"Wie prägen Erfahrungen von Gewalt gesellschaftliche Diskurse? Mirjam Zadoff nähert sich der Frage, welchen Stellenwert kollektive Gewalterfahrungen im Gedächtnis verschiedener Gesellschaften einnehmen und wie diese Erfahrungen bewältigt werden. Sie gibt Einblicke in europäische und außereurop
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äische Erinnerungskulturen und Geschichtspolitiken und schlägt den Bogen in die Gegenwart: Wie gehen Gesellschaften mit den Spuren und sichtbaren Folgen von Gewaltgeschichte um und welche Erinnerungspraktiken entstehen im öffentlichen Raum? Wie entwickeln sich Formate des Erinnerns, wie globalisiert sich Erinnerungskultur? Die Autorin behandelt anhand von Beispielen aus aller Welt die Vielseitigkeit, Transnationalität und Transkulturalität von Gedächtnisprojekten. Zadoff porträtiert aktuelle Diskussionen um Erinnerung und benennt blinde Flecke im kollektiven Gedächtnis. Kulturen des Erinnerns, schlussfolgert die Autorin, dürften weder auf Rhetoriken der Ausgrenzung basieren noch ein beruhigendes Narrativ anbieten oder moralischer Kitsch sein."
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"Die Sowjetdiktatur war von Staatsverbrechen kaum vorstellbaren Ausmaßes geprägt. Insbesondere gilt dies für die Periode von der Oktoberrevolution 1917 bis zum Tod Josef Stalins 1953: Sie umfasst den Bürgerkrieg, die sogenannten Säuberungen, das Gulag-System und zahlreiche weitere Akte massiver
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staatlicher Gewalt und Willkür. Auf welche Weise wurde der Verbrechen in der Sowjetunion und im postsowjetischen Russland gedacht? Der Philologe und Kulturwissenschaftler Nikolai Epplée zeichnet den Umgang mit diesen Staatsverbrechen von 1953 bis 2019 nach. Er legt dar, dass sich in Russland nie eine kritische Erinnerung an die Verbrechen etablieren konnte, welche die Verantwortlichkeiten aufarbeitet und daraus Konsequenzen für die Zukunft zieht. Zwar gründeten sich zahlreiche zivilgesellschaftliche Initiativen, die sich für neue Formen des Gedenkens einsetzten und diese erprobten. In den vergangenen Jahren unter der Herrschaft Wladimir Putins seien diese jedoch zunehmender Repression bis hin zum Verbot ausgesetzt worden. Gleichzeitig erfuhr der Diktator Stalin eine Rehabilitierung in Namen einer heroisch ausgerichteten, für politische Zwecke instrumentalisierten Nationalgeschichtsschreibung. Der Autor zeigt auf, wie in anderen Ländern - in Argentinien, Spanien, Südafrika, Polen, Deutschland und Japan - Staatsverbrechen in der eigenen Vergangenheit aufgearbeitet wurden. Er versucht daraus Schlüsse für einen Umgang mit der verbrecherischen Vergangenheit in Russland zu ziehen, der auch Konsequenzen für die Gegenwart und Zukunft der russischen Gesellschaft hätte." (Verlagsbeschreibung)
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"Key findings: Critical role of local media in addressing specific population needs, compared with national media which is increasingly seen as painting a false picture of reality. Audiences on the frontline feel excluded from national discourse. Ukrainians (57%) use local Telegram channels more tha
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n traditional media sources: only 34% often follow national media, and 38% often follow local media. Audiences express a deep need for positive news, such as culture, sports, leisure, and “dream projects.” Strong demand for inclusive dialogue between authorities and citizens, particularly on the use of public funds and tracking reconstruction projects. Internally displaced people (IDPs) and Russian-speaking Ukrainians are not perceived as potential sources of local tension." (Page 2)
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"This handbook critically analyzes cross-border news production and "transnational journalism cultures" in the evolving field of cross-border journalism. As the era of the internet hasfurther expanded the border-transcending production, dissemination and reception of news, and with transnational co-
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operations like the European Broadcasting Union and BBC World News demonstrating different kinds of cross-border journalism, the handbook considers the field with a range of international contributions. It explores cross-border journalism from conceptual and empirical angles and includes perspectives on the the systemic contexts of cross-border journalism, its structures and routines, changes in production processes, and the shifting roles of actors in digital environments. It examines cross-border journalism across regions and concludes with discussions on the future of cross-border journalism, including the influence of automation, algorithmisation, virtual reality and AI." (Publisher description)
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"The study presented here [...] is not limited to generalised theses and descriptions of the Balkan media scene under Russian influence that only scratch the surface. Rather, the focus is on documenting the effectiveness of Russian state media in the region with a focus on Serbia, which also has an
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impact on its neighbours Bosnia-Herzegovina and Montenegro (NATO member), all three of which are EU accession candidates. From this, strategies and recommendations for action are derived as to how the politically poisonous influence of Kremlin propaganda could be curbed after years of futile endeavours." (Introduction)
