"Dive into the world of disinformation with this groundbreaking book. Uncover how Foreign Information Manipulation and Interference (FIMI) shapes modern politics and society, and how it impacts your own life. Explore answers to key questions: What are the origins and characteristics of disinformatio
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n? How can we identify it? How do we counteract it? Packed with historical and current data, this book reveals the tactics states use to manipulate information. Understand strategies, from micro-targeting to crafting strategic disinformation campaigns. This essential read empowers you to navigate today's complex media landscape and build your own resilience against disinformation." (Publisher description)
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"This declaration serves as a reminder that culture, cultural heritage and media policies must be a vital part of the European collaboration and European security in order to protect our democracies. We commit to upholding cultural diversity, artistic freedom and supporting media pluralism and freed
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om at both national and European level. We also recognise the need for guaranteeing citizens’ access to trustworthy news media and to equip them with the digital skills and critical thinking abilities needed to navigate a digitised information landscape. In this light, we agree to the following guiding principles:
• Our citizens must live in societies with free and independent cultural life.
• Our citizens must live in societies where culture and cultural heritage is safeguarded for the benefit of society today and for future generations.
• Our citizens must have access to reliable information and to an information environment free of foreign interference.
• Our citizens must live in societies with free, resilient and independent media.
• Our citizens must be able to participate in public debate and democratic conversations.
• Our citizens – especially our children - must be presented with and have access to free and diverse European content.
• Our citizens must be protected against digital replicas of their personal characteristics without consent." (Page 2)
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"This book offers an in-depth view of how intricate and intractable conflicts can be and how the communicative aspects of conflict are equally challenging. The author reviews and guides readers through classic and contemporary analysis in the field, providing a truly interdisciplinary work. Handbook
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of Conflict and Peace Communication is divided into five navigable sections - Theory Development, Method Development, Traditional/Digital Media and Peace and Conflict, Case Studies, and Innovative Approaches - that help illuminate workable and innovative peace communication strategies relevant to today's conflicts. Readers will also find: informative contributions from a collection of outstanding scholars, practitioners, and activists; comprehensive explorations of past conflict communication theory in the context of contemporary theory; practical tools to navigate complex local and global conflicts; in-depth examinations of strategies of peace communication from the margins that acknowledge and elevate solutions for and from the most vulnerable." (Publisher description)
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"Hunger gehört zu den elementarsten menschlichen Erfahrungen. Etwa jeder zehnte Mensch auf der Welt hungert. Jeden Tag sterben etwa 24.000 Menschen an den Folgen von Hunger, etwa alle 13 Sekunden ein Kind unter 5 Jahren. Hunger ist aber keineswegs ein unabwendbares Schicksal. Das Welternährungspro
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gramm der Vereinten Nationen bezeichnet Hunger als »das größte lösbare Problem der Welt«. Politisch wie medial wird das Thema aber radikal vernachlässigt. In der vorliegenden Untersuchung wurden 39 Medien ausgewertet, darunter über 8.000 Ausgaben von Nachrichtensendungen, circa 500 Episoden von politischen Talkshows und mehr als 1.000 Ausgaben von Printmedien mit etwa 37.000 Druckseiten." (Verlagsbeschreibung)
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"This report presents findings from the third wave of the Worlds of Journalism Study (WJS3), conducted between 2021 and 2025. In this iteration, we focused on journalists’ perceptions of risk and uncertainty in their profession and sought to identify key factors that shape how journalists navigate
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journalism’s changing environment. These risks and uncertainties arise from four partially overlapping domains: politics, economy, technology, and news consumption. Accordingly, the WJS3 questionnaire addressed journalists’ safety, editorial freedom, professional roles, news influences, and labor conditions. Our survey confirms that journalism is under pressure. Journalists worldwide are often undercompensated, and more than one-third engage in secondary employment. Economic pressures on news organizations have intensified in most countries. Nearly half of journalists have been targeted with hate speech, while psychological, physical, and digital threats are more prevalent in the Global South than in the Global North. More than 300 researchers from 75 countries participated in WJS3. This report provides a concise overview of key global findings. Subsequent publications will analyze specific topics in greater depth; please visit worldsofjournalism.org for more information." (Foreword, page 4)
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"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level
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of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many.
In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change.
