"En este libro, creado a muchas manos, nos centramos en la Comunicación Comunitaria, en sus aportes teóricos, epistémicos, políticos, metodológicos y prácticos, pensándola centralmente de cara a las organizaciones y movimientos sociales. Académicamente, este libro se gesta en el marco de la
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actividad de investigación denominada Comunicación Comunitaria: contribuciones teórico-epistémicas, inscrita en el Programa de Investigación llamado Procesos de Comunicación y Organización (PCO), del Centro de Investigación en Comunicación (CICOM) de la Universidad de Costa Rica (UCR). El objetivo de la publicación es divulgar procesos y resultados de investigación académica reciente, así como ofrecer una serie de reflexiones teórico-epistemológicas, perspectivas críticas y experiencias prácticas vinculadas a la comunicación organizacional en clave comunitaria, para apoyar los procesos formativos de la Escuela de Ciencias de la Comunicación Colectiva (ECCC), de la Universidad de Costa Rica (UCR), tanto en el bachillerato como en la licenciatura y el posgrado." (Presentación, página 7)
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"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level
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of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many.
In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change.
We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1)
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"This report presents findings from the third wave of the Worlds of Journalism Study (WJS3), conducted between 2021 and 2025. In this iteration, we focused on journalists’ perceptions of risk and uncertainty in their profession and sought to identify key factors that shape how journalists navigate
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journalism’s changing environment. These risks and uncertainties arise from four partially overlapping domains: politics, economy, technology, and news consumption. Accordingly, the WJS3 questionnaire addressed journalists’ safety, editorial freedom, professional roles, news influences, and labor conditions. Our survey confirms that journalism is under pressure. Journalists worldwide are often undercompensated, and more than one-third engage in secondary employment. Economic pressures on news organizations have intensified in most countries. Nearly half of journalists have been targeted with hate speech, while psychological, physical, and digital threats are more prevalent in the Global South than in the Global North. More than 300 researchers from 75 countries participated in WJS3. This report provides a concise overview of key global findings. Subsequent publications will analyze specific topics in greater depth; please visit worldsofjournalism.org for more information." (Foreword, page 4)
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"Addressing a rarely-examined intersection, the magazine features eight articles highlighting the use of technology in Indigenous communities. These include AI’s role in exacerbating violence and inequality, the use of AI in tracking salmon migration, Indigenous representation in video games, and
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the use of Indigenous languages in coding. Focused on fighting for Indigenous Peoples’ rights and sovereignty, Cultural Survival herewith delves into Indigenous leaders as solution builders rather than simply excluded and discriminated against." (https://www.channelfoundation.org)
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"It's been said that Oaxacans "believe in images." Visual manifestations of saints and loved ones are a fundamental part of life there. Oaxacans also seem to have a special relationship with La Santa Muerte, a female reaper-like figure whose cult has grown rapidly as violence in Mexico has increased
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. In this book, Myriam Lamrani recontextualizes Santa Muerte within Mexican Catholicism by looking at how intimately devotees interact with images (including effigies, tattoos, artworks, photographs, even dreams) of the infamous saint. For Lamrani, focusing on the intimate modalities through which people interact with their images offers insight into religious, social, and political life, as well as anthropology itself. The "media turn" in anthropology often considers religion as mediation, and media as a bridge with the divine. Lamrani suggests that it is intimacy with (rather than mediation through) such images that make the dead, be they former humans (loved ones) or divine entities (Santa Muerte), present for the living. She is essentially using aesthetics and affect theory to make intimacy her theoretical frame, rather than visual analysis or the "media turn." The manuscript has six chapters divided into three sections. The first section explores what constitutes an image, how to move beyond the idea of it as medium, and how dreams play into these ideas. Part two unpacks her ideas about intimacy, particularly "devotional intimacy" and the "very special dead" (loved ones and saints). The final section covers how images transcend boundaries through different scales of intimacy, from an individual's devotion to their ofrenda (altar) to the Mexican nation's famously intimate relationship with death. A conclusion reflects on devotion to Santa Muerte in Mexico within the landscape of popular religion and political unrest, and summarizes the central argument of this book that "intimacy-understood as a scalable index of closeness which traverses all spheres of sociality-is an anthropological tool to make sense of how people "understand their worlds." (Publisher description)
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"• Engagement with traditional media sources such as TV, print, and news websites continues to fall, while dependence on social media, video platforms, and online aggregators grows. This is particularly the case in the United States where polling overlapped with the first few weeks of the new Trum
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p administration. Social media news use was sharply up (+6pp) but there was no ‘Trump bump’ for traditional sources.
• Personalities and influencers are, in some countries, playing a significant role in shaping public debates. One-fifth (22%) of our United States sample says they came across news or commentary from popular podcaster Joe Rogan in the week after the inauguration, including a disproportionate number of young men. In France, young news creator Hugo Travers (HugoDécrypte) reaches 22% of under-35s with content distributed mainly via YouTube and TikTok. Young influencers also play a significant role in many Asian countries, including Thailand.
