"I begin this chapter with a review of the scholarly literature on music scenes during and after political transitions. Next, I report on how Myanmar's popular music scene developed in the immediate wake of the cancellation of censorship. I argue that the popular music scene is being significantly affected by the democratic transition, and that just months after the censorship of recordings ceased, the scene was already marked by important changes. I describe four important changes that were evident less than one year after government censorship ended: the involvement of Anglo foreigners, the democratization of the Myanmar Musicians Association, an increased range of artistic expression, and a shift in how musicians earned (or anticipated earning) income. This chapter concludes by speculating about possible further changes in the Myanmar popular music scene." (Page 268)