"Nas últimas décadas, a utilização das mÃdias por igrejas evangélicas brasileiras se intensificou com a disseminação das redes sociais na internet. Viu-se também uma ampliação do mercado de bens culturais religiosos, sobretudo na área da música. Se essas múltiplas mediações comunicac
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ionais servem aos propósitos religiosos, polÃticos e econômicos das igrejas, a consolidação desses mercados também apresenta desafios à s autoridades dessas instituições, ao dar visibilidade a uma multiplicidade de agentes e discursos que fogem ao seu controle. Neste artigo, a partir do estudo de redes sociais de lideranças religiosas e de artistas da música gospel, discutiremos de que forma questões raciais circulam no mundo religioso evangélico a partir de suas margens. A pesquisa que deu origem a este artigo se baseia no estudo das carreiras de artistas gospel e suas atividades nas redes sociais e permite observar que as questões raciais têm adentrado as igrejas evangélicas não a partir da ação exclusiva de lideranças, mas de suas margens sem, no entanto, provocar mudanças estruturais." (Resumo)
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"Wie kam es zu dem ikonischen Überschuss des christlichen Heiligenbildes? Janine Luge-Winter geht dieser Frage nach, indem sie die verschiedenen Argumente byzantinischen Bildapologien des 8. und 9. Jahrhunderts und der modernen Ikonentheorien des 20. Jahrhunderts erstmals in ihrer Studie versammelt
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, miteinander vergleicht und kontextualisiert. Sie zeigt, dass das Mehr der Ikone deren besonderer Sichtbarkeit ist, die eine Überwindung der Undarstellbarkeit des Undarstellbaren evoziert, indem sie das Undarstellbare konkret als solches akzeptiert. Verständlich wird dies nur, wenn die Ikone als »etwas anderes« als ein repräsentationales oder mimetisches Bild anerkannt wird." (Verlagsbeschreibung)
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"The objective of the thesis is to define the communicative meaning of the Christian cross by dealing with three research issues. The first problem regards the historical aspects. In interdisciplinary ways the thesis will explore the different forms, locations and functions of Christian cross pictur
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es throughout art history. In contexts of church history, the reasons for the very existence of pictures of the cross will be explored. The second problem focuses on the functions of the cross in the Church’s devotional and catechetical practice, as well on its issue in theological discourses and in the Church’s magisterium. In Christian art history, many stories of debates and disputes can be found; for example, when the iconoclastic controversy arose, the intervention of the second Council of Nicea for the protection of Icons and their veneration enriched and encouraged the development of the sacred art culture in Christianity. Thus, the symbolism and imageries of cross and crucifix has a long and rich history of development and popularity, despite the obstacles. Finally, the thesis investigates the various communication areas of today dealing with the meaning of the Christian cross. The research results of this third chapter will show the degree of relevance which the cross has in today’s pastoral, academic and online communication." (Pages 3-4)
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"Les écrivains bibliques ont coutume de recourir au symbolisme pour assurer que la saisie de leur message soit facilitée. En se focalisant en particulier sur le quatrième évangile du Nouveau Testament, l'auteur lève le voile sur le caractère énigmatique de la christologie johannique qui paraÃ
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®t déconcertante pour le lecteur non averti à cause du caractère imagé que revêtent les appellations de Jésus : comme langage parabolique et allégorique, comme métaphore et symbole. Cette étude montre que le symbolisme n'est pas une formulation conceptuelle obscure et incomprise du public, mais au contraire que les théologiens devraient dans leurs discours de chaque jour être en mesure de trouver des formulations symboliques, afin de traduire l'exactitude de la vérité éthique et religieuse à transmettre. Bien compris ce langage est un outil d'enseignement fidèle à la méthode de transmission biblique et un véhicule sémantique d'une efficacité pédagogique inégalée." (Résumé)
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"The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifi
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cally commissioned essays from a team of international experts. The chapters explore the principal areas of inquiry and point to new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in religion and popular music as well as popular culture more broadly. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music." (Publisher description)
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"This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if ex
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amined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization." (Publisher description)
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"A partir das influências do processo de globalização percebe-se o surgimento de novas formas de produzir música e expressar a fé através delas. O público cristão, nesse sentido, torna-se um nicho comercial promissor dentro desse mercado, na medida em que, gradativamente, a música católica
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deixou de ocupar um lugar secundário nas práticas de consumo entre os fiéis, para se tornar um importante elemento que se adapta aos processos e técnicas da música popular espetacularizada e, por consequência, reforça as referidas mudanças do mercado fonográfico. Através de três estudos de caso (uma gravadora, um grande evento e uma premiação) este trabalho avalia as estratégias que inserem a música católica na dinâmica do mercado da música em geral." (Resumo)
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"O presente trabalho trata das relações estabelecidas entre música, comunicação e Igreja Católica. A partir de uma análise acerca das estratégias de apropriação da lógica de mercado atual, aliadas ao uso sistemático e interligado dos meios de comunicação de massa, procura-se perceber a
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dinâmica que leva empresas, igreja, artistas e fiéis a movimentarem um mercado musical especÃfico: o mercado da música católica. É através dos meios de comunicação que as novas produções musicais chegam ao público, podem ser conhecidas e difundidas, passando, então, a serem cada vez mais consumidas." (Resumo)
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"This article describes and analyzes a little understood Afghan Taliban propaganda tool: chants or taranas. These melodic refrains effectively use historical narratives, symbology, and iconic portraits. The chants are engendered in emotions of sorrow, pride, desperation, hope, and complaints to mobi
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lize and convince the Afghan population of the Taliban’s worldview. The chants represent culturally relevant and simple messages that are communicated in a narrative and poetic form that is familiar to and resonates with the local people. They are virtually impossible for the United States and NATO to counter because of Western sensitivities concerning religious themes that dominate the Taliban narrative space, not to mention the lack of Western linguistic capabilities, including the understanding and mastering the poetic nature of local dialects." (Abstract)
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"Investigating a vibrant audio-recording industry in southern Yemen, The Moral Resonance of Arab Media shows how new forms of political activism emerge through sensory engagements with Arabic poetry and song. From the 1940s onward, a new cadre of political activists has used audio-recording technolo
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gies, especially the audiocassette, to redefine traditional Muslim authorship. Cassette producers address conflicted views about the resurgence of tribalism by showing Yemenis how to adapt traditional mores toward more progressive and pluralistic aims. Skilled bards continue to perform orally marked tribal verse. As Miller demonstrates through an analysis of several centuries of changing media ecology, however, oral performance is anything but static. Much of the power of orality stems from its relation to writing, print, and audiovisual media that link tribal ideals with metropolitan and national discourses. Through an examination of the lives and works of individual poets, singers, and audiences, Moral Resonance shows how tribalism becomes a resource for critical reform when expressed in tropes of community, place, person, and history. Yemenis' use of audiocassettes turns such tropes into cultural resources for morally evaluating political liberalism." (Publisher description)
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"Drawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the socia
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l practice of cinema-going. Written by a leading expert in the field, "Theology Goes to the Movies " analyzes: the role of Cinema and Church in Western culture; the power of Christian symbols and images within popular culture; and, theological concepts of humanity, evil and redemption, eschatology and God." (Publisher description)
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