"This report presents findings from the third wave of the Worlds of Journalism Study (WJS3), conducted between 2021 and 2025. In this iteration, we focused on journalists’ perceptions of risk and uncertainty in their profession and sought to identify key factors that shape how journalists navigate
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journalism’s changing environment. These risks and uncertainties arise from four partially overlapping domains: politics, economy, technology, and news consumption. Accordingly, the WJS3 questionnaire addressed journalists’ safety, editorial freedom, professional roles, news influences, and labor conditions. Our survey confirms that journalism is under pressure. Journalists worldwide are often undercompensated, and more than one-third engage in secondary employment. Economic pressures on news organizations have intensified in most countries. Nearly half of journalists have been targeted with hate speech, while psychological, physical, and digital threats are more prevalent in the Global South than in the Global North. More than 300 researchers from 75 countries participated in WJS3. This report provides a concise overview of key global findings. Subsequent publications will analyze specific topics in greater depth; please visit worldsofjournalism.org for more information." (Foreword, page 4)
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"Dive into the world of disinformation with this groundbreaking book. Uncover how Foreign Information Manipulation and Interference (FIMI) shapes modern politics and society, and how it impacts your own life. Explore answers to key questions: What are the origins and characteristics of disinformatio
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n? How can we identify it? How do we counteract it? Packed with historical and current data, this book reveals the tactics states use to manipulate information. Understand strategies, from micro-targeting to crafting strategic disinformation campaigns. This essential read empowers you to navigate today's complex media landscape and build your own resilience against disinformation." (Publisher description)
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"Through extensive fieldwork and archival research, Febe Armanios explores how Western evangelicals and indigenous Christians harnessed terrestrial and satellite technologies to promote Christian television in the Middle East. The sixteen channels analyzed in this study fall into three main categori
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es: Western-backed conservative outlets with a charismatic and apocalyptic outlook; middle-ground channels that sought to balance their international sponsors' expectations with local interests; and grassroots initiatives rooted in ancient church traditions. The histories and programming strategies of primarily Arabic, but also Turkish and Persian, Christian channels reveal how media producers forged unexpected political alliances, pursued sectarian objectives, and navigated various transnational influences. Satellite Ministries explores how modern expressions of faith, technology, and political power intersected and clashed across the Global South and beyond." (Publisher description)
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"This book offers an in-depth view of how intricate and intractable conflicts can be and how the communicative aspects of conflict are equally challenging. The author reviews and guides readers through classic and contemporary analysis in the field, providing a truly interdisciplinary work. Handbook
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of Conflict and Peace Communication is divided into five navigable sections - Theory Development, Method Development, Traditional/Digital Media and Peace and Conflict, Case Studies, and Innovative Approaches - that help illuminate workable and innovative peace communication strategies relevant to today's conflicts. Readers will also find: informative contributions from a collection of outstanding scholars, practitioners, and activists; comprehensive explorations of past conflict communication theory in the context of contemporary theory; practical tools to navigate complex local and global conflicts; in-depth examinations of strategies of peace communication from the margins that acknowledge and elevate solutions for and from the most vulnerable." (Publisher description)
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"Imagining AI: How the World Sees Intelligent Machines is the first volume showcasing research into how different cultures around the globe envision life with artificial intelligence. AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and
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beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time." (Publisher description)
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"The Media Pluralism Monitor (MPM) is a tool for assessing the risks for media pluralism in a given country. The Monitor aims to help policymakers, researchers, and civil society to understand the threat to media pluralism in different media systems through research, analysis and the provision of co