We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1)
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"Imagining AI: How the World Sees Intelligent Machines is the first volume showcasing research into how different cultures around the globe envision life with artificial intelligence. AI is now a global phenomenon. Yet Hollywood narratives dominate perceptions of AI in the English-speaking West and
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beyond, and much of the technology itself is shaped by a disproportionately white, male, US-based elite. However, different cultures have been imagining intelligent machines since long before we could build them, in visions that vary greatly across religious, philosophical, literary and cinematic traditions. This book aims to spotlight these alternative visions. Imagining AI draws attention to the range and variety of visions of a future with intelligent machines and their potential significance for the research, regulation and implementation of AI. The book is structured geographically, with each chapter presenting insights into how a specific region or culture imagines intelligent machines. The contributors, leading experts from academia and the arts, explore how the encounters between local narratives, digital technologies, and mainstream Western narratives create new imaginaries and insights in different contexts across the globe. The narratives they analyse range from ancient philosophy to contemporary science fiction, and visual art to policy discourse. The book sheds new light on some of the most important themes in AI ethics, from the differences between Chinese and American visions of AI, to digital neo-colonialism. It is an essential work for anyone wishing to understand how different cultural contexts interplay with the most significant technology of our time." (Publisher description)
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"En moins de vingt ans, l'édition en sciences humaines et sociales a été considérablement bouleversée. Tout a été réinventé : le marché du livre s'est transformé, le cadre légal a été radicalement modifié, la publication et la lecture en ligne ont connu un formidable essor, l'écritur
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e même des sciences humaines s'est métamorphosée. Face à ces révolutions intellectuelles, techniques et socioéconomiques d'une ampleur inégalée, en faisant dialoguer éditeurs privés et publics, économistes, documentalistes, libraires, juristes, traducteurs, chercheurs, cet ouvrage collectif offre à celles et ceux qui se préoccupent du destin de l'édition en sciences humaines et sociales un premier bilan, à la fois clair et lucide, des changements survenus depuis le début du XXIe siècle." (Description de la maison d'édition)
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"The Media Pluralism Monitor (MPM) is a tool for assessing the risks for media pluralism in a given country. The Monitor aims to help policymakers, researchers, and civil society to understand the threat to media pluralism in different media systems through research, analysis and the provision of co
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untry data. The present Monitor has been developed and tested by the Centre for Media Pluralism and Media Freedom (CMPF), at the European University Institute, and has been funded by the European Union. The CMPF created the prototype of the Monitor and pilot-tested it in 2014 (MPM2014), building on the 2009 Independent Study on Indicators for Media Pluralism in the Member States – Towards a Risk-Based Approach. The results of this second prototype, which was tested in 2015 (MPM2015), are published in this report. During these two rounds of implementation, the CMPF has strengthened the research design of the Monitor, co-ordinated the data collection carried out by national experts, and analysed the results, i.e., it has assessed the risks for media pluralism across EU Member States. This report presents the results and the methodology of the MPM2015 implementation, which measures risks to Media Pluralism in 19 EU countries, namely, Austria, Croatia, Cyprus, the Czech Republic, Finland, Germany, Ireland, Latvia, Lithuania, Luxembourg, Malta, the Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, and Sweden." (Executive summary)
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"Das Digitale führt zu einem tiefgreifenden gesellschaftlichen Wandel. Betroffen sind das politische System unserer parlamentarischen Parteiendemokratie, die Medien sowie das Lernen in seinen unterschiedlichen Ausprägungen. Diese revolutionären Umwälzungen bleiben nicht ohne Folgen. Denn: Über
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soziale Netzwerke und Blogs können große demokratische Potenziale mobilisiert werden. Die neuen Partizipationsmöglichkeiten des Web 2.0 haben aber auch Konsequenzen für Inhalte und Formate der politischen Bildung. Doch was folgt aus der täglichen Beschäftigung mit virtuellen Welten? Droht die „digitale Demenz“, wie ein Hirnforscher behauptet? Klicken wir uns das Hirn weg? Untersuchungen über digitale Spielwelten und medienpädagogische Empfehlungen runden den vorliegenden Band ab." (Verlagsbeschreibung)
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"Das Buch 'Fremdsprachige Publikationen in Deutschland' ist das erste Verzeichnis der Zeitungen und Zeitschriften, die in der Bundesrepublik für Einwanderer, Minderheiten, Touristen, Sprachschüler und germanophile Ausländer produziert werden. Hier findet man Adressen und weitere Angaben zu Publik
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ationen in über 30 Sprachen - von A wie Arabisch über Dänisch, Englisch, Russisch und Sorbisch bis U wie Ungarisch. Allein im Kapitel "Russisch" sind weit über hundert Druckmedien aus Deutschland aufgeführt, die in keinem anderen Nachschlagewerk stehen." (Verlagsbeschreibung)
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"Der Band gibt einen Einblick in verschiedene sozial- und medienwissenschaftliche Studien zur Erforschung der Potenziale und der sozialen, ethischen sowie rechtlichen Problematiken von sowohl Netzwerkportalen als auch Online-Spielekulturen. Wissenschaftler und Praktiker setzen sich ausführlich mit
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den neuen Kommunikationsräumen des Internets auseinander und zeigen über handlungsorientierte Ansätze der Medienpädagogik Wege auf, wie Netzwerkaktivitäten kritisch reflektiert werden können." (Verlagsbeschreibung)
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"Wie hat das Internet die individuelle politische Kommunikation von Bürgerinnen und Bürgern verändert? Und welche konkreten Entwicklungen sind zu beobachten? Das von 2002 bis 2009 laufende DFG-Projekt »Politische Online-Kommunikation« geht diesen Fragen nach: Auf der Grundlage einer breit angel
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egten empirischen Studie dokumentieren die Autoren die Entwicklung der politischen Kommunikationsaktivitäten der befragten Bürger im zeitlichen Verlauf. Untersucht werden sowohl Informationsaktivitäten wie das Lesen politischer Internetseiten als auch die interpersonale politische Online-Kommunikation sowie politische Partizipationsaktivitäten im Internet." (Verlagsbeschreibung)
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"Welches Bild konstruieren die drei ecuadorianischen Tageszeitungen El Universo, El Comercio und Hoy von der EU? Welches sind die häufigsten Themen in Zusammenhang mit der Europäischen Union und welche Aspekte der EU-Berichterstattung könnten noch verbessert werden? Die EU wird in Ecuador als Vor
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bild für eigene Staatengemeinschaften, andererseits als protektionistischer Verbund gesehen. Nach einem Überblick über die EU-Bilderforschung in Europa, die Einstellungsforschung und die Nachrichtenwerttheorie werden die großen überregionalen Tageszeitungen Ecuadors auf ihre Darstellung inhaltsanalytisch und mit Expertenbefragungen von Journalisten untersucht. Bislang die einzige deutsche Arbeit, die sich mit dem EU-Bild in Lateinamerika beschäftigt." (Verlagsbeschreibung)
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