Document details

Storytelling in World Cinemas. Vol. 2: Contexts

London; New York: Wallflower Press (2013), x, 198 pp.

Contains index

Signature commbox: 50-General-E 2013

Introduction to Volume Two / Lina Khatib
STORYTELLING AND CULTURAL POLITICS
Stories as Social Critique: The Vision of China in the Films of Jia Zhangke / Konrad Ng
Taonga (cultural treasures): Reflections on Maori Storytelling in the Cinema of Aotearoa/New Zealand / Hester Joyce
The Minjung Cultural Movement and Korean Cinema of the 1980s: The Influence of Minjung Theatre and Art in Lee Jang-ho's Films / Nam Lee
On How to Tell a Revolution: Alsino y el condor [Nicaragua] / Robert Dash and Patricia Varas
STORYTELLING AND POSTCOLONIALISM
Telling Stories About Unknown People in Faraway Countries: U.S. Travelogues About Mexico in the 1930s and 1940s / Isabel Arredondo
Memory and Tradition as a Postcolonial Response in the Films of Kyrgyzstan's Aktan Abdykalykov / Willow Mullins
'Postcolonial Beaux' Stratagem: Singing and Dancing Back with Carmen in African Films / Yifen T. Beus
TELLING WOMEN'S STORIES
Heard/Symbolic Voices: The Nouba of the Women of Mont Chenoua and Women's Film in the Maghreb / Zahia Smail Salhi
Women's Stories and Public Space in Iranian New Wave Film / Anna Dempsey
Cinematic Images of Women at a Time of National(ist) Crisis: The Case of Three Yugoslav Films / Dijana Jelaca
History as Science Fiction: Women of Action in Hong Kong Cinema / Sasa Vojkovic
STORYTELLING AND RELIGIO-CULTURAL ENCOUNTERS
Clouds of Unknowing: Buddhism and Bhutanese Cinema / Shohini Chaudhuri and Sue Clayton
Claiming Space, Time and History in The Journals of Knud Rasmussen / Darrell Varga
Qissa and Popular Hindi Cinema / Anjali Gera Roy