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untry data. The present Monitor has been developed and tested by the Centre for Media Pluralism and Media Freedom (CMPF), at the European University Institute, and has been funded by the European Union. The CMPF created the prototype of the Monitor and pilot-tested it in 2014 (MPM2014), building on the 2009 Independent Study on Indicators for Media Pluralism in the Member States – Towards a Risk-Based Approach. The results of this second prototype, which was tested in 2015 (MPM2015), are published in this report. During these two rounds of implementation, the CMPF has strengthened the research design of the Monitor, co-ordinated the data collection carried out by national experts, and analysed the results, i.e., it has assessed the risks for media pluralism across EU Member States. This report presents the results and the methodology of the MPM2015 implementation, which measures risks to Media Pluralism in 19 EU countries, namely, Austria, Croatia, Cyprus, the Czech Republic, Finland, Germany, Ireland, Latvia, Lithuania, Luxembourg, Malta, the Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, and Sweden." (Executive summary)
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"Welche Bilder prägen unser Gedächtnis? Bilder nehmen im „visuellen Zeitalter“ eine herausragende Bedeutung für europäische Identität, Geschichtsbewusstsein und Geschichtskultur ein. 14 Bildquellen – Gemälde und Fotografien –, die in den aktuellen Schulgeschichtsbüchern europäischer
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Staaten am häufigsten abgebildet werden und sich über dieses Medium europaweit im visuellen Gedächtnis von Kindern und Jugendlichen verankert haben, werden in diesem Band vorgestellt. Die Bildwerke werden gemäß den Standards der fachspezifischen „visual literacy“ von Expertinnen und Experten erschlossen und aufbereitet. Viele der Bilder, wie beispielsweise die fotografische Darstellung der Konferenz von Jalta, waren bislang nie Gegenstand von Analysen. Auch die Grundlagen zur „visual literacy“-Kompetenz im Umgang mit Bildikonen und dem kulturwissenschaftlichen Zugang zum Bild kommen in dem neuen Band nicht zu kurz. Sie werden in drei grundlegenden Beiträgen zugänglich gemacht. Das Buch ist ein Gewinn für alle, die den Beitrag der Schule zur Bildung einer europäischen Identität ernst nehmen und ihn weiterentwickeln wollen." (Verlagsbeschreibung)
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"In the twenty-first century, community radio is fulfilling an increasingly important role in the world’s mediascape. This book documents the ways in which community radio broadcasters and activists are using the medium in countries around the world to challenge political corruption, aid the trans
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ition to political democracy and broadcast voices that are otherwise unheard. The contributors to the volume are academics and practitioners from five continents, many with first-hand experience of community radio. Each chapter demonstrates the pivotal role that small radio stations can play in developing, sustaining and invigorating communities. The book charts campaigns for the legalisation of community radio and relates them to a theoretical context, while providing illustrations and examples from community radio stations around the world." (Publisher description)
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"Media scholars and students, professionals and policy-makers alike will be introduced to the specific problems and perspectives of media accountability in different media systems and journalistic cultures. The status quo of media criticism online across Europe will be a key issue and provide insigh
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ts into the innovative potential of media accountability in the digital age. Looked at from a comparative point of view, the reports hint at the formation of different cultures of media accountability within Europe and its adjacent countries. These media accountability cultures partly overlap with the journalism cultures identified in the well-known model by Hallin & Mancini who differentiate between North Atlantic or Liberal, Mediterranean or Polarised Pluralist, and Northern European or Democratic Corporatist media systems. At the same time, the development of media accountability and transparency shows distinctive features incongruent with established models of journalism cultures." (Back cover)
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"Der als Revolution in Orange bezeichnete Widerstand Ende 2004 bot auch die Chance für eine einschneidende Veränderung der staatlichen Strukturen in der Ukraine. Eine Entwicklung hin zu einer demokratischen Gesellschaftsordnung, die mit konsolidierten Demokratien Ostmitteleuropas vergleichbar wär
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e, erscheint möglich. Eine herausragende Rolle bei einem solchen Transformationsprozess spielen die Massenmedien. Ihre Unabhängigkeit stärkt die Bestrebungen nach mehr Demokratie. Doch trotz der Lösung von der Vorherrschaft Russlands ist es der Ukraine bislang nicht gelungen, unabhängige Massenmedien zu etablieren. Systematischen Lenkungsversuche beherrschen nach wie vor die Medienpolitik. Die Massenmedien und der Grad der Pressefreiheit stehen im Mittelpunkt der Fallstudie. Ausgehend von den politischen Ereignissen im Jahr 2004 untersucht die Autorin die Entwicklung der Pressefreiheit vor und nach der Revolution. Sie prüft die Berichterstattung in vier ukrainischen Zeitungen und vergleicht bzw. ergänzt die Ergebnisse mit Aussagen von ukrainischen Journalisten." (Verlagsbeschreibung)
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"In der Debatte um die politische Wirkung von Medien wird häufig übersehen, dass internationale Akteure schon längst auf ausländische Kommunikationsräume Einfluss nehmen. Thema dieser Arbeit ist das Instrument der externen Medienhilfe, bei der mit finanzieller, materieller und beratender Unters
