artificial intelligence. The Oxford Handbook of Digital Religion provides a comprehensive overview of religion as seen and performed through various platforms and cultural spaces created by digital technology. The text covers religious interaction with a wide range of digital media forms (including social media, websites, gaming environments, virtual and augmented realities, and artificial intelligence) and highlights examples of technological engagement and negotiation within the major world religions (i.e., Buddhism, Christianity, Hinduism, Islam, and Judaism). Additional sections cover the global manifestations of religious community, identity, ethics, and authority, with a final group of chapters addressing emerging technologies and the future of the field." (Publisher description)
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"This book explores how digital authoritarianism operates in India, Pakistan, Turkey, Indonesia, and Malaysia, and how religion can be used to legitimize digital authoritarianism within democracies. In doing so, it explains how digital authoritarianism operates at various technological levels includ
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ing sub-network level, proxy level, and user level, and elaborates on how governments seek to control cyberspace and social media. In each of these states, governments, in an effort to prolong – or even make permanent – their rule, seek to eliminate freedom of expression on the internet, punish dissidents, and spread pro-state propaganda. At the same time, they instrumentalize religion to justify and legitimize digital authoritarianism. Governments in these five countries, to varying degrees and at times using different methods, censor the internet, but also use digital technology to generate public support for their policies, key political figures, and at times their worldview or ideology. They also, and again to varying degrees, use digital technology to demonize religious and ethnic minorities, opposition parties, and political dissidents." (Publisher description)
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"The narrow genre of devotional films in India follows a regular template – a combination of theophanic interventions, bhakti (devotional) worship and didactic narratives. Thiruvilayadal (The Divine Play, Akkamappettai Paramasivan Nagarajan, 1965), a film in Tamil (a language spoken across South a
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nd East Asia by a large diaspora), was long considered a devotional movie that celebrated the God Shiva. However, a close analysis shows that the movie subverts the darshan concept (viewing) in a Hindu devotional film. Though it may appear to be a film about Puranic (mythic) Hindu gods, the subtle subtext reduces heavenly entities to supplicatory positions in relation to a cornerstone of identity in the post-independence Dravidianist Tamil State – Tamil language. This understanding of Thiruvilayadal is all the more relevant in light of the increasing rigidity of Hindu religious beliefs in contemporary India." (Abstract)
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"This book offers a critical and systematic survey of the study of religion and digital media. It covers religious engagement with a wide range of digital media forms and highlights examples of new media engagement in all five of the major world religions. From mobile apps and video games to virtual
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reality and social media, the book provides a detailed review of major topics including ritual, identity, community, authority, and embodiment, includes a series of engaging case studies to illustrate and elucidate the thematic explorations, considers the theoretical, ethical, and theological issues raised [...] Thoroughly updated throughout with new case studies and in-depth analysis of recent scholarship and developments, this new edition provides a comprehensive overview of this fast-paced, constantly developing, and fascinating field." (Publisher description)
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"Divided into two sections, the chapters included in the first section of the book present case studies from five major religions: Christianity, Islam, Buddhism, Hinduism and Judaism and their engagement with digitalization. The second section of the volume explores the moral, ideological but also o
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ntological implications of our increasingly digital lives." (Publisher description)
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"The tension between the two historical realities, Hinduism as an ancient Indian religion and Christianity as a religion associated with foreign power and colonialism, continues to animate Hindu-Christian relations today. On the one hand, The Routledge Handbook of Hindu-Christian Relations describes
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a rich history of amicable, productive, even sometimes syncretic Hindu-Christian encounters. On the other, this handbook equally attends to historical and contemporary moments of tension, conflict, and violence between Hindus and Christians. Comprising thirty-nine chapters by a team of international contributors, this handbook is divided into seven parts: theoretical and methodological considerations; historical interactions, contemporary exchanges; sites of bodily and material interactions; significant figures; comparative theologies; responses. The handbook explores: how the study of Hindu–Christian relations has been and ought to be done, the history of Hindu–Christian relations through key interactions, ethnographic reflections on current dynamics of Hindu–Christian exchange, important key thinkers, and topics in comparative theology, ultimately providing a framework for further debates in the area." (Publisher description)
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"Digital Religion does not simply refer to religion as it is carried out online, but more broadly studies how digital media interrelate with religious practice and belief. This collection explores Digital Hinduism and consequentially studies how Hinduism is expressed in the digital sphere and how Hi
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ndus utilise digital media. Highlighting digital Hinduism and including case studies with foci on India, Asia and the global Hindu diaspora, this book features contributions from an interdisciplinary and international panel of academics. The chapters focus on specific case studies, which in summary exemplify the wide variety and diversity of what constitutes Digital Hinduism today." (Publisher description)
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"This paper attempts to understand the phenomenon of hate speech and its potential to legitimise discrimination and promote violence against its targets. It lays out the interconnections between Islamophobia, hate speech and acts of physical violence against Muslims. The role of social media, especi
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ally messaging platforms like WhatsApp and Facebook, in facilitating the easy and rapid spread of fake news and rumours and amplifying hate, is also examined. The complexities of regulating social media platforms, which have immense political and corporate backing, have been touched upon. This paper also looks at the contentious and contradictory interplay of hate speech with the constitutionally guaranteed freedom of speech and expression and recent jurisprudence on these matters. Finally, it presents some examples of the pushback of hate speech and outlines concerns that must be addressed to counter the spread of hatred." (Introduction)