• News use across online platforms continues to fragment, with six online networks now reaching more than 10% weekly with news content, compared with just two a decade ago. Around a third of our global sample use Facebook (36%) and YouTube (30%) for news each week. Instagram (19%) and WhatsApp (19%) are used by around a fifth, while TikTok (16%) remains ahead of X at 12%.
• Data show that usage of X for news is stable or increasing across many markets, with the biggest uplift in the United States (+8pp), Australia (+6pp), and Poland (+6pp). Since Elon Musk took over the network in 2022 many more right-leaning people, notably young men, have flocked to the network, while some progressive audiences have left or are using it less frequently. Rival networks like Threads, Bluesky, and Mastodon are making little impact globally, with reach of 2% or less for news.
• Changing platform strategies mean that video continues to grow in importance as a source of news. Across all markets the proportion consuming social video has grown from 52% in 2020 to 65% in 2025 and any video from 67% to 75%. In the Philippines, Thailand, Kenya, and India more people now say they prefer to watch the news rather than read it, further encouraging the shift to personality-led news creators.
• Our survey also shows the importance of news podcasting in reaching younger, better-educated audiences. The United States has among the highest proportion (15%) accessing one or more podcasts in the last week, with many of these now filmed and distributed via video platforms such as YouTube and TikTok. By contrast, many northern European podcast markets remain dominated by public broadcasters or big legacy media companies and have been slower to adopt video versions.
• TikTok is the fastest growing social and video network, adding a further 4pp across markets for news and reaching 49% of our online sample in Thailand (+10pp) and 40% in Malaysia (+9pp). But at the same time people in those markets see the network as one of the biggest threats when it comes to false or misleading information, along with Facebook.
• Overall, over half our sample (58%) say they remain concerned about their ability to tell what is true from what is false when it comes to news online, a similar proportion to last year. Concern is highest in Africa (73%) and the United States (73%), with lowest levels in Western Europe (46%).
• When it comes to underlying sources of false or misleading information, online influencers and personalities are seen as the biggest threat worldwide (47%), along with national politicians (47%). Concern about influencers is highest in African countries such as Nigeria (58%) and Kenya (59%), while politicians are considered the biggest threat in the United States (57%), Spain (57%), and much of Eastern Europe." (Executive summary, page 10-11)
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"How can current debates on ‘media capture’ be understood within the contexts of Africa and Latin America? This edited collection provides a nuanced exploration of media capture—a critical yet contested concept that examines and illuminates how media can become skewed in favour of power—whil
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e also highlighting spaces and strategies of resistance. By adopting a South-South perspective, it brings together scholars focused on these issues in both regions, featuring a dialogue between two leading scholars, Herman Wasserman and Silvio Waisbord in the Foreword. The book not only demonstrates how media practices in Africa and Latin America are influenced by the political economy of their media systems, but also contributes significantly to advancing empirical, theoretical, and comparative research on media in non-Western settings." (Publisher description)
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"In 'Media Compass: A Companion to International Media Landscapes', an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this
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interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more." (Publisher description)
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"Plattformen konstruieren kulturelle Räume aus Kanälen, Memes, Videos, ‚lo-fi‘ Remixen, Cumbias und ‚piñatas‘. Diese Räume werden in der vorliegenden Studie literatur-, kultur- und medienwissenschaftlich betrachtet, wodurch sich transkulturelle und -mediale Perspektiven auf Konzepte wie
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Kultur und Nation eröffnen. Es werden Dynamiken und Akteure analysiert, welche die Räume der Plattformen auf der Ebene der Infrastruktur gestalten, und solche, die (web)-sprachlich-kulturell Communities und Genres produzieren. Sie reichen von bekannten Politikern und YouTubern bis hin zu indigenen Bewegungen in Mexiko. Die Akteure werden über die Figur des ‚señor YouTube‘, als anthropomorphisierter Uploadfilter, gefasst und als Repräsentationsformen untersucht. Die verschiedenen Dimensionen konvergieren in dieser Figur als gesellschaftliche Diskurse, soziokulturelle Räume und informationstechnische Systeme sowie lokalisieren Mexiko in den Welten der Plattformen." (Verlagsbeschreibung)
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"Centered around Mexico as a case study, the book explores the production of political entertainment in post-authoritarian legacy media and how political and economic conditions constrain the range and edge of discourse; how political entertainment in social media is shaped by the structure of platf
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orms, as creators are encouraged to conform to specific norms such as constant publication; and the impacts of these media on attitude formation among the population. The book proposes a theoretical framework for identifying the specific conditions of post-authoritarian democracies that constrain the production of political entertainment, as well as its outcomes in terms of content and effects. This framework can be applied to the analysis of similar case studies, particularly in the Global South at large." (Publisher description)
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"1. Un asunto de identidad: No existe una única definición de lo que es una radio católica y esa circunstancia que puede ser sana también genera división en los medios. [...]
2. Medios para la comunión: Una conclusión que se desprende de las entrevistas aquí realizadas es que los medios poc
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o se comunican entre sí. [...]
3. La financiación: No existe un solo medio en la región que pueda decir que sus finanzas son las más sanas, que no necesita inyección económica alguna o que no desea mejorar sus ingresos. [...]