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tützung, aber auch durch verhindernde Maßnahmen ganze Mediensysteme beeinflusst werden. Die Fragestellung betrifft die handlungsleitenden Motive, die jeweiligen Ziele der Akteure und ihre Konzepte und Implementierungsstrategien, die theoretisch und praktisch am Beispiel wichtigsten Medienhilfe-Implementierer in den Nachkriegsregionen Bosnien-Herzegowina und Kosovo von 1995 bis 2006 nachgezeichnet werden." (Verlagsbeschreibung)
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"Perpetrators in Documentaries on Genocide is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading,
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content analysis, and historical research, this book tracks the multifaceted representational strategies of over 200 films. Addressing both the local and global contexts impacting their production, the book finds that the socio-political circumstances in the aftermath of genocide, but also the concept of genocide itself, enormously shape the representation of perpetrator groups and their victims. This book highlights and critiques dominant trends in documentary representation, proposing a broader and methodologically innovative approach to studying the depiction of atrocities that provides an encompassing framework for understanding genocide documentaries." (Publisher description)
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"The study examines Global Times’ strategic narratives on the Russia-Ukraine War (2022–2024) by analysing 301 articles through issue, identity and systemic frameworks. It reveals China’s framing of the conflict as a US-Russia proxy war, positioning itself as a neutral mediator advocating multi
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lateral dialogue while critiquing Western hegemony. The narratives portray Russia as a rational actor defending sovereignty, Ukraine as weakened yet reckless, and Europe-EU as internally fractured. Systemically, China projects a multipolar vision, blending realist power dynamics with idealist peace-building. The findings underscore China’s media diplomacy in contesting Western discourse and advancing its global governance agenda." (Abstract)
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"Die vorliegende Studie untersucht die Entwicklungen der Diasporagemeinschaften aus Osteuropa, die in Deutschland und seinen östlichen EU-Nachbarländern seit 2020 an Größe und Bedeutung gewinnen – bedingt durch politische Krisen und Repressionen im autokratisch regierten Belarus und Russland u
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nd den Krieg in der Ukraine. Die Studie beschreibt Herausforderungen, Bedürfnisse und Potenziale dieser Gemeinschaften und fragt, inwiefern emigrierte bzw. im Exil lebende Kulturtätige als „Brückenbauer:innen“ den kulturellen Austausch in Zeiten von Konflikten und schrumpfenden Handlungsräumen (shrinking spaces) unterstützen und die interkulturelle Verständigung nachhaltig fördern können. Analysiert werden sowohl gruppenbezogene Rahmenbedingungen und Formen der deutsch-belarussischen, deutsch-russischen und deutsch-ukrainischen kulturellen Zusammenarbeit als auch länder- wie gruppenübergreifende Strategien und Projekte, die die einzelnen Diaspora-Vertreter:innen in Verbindung bringen (können) und dialogfähig sind. Das Hauptaugenmerk liegt dabei auf (1) der Einbindung der osteuropäischen Kulturtätigen in den deutschen Kulturbetrieb, (2) möglichen internationalen Kooperationen auf EU-Ebene und (3) dem Erhalt zivilgesellschaftlicher Räume in Herkunftsregionen und im Exil." (Zusammenfassung)
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"Previous research on political communication on Russia’s most popular social network VK has concluded that most users avoid news by not following legacy-news accounts. In this study, we expand the universe of scrutinized accounts with the mostfollowed non-legacy-news accounts (>100,000 followers)
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that regularly publish what we theorize to be ‘explicitly political content’ (EPC; N = 355). We delineate a typology of six types of EPC accounts, calculate their aggregate follower counts, and determine how many of them were still (1) accessible from Russia and (2) publishing Kremlin-critical content in October 2022. Our findings indicate that non-critical accounts attracted 26 times more followers than Kremlin-critical accounts. Entertainmentfocused EPC accounts had seven times more followers than legacy-news accounts. As a result, they became the primary means through which non-critical EPC reached news-avoidant mass audiences. We identify three dimensions through which autocrats can interweave propaganda and entertainment and highlight promising research paths." (Abstract)
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"Fictional TV politics played a pivotal role in the popular imaginaries of the 2010s across cultures. Examining this curious phenomenon, Sebastian Naumann provides a wide-ranging analysis of the rapidly evolving landscape of contemporary polit-series. Proposing a novel structural model of serial tel
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evision, he offers an innovative methodological framework for comparative textual analysis that integrates sociocultural, economic, sociotechnical, narratological, and aesthetic perspectives. This study furthermore explores how the changing affordances of (nonlinear) television impact serial storytelling and identifies key narrative trends and recurring themes in contemporary TV polit-fiction." (Publisher description)
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