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"While the first chapter looks at the existing constitutional and legal provisions for the exercise of freedom of religion and religious plurality, the other four chapters reflect upon some of the key sites of religious interface and syncretism that promote inter-religious understanding and pluralit
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y, analysis of the post-war context that has seen a marked increase in religiously motivated violence as well as existing opportunities and challenges for practice of religious freedom, examples of national and local level efforts and activities promoting religious plurality, and social media as a platform to engender religious plurality. We hope that the trained journalists will use this booklet as a guide in their new pursuits of improving the focus and coverage of religious freedom and religious plurality." (Introduction)
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"This study surveys a wide range of propaganda, websites and social media in which definitions of Hinduism are debated. In particular, it focuses on the role of Hindu nationalism in the presentation and management of Hinduism in the electronic public sphere. Hindu nationalist parties and individuals
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are highly invested in discussions and presentations of Hinduism online, and actively shape discourses through a variety of strategies. Analysing Hindu nationalist propaganda, cyber activist movements and social media presence, as well as exploring methodological strategies that are useful to the field of religion and media in general, the book concludes by showing how these discourses function in the wider Hindu diaspora." (Publisher description)
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"This edited volume discusses mediatized religion in Asia, examining the intensity and variety of constructions and processes related to digital media and religion in Asia today. Individual chapters present case studies from various regions and religious traditions in Asia, critically discussing the
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data collected in light of current mediatization theories. By directing the study to the geographical, cultural and religious contexts specific to Asia, it also provides new material for the theoretical discussion of the pros and cons of the concept mediatization, among other things interrogating whether this concept is useful in non-'Western' contexts." (Publisher description)
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"This paper explores the interconnections of Hindutva fascist repertoires in India and quasi-orientalist discourses. History and common sense are re-written through audiovisual communications to appeal to one section of a dangerously split Indian public and a neoliberal-touristic sensibility elsewhe
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re. Enlightenment rhetorics of progress, democracy and technological development are apparently embodied by WhatsApp groups, electronic voting machines and laws to protect cows. Voting—as a marker of democratic citizenship—becomes a masquerade protecting a resurgent far right Hindutva (Hindu fascist) regime under the aegis of Narendra Modi and the BJP. Caste Hinduism’s association of cows with deities, and the proscription on meat-eating in certain versions of religious practice, are used as pretexts for unimaginable violence against Muslims, Christians, Dalits, and working class/lower caste Hindus. Violence against those who dissent is rationalised as patriotic. Hindutva’s banal and spectacular audiovisual discourse overwhelms public communication. Its consequences are a form of vigilante citizenship that is marked on the bodies of dead victims and of vigilante publics ready to be mobilised either in ethno-cultural violence or its defence and disavowal. Meanwhile, attracted to India as an enormous market, Western governments and corporations have colluded with the Hindutva regime’s self-promotion as a bastion of development." (Abstract)
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"In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the intersections between religion and comics in ways that critically expand our ability t
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o think about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Organized into four sections--Seeing the Sacred in Comics; Reimagining Sacred Texts through Comics; Transfigured Comic Selves, Monsters, and the Body; and The Everyday Sacred in Comics--the essays explore comics and graphic novels ranging from Craig Thompson's Habibi and Marvel's X-Men and Captain America to graphic adaptions of religious texts such as 1 Samuel and the Gospel of Mark." (Publisher description)
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"The media's coverage of religion is an important question, given the central role which news media play in ensuring that people are up-to-date with religion news developments. The book examines it in different countries. After an introductory section looking at trends in religion news in print, on-
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line journalism, and as a subject of foreign news, the book surveys religion reporting in five key countries: USA, Russia, India, China, & Nigeria. The book then looks at media events through the cases of the election of Pope Francis, and the death of rabbis. The book addresses the question of the influence of religion reporting in politics; the impact of religion reporting upon religious identity; and the role of social media - through looking at case studies in France, Malaysia, Saudi Arabia, and Israel." (Publisher description)
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"This article explores the case of right-wing Hindu nationalist volunteers in India, to turn a critical eye on a digital practice that has become prominent on new media in India in recent times-the assembling of facts, figures, and treatises as an ideological exercise by the net-savvy "nonexperts."
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Using qualitative methods, I argue that this practice of online archiving constitutes a distinct politics of history-making. I show how archiving-as-history-making is pertinent especially for religion's interface with cyberspace and the varied ways in which online users participate in religious politics. Online archiving for religious politics offers a sobering, and even troubling, picture of the digital commons, and unsettles some of the universalist claims underlying much celebrated user-generated content." (Abstract)
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"This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if ex
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amined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization." (Publisher description)
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"The study is based on the analysis of legends of 'Devon Ke Dev Mahadev', a mythological drama series that is shown on Indian television channel "Life OK" [...] The story revolves around Lord Shiva or Mahadev - the Lord of Lords as one of the three most powerful mythical characters. The serial is a
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popular serial because Hindu culture, like many other civilizations in the world, believes more in Devine power and the God and Goddess are the one supernatural entity. Mahadev is the obvious choice." (Page 19)
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