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"Les pratiques « médiactivistes » numériques offrent de nouveaux cadres pour la formation et le développement des mobilisations sociales contemporaines. Elles élargissent le champ de la lutte et incitent à s'interroger sur le rôle que jouent les dispositifs numériques dans l'amplification o
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u l'amoindrissement de l'agir collectif. Cet ouvrage issu d'une recherche scientifique se base sur un travail empirique réalisé en France et en Algérie. Il invite les lecteurs à réfléchir sur les modalités de luttes contemporaines : en effet, les répertoires d'actions collectives ne sont pas figés dans l'espace et dans le temps, mais évoluent sans cesse au contact des dispositifs numériques." (Description de la maison d'édition)
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"For Russian civil society as well as for Western reporting independent exiled media are playing a central role: These media are a unique and precious voice that can still make its way to Russian audiences. They are also the foundation of Western reporting on Russia – without them, many internatio
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nal media would struggle to keep up with what is happening in the secretive state. Indeed, recognizing this, they are eager to partner with Russian colleagues on especially high-impact stories: intelligence or disinformation operations in the West, for example. While Russian authorities are building a toolbox for censorship – not just for themselves, but for despotic regimes across the world – Russian exiled media are investing in anti-censorship technologies to fight it. Despite their comparatively small resources and size, they have developed a wide range of innovative digital solutions – from blocking resilient magic links to browser extensions that counter YouTube slowdowns [...] With just a fraction of the budget being spent to silence them, Russia’s exiled independent media have shown that they can not just withstand the new censorship regime, but also to create tools and blueprints that can serve their colleagues in other parts of the world. But they remain vulnerable, and deserve both more stable support and support from a wider range of stakeholders – including Big Tech companies. This report presents the state of the Russian media market as it enters a new, even darker phase, as well as an overview of the media that are fighting back. Hopefully, it can serve to re-energize support, rather than simply serving as a warning of potentially far more serious – and costly – challenges to come if the issues are not addressed now." (Page 1)
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"Our richly illustrated volume takes a multifaceted approach to the giant continent of Africa, transcending prejudices and stereotypes through cultural history and contemporary art, constant shifts in perspective, and artistic diversity: human history encounters the colonial past and the omnipresenc
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e of Africa in countless regions of the world. On the one hand, surprising views of Africa are presented from Europe. On the other hand, works and installations created locally by Africans or members of the diaspora present ideas, impulses, and identities that all mean Africa. The texts illuminate the broad temporal arc from the first humans to Pan-Africanism and Afrofuturism and also offer literary and philosophical narratives. Artists: Dele Adeyemo, John Akomfrah, James Gregory Atkinson, Sammy Baloji, Arébénor Basséne, Memory Biwa, María Magdalena Campos-Pons, Catpc, Omar Victor Diop, Sokari Douglas Camp, William Kentridge, Kongo Astronauts, Susana Pilar Delahanta Mantienzo, Roméo Mivekannin, Zanele Muholi, Josèfa Ntjam, Kaloki Nyamai, Emeka, Ogboh, Zineb Sedira, Sandra Seghir, Yinka Shonibare, The Singh Twins, Géraldine Tobe, Kara Walker, Carrie Mae Weems." (Publisher description)
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"A Saudi-led coalition of states initiated an on-going-armed conflict in Yemen on 26 March 2015. Meanwhile, Russia invaded Ukraine on 24 February 2022. Though no two armed conflicts are exactly alike, there is reason to compare US media coverage of the two because: (1) civilians have been victims of
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both conflicts; (2) both conflicts have undermined food security; (3) the US has provided military support to a party to each of the conflicts; and (4) the conflict in Yemen is in the Global South whereas the conflict in Ukraine is in the Global North. This article comparatively analyses US media coverage of the conflicts in Yemen and Ukraine, via New York Times headlines, by documenting the number of stories and their placement; assessing the types of media frames used; reviewing headlines for attribution of responsibility; and conducting a content analysis to identify the descriptive and normative terminology used. We find extensive biases in coverage and framing, rooted in peripheralism, culturalism and differential geopolitical US positioning. This results in reduced coverage of the war in Yemen, shielded in neutral language and lacking responsibility attribution—serving to devalue the suffering of victims and condemning the crisis to be functionally forgotten." (Abstract)
