"While acknowledging the contribution of the dominant Hindi Sanskritic narrative tradition to the shaping of popular Hindi cinema, this chapter aims to explore the alternative narrative streams that have governed storytelling in Hindi films, particularly the Perso-Arabic legacy of the qissa and dast
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an that has been erased or marginalised in the construction of national cinema. Through tracing the disruption of the dominant Hindu epic narratives by the Perso-Arabic qissa or dastan, it will show that it is the imbrication of the Perso-Arabic heritage with the Hindu Sanskritic that constructs the syncretic cinematic universe of the Hindi film." (Pages 183-184)
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"On the whole, it seems religious television viewing had moderate or no influence whatsoever at attitudinal level among Hindu and non-Hindu viewers. In the light of the analysis, it is argued that strongly held religious beliefs and cultural dictates would not get influenced by religious television
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viewing as it lacked religious and spiritual sanctity." (Page 17)
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"Digital Religion offers a critical and systematic survey of the study of religion and new media. It covers religious engagement with a wide range of new media forms and highlights examples of new media engagement in all five of the major world religions. From cell phones and video games to blogs an
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d Second Life, the book provides a detailed review of major topics; includes a series of case studies to illustrate and elucidate the thematic explorations; considers the theoretical, ethical and theological issues raised." (Publisher description)
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"Hindu nationalists defend the advent of a Hindu state in India, while projecting the universal appeal of their ideology. Their very territorialised yet universal claims have been finding particular resonance among migrant populations, particularly in North America. This study strives to go beyond c
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ontent analyses that foreground voices to focus on the network structure in order to highlight the new transnational practices of nationalism. Two main points emerge from this in-depth scrutiny. On the one hand, Hindu nationalist organisations have transferred their online activities mainly to the USA, where the Indian diaspora is 3.2 million strong and constitute therefore a prime example of long-distance transnationalist nationalism. On the other hand, the morphological discrepancies between the online and the offline networks point to new strategies of discretion developed to evade the gaze of authorities in countries of residence. The recourse to such cartographies thus becomes crucial not only in understanding what sectarian or illegal movements do but also what they seek to hide." (Abstract)
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"This book looks at religion in a transnational and global context and presents a systematic account of the methods undertaken by modern day missionaries to convert people. The author seeks to understand the outworking of the American phenomenon of televangelism in India, in a new historical, cultur
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al, religious, political and economic setting. He likens global televangelism to 'McDonaldisation', because of its standardised, 'one size fits all' approach. 'Glocal' televangelism - the fusion of the American and Indian evangelism - is referred to as 'Masala McGospel' because of the overwhelming presence of the global, American grammar and logic in the presentation and style of these programmes in India. The author then goes on to show how a disjunction is being created in Hindu televangelism because of such blending of American techniques with the holiness of ancient scriptures, making them subservient to the modern day aspirations of globalisation and consumerism." (Publisher description)
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"This book examines the incorporation of newly accessible mass media into practices of religious mediation in a variety of settings including the Pentecostal Church and Islamic movements, as well as the use of religious forms and image in the sphere of radio and cinema." (Publisher description)
"Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the A
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CK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production." (Publisher description)
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"This book contains the presentations of a Roundtable of invited scholars organized by the FABC-Office of Social Communication (FABC-OSC) October 3-7, 2005 at Assumption University Huamak campus in Bangkok, in cooperation with the Graduate School of Philisophy and Religion of Assumption University a
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nd the Asian Research Center for Religion and Social Communication (ARC) at St. John's University, Bangkok. The concern of the roundtable with some 20 participants was a deeper understanding of Social Communication in Religious Traditions of Asia. Social Communication defined as the communication of and in human society is part and parcel of every religion. The question was: How is this seen and practiced in the different religious traditions of Asia? With the publication of this volume, we would like to make people, especially communication scholars and theologians, more aware of the communication dimenstion of religions in Asia. Communication is not just the use of technical means and instruments like the mass media. It is a dimension of human and spiritual life which should be essential for any religious thinking and practice. It is also because of this that we purposely maintained and use the Vatican II expression 'Social Communication' which refers to all communicative processes and practices in human society." (Publisher description)
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