4. El limbo de la legalidad: Todo medio de comunicación católico se caracteriza, de acuerdo a las conversaciones sostenidas para realizar este libro, por tener una concesión o permiso dentro de la legalidad y si carece de ello es claro que el silencio de los entes reguladores constituye un “permiso” para emitir. [...]
5. La formación y capacitación: Algunos medios de comunicación son robustos en la formación eclesial pero débiles en la capacitación radial. Otros, los menos, son sólidos en lo radial pero flácidos en lo eclesial. [...]
6. Hacia la creatividad: Las radios católicas, en general, proponen a sus audiencias contenidos de fondo, interesantes, formativos, etc. sin embargo su profundidad no se compadece con las formas de presentarlos. [...]
7. La incidencia: Los medios católicos no son protagonistas en la vida de sus regiones y no lo hacen porque no quieren tener problemas con nadie. [...]
8. El sueño de hacer red: Una tarea aplazada en las frecuencias regionales es el trabajo en red del cual se habla, pero no se cristaliza. [...]
9. Evangelizar en una nueva cultura: La experiencia de los medios eclesiales en el entorno digital es concluyente, son más las necesidades que las fortalezas que se tienen. [...]
10. La importancia de las audiencias: Evangelizar al pueblo de Dios ya evangelizado es un círculo vicioso y quizá hasta nocivo para cualquier medio en la medida en que él solo se va cerrando a nuevas posibilidades de escucha. [...]" (Conclisiones, páginas 245-256)
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"The analysis in this report relies on a detailed and comprehensive analysis across 22 distinct markets within three broad sets of industries: (a) Telecommunications and internet access, (b) Online and traditional media services, and (c) Core internet sectors. Through this structured approach, the r
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eport aims to provide a nuanced understanding of the evolving trends within Mexico's communication system and to address a simple yet profoundly important question: are the media—individually and collectively— becoming more or less concentrated? The data presented in this report reveal a pervasive trend of high concentration across nearly all sectors under examination. The majority of sectors demonstrated a high degree of concentration according to the Hirschman Herfindahl Index (HHI), with the Pay TV market recording a substantial HHI of 4444 points, and the Free-to-Air TV market following closely with 3522 points. To be sure, a few sectors bucked such trends, with radio, fixed telephony and internet access markets, for example, all registering HHI scores in the moderate range of the scale, as reported by the Federal Telecommunications Institute (IFT)." (Executive summary, page 1)
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"The abuse and harassment against women journalists has become increasingly frequent and more coordinated in Mexico. As demonstrated throughout this study, it aims to threaten, silence, and stigmatize women journalists, with the potential to keep them out of public spaces. Despite the importance of
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selfcare actions and collective care, State responsibility in Mexico and its institutions at national and local levels to guarantee journalistic work that is free of violence is vital for any democracy. Currently, there are no public policies based on an intersectional approach that would allow a proper and relevant response to the patterns of violence against women journalists. The shortsightedness with which institutional responses have been developed has failed to generate protections or reparation. It has not managed to change the context of violence to which women journalists are subjected, nor modify the structural inequality between men and women. Moreover, the levels of impunity in the country still lead to violence materializing into crime. The recommendations of this paper seek to share the best practices from civil society groups and networks working to enhance existing protocols while defending women journalist´s freedom of expression and freedom of the press." (Conclusions)
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"Artificial Intelligence (AI) is woven into a supply chain of capital, commodities and human labour that has been neglected in critical debates. Given the current surge in generative AI – which is estimated to drive up the extraction of natural resources such as minerals, fossil fuels or water –
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it is vital to investigate its entire production line from a critical infrastructural perspective. Drawing on the supply chain capitalism, a concept coined by Anna L. Tsing in 2009, this paper contributes to critical AI studies by investigating the structure of AI supply chains, taking into account the mining, electronics, digital and e-waste industry. This paper illustrates how the supply chain capitalism of AI is precipitating geographical asymmetries connected to contested struggles in México by focusing on a key element of these chains: data centres. In times of climate emergency, this paper calls to reconsider algorithmic harms and resistance by investigating the entire capitalist production line of the AI industry from critical and environmental lens." (Abstract)
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"This article focuses on collaborative investigative journalism across the U.S.-Mexico (Global North-South) border. The frame theoretical study examines how virtual and inperson cross-border collaboration counters xenophobic frames and contextualizes coverage of Central America and Mexico and forced
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migration from the region between 2016 and 2022. The study found that cross-border collaborative journalism effectively exposed wrongdoing by the Central American, Mexican, and U.S. governments while countering misinformation about Central American and Mexican migrants. The coverage also expanded humanitarian frames, providing nuanced descriptions of the suffering of Central American and Mexican citizens. However, a deep historical context concerning U.S. hegemony in Central America and its impact on the cycle of violence and forced migration was missing from the coverage produced in virtual collaboration. The most critical and contextual coverage was produced in in-person collaborations, where journalists from both sides of the North-South border worked side by side in Central America. The findings raise concerns about what kinds of context, dialogue, and awareness fail to emerge in North-South collaborations limited to virtual spaces." (Abstract)
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