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"Carole Grimaud propose une plongée au cour de la complexité des processus de réception médiatique dans un contexte où la perception et l'interprétation des informations sont soumises à une incertitude palpable. À travers une approche interdisciplinaire, cet ouvrage explore les dynamiques so
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us-jacentes à la formation des représentations et des croyances chez les récepteurs. En s'appuyant sur une étude qualitative approfondie, cette recherche analyse les influences exercées par les médias, les processus cognitifs impliqués dans le traitement de l'information et les mécanismes de régulation cognitive et métacognitive, offrant ainsi une vision nuancée des réactions du public face à la surmédiatisation de la guerre en Ukraine. Ce livre donne des clés de compréhension essentielles pour appréhender les enjeux de la réception médiatique en période de crise." (Description de la maison d'édition)
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"Soziale Medien haben die Verbreitung von Antisemitismus revolutioniert. Algorithmisch verstärkt verbreitet sich Antisemitismus auf den Plattformen in Sekundenschnelle, kostenlos und global. Die daraus resultierende Gefahr für Jüdinnen*Juden ist eine große gesellschaftliche Herausforderung. Das
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Buch gibt Einblicke in Fallstudien auf verschiedenen Plattformen und zeigt, wie soziale Medien durch die Verbreitung antisemitischer Inhalte von politischem Akteur*innen instrumentalisiert werden. Es werden innovative Methoden und Tools (CrowdTangle oder Voyant Tools) und neue Konzepte (Social Media Literacy, tertiärer Antisemitismus, antisemitische Eskalation) vorgestellt und Strategien, um Antisemitismus auf den Plattformen zu bekämpfen, kritisch evaluiert. Dieses Buch bietet eine umfassende Einführung für alle, die sich mit der Problematik Antisemitismus in den sozialen Medien auseinandersetzen wollen." (Verlagsbeschreibung)
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"Free journalism is indispensable for monitoring the actions of political representation, holding it accountable, exposing the misuse of power, and defending public interests. Fulfilling these roles assumes that journalists can do their job and pursue public-interest stories to the best of their abi
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lities without fear of retaliation. In this chapter, building on the Media Pluralism Monitor data, we discuss the key issues of concern related to the journalists' safety, focusing on the attacks in the offline and online environment and the political elite's hostile criticism of the media. We analyse these issues in the context of Greece, Slovakia, and Spain, which share several common features regarding their media environment. Yet, these countries differ in risks to journalists' safety. We find, however, that despite different risk levels, the safety of journalists has been deteriorating in all three countries over the years. These findings have important implications for policymakers." (Abstract)
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"The 2024 Europe and Eurasia Vibrant Information Barometer (VIBE) covers 18 countries throughout Europe, Eurasia, and Central Asia. With VIBE, IREX strives to capture a modern and evolving media space where people are simultaneously producers, transmitters, consumers, and actors in the information t
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hat influences their lives and environments. This year’s edition focuses on the media and information space across the countries in the study during calendar year 2023, capturing the impact of the second year of the Kremlin’s full-scale invasion of Ukraine, along with other issues related to the work of media like the lack of gender equity within the media sectors and issues with how gender is covered throughout the region." (Executive summary, page 7)
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"This article scrutinizes Russian state-run TV narratives over critical junctures – before the 2013 Euromaidan protests, the annexation of Crimea in 2014, and the periods leading up to and following the 2022 invasion – to illuminate how political agendas, historical narratives, and public percep
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tion intersect. The authors reveal the Russian political elite’s strategic shaping of narratives, influencing collective memory and swaying public opinion on the Ukraine crisis. The significance of the conflict narrative and Russia’s position is underscored, as reflected in the evolving structure of news broadcasts. The image of Russian leaders as capable and reliable is amplified during conflicts, while Ukrainian counterparts are persistently portrayed negatively. The media constructs an identity narrative that elevates Russian leaders and disparages Western counterparts post-crisis, mirroring geopolitical tensions. The framing of Ukraine’s narrative with WWII terminology is analyzed, highlighting attempts to deflect blame onto the West. This comprehensive study elucidates the subtle complexities of media narratives and their pivotal role in geopolitics and international relations." (Abstract)
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