Document details

Music and Digital Media: A Planetary Anthropology

London: UCL Press (2022), xvi, 526 pp.

ISBN 978-1-80008-244-1

CC BY-NC

"Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory." (Publisher description)
1 Introduction: music, digitisation and mediation – for a planetary anthropology / Georgina Born, 1
2 Soundtracks in the silicon savannah: digital production, aesthetic entrepreneurship and the new recording industry in Nairobi, Kenya / Andrew J. Eisenberg, 46
3 ‘In the waiting room’: digitisation and post-neoliberalism in Buenos Aires’ independent music sector / Geoff Baker, 90
4 Oral traditions in the aural public sphere: digital archiving of vernacular musics in North India / Aditi Deo, 135
5 Online music consumption and the formalisation of informality: exchange, labour and sociality in two music platforms / Blake Durham and Georgina Born, 177
6 Max, music software and the mutual mediation of aesthetics and digital technologies / Joe Snape and Georgina Born, 220
7 Remediating modernism: on the digital ends of Montreal’s electroacoustic tradition / Patrick Valiquet, 267
8 The dynamics of pluralism in contemporary digital art music / Georgina Born, 305
9 Music and intermediality after the internet: aesthetics, materialities and social forms / Christopher Haworth and Georgina Born, 378
10 Postlude: musical-anthropological comparativism – across scales / Georgina Born, 439