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Language
Document type
Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
The Bloomsbury Handbook of Religion and Popular Music
London et al.: Bloomsbury Academic (2017), xiv, 425 pp.
"The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifi
...
Developing Cultural Industries: Learning from the Palimpsest of Practice
Amsterdam: European Cultural Foundation (2015), 192 pp.
"Christiaan scrutinizes existing concepts of cultural and creative industries, as applied in public policies in African countries and largely inluenced by programmes of intergovernmental development agencies. He then searches for empirical evidence of their true value for human development. He looks
...
Entertainment-Education Through Folksongs
In: Entertainment-Education for Health Behaviour Change: Issues and Perspectives in Africa
Chima E. Onuekwe (ed.)
Victoria, BC: Friesen Press (2015), pp. 63-77
"This paper makes a critical appraisal of the impact of folksongs in entertainment education. The paper adopts historical methodology and is anchored on the social learning theory." (Abstract)
Hallyu 2.0: The Korean Wave in the Age of Social Media
University of Michigan Press (2015), vi, 268 pp.
"Collectively known as Hallyu, Korean music, television programs, films, online games, and comics enjoy global popularity, thanks to new communication technologies. In recent years, Korean popular culture has also become the subject of academic inquiry. Whereas the Hallyu's impact on Korea's nationa
...
Sound des Jahrhunderts: Geräusche, Töne, Stimmen 1889 bis heute
Bonn: Bundeszentrale für politische Bildung (bpb) (2013), 629 pp.
"Das Buch spürt all den akustischen Zeugnissen nach, die das 20. Jahrhundert prägten. Ein Großteil unserer Orientierung in der Welt gewinnen wir über das Hören. Das Ohr nimmt vor allem den emotionalen Aspekt einer Information auf. Manche Geräusche sind lebenslang im Unterbewusstsein gespeicher
...
The Korean Wave: Korean Media Go Global
London; New York: Routledge (2013), xvi, 233 pp.
"Since the late 1990s South Korea has emerged as a new center for the production of transnational popular culture – the first instance of a major global circulation of Korean popular culture in history. Why popular (or not)? Why now? What does it mean socially, culturally and politically in a glob
...
„The Whole Idea is to Entertain Them": Musik im indischen Wahlkampf
Mainz: Johannes Gutenberg-Universität, Institut für Ethnologie und Afrikastudien (2012), 93 pp.
"Music is an omnipresent part of the often so-called great Indian election circus and much more than a mere by-product of what is the greatest democratic exercise worldwide. Songs and tunes are an integral part of political communication, strategically used by political actors which are confronted w
...
Static: Race and Representation in Post-Apartheid Music, Media and Film
Cape Town: HSRC Press (2012), xvi, 240 pp.
"Static: Race and Representation in Post-apartheid Music, Media and Film critically examines music, cinema, social media and the politics of change after apartheid. It cuts across academic disciplines, the creative arts and the media and poses two central questions: Is South Africa changing for the
...
The Bongo Flava Industry in Tanzania and Artists' Strategies for Success
Mainz: Johannes Gutenberg University, Department of Anthropology and African Studies (2011), 21 pp.
"Bongo Flava is a Tanzanian category of contemporary urban youth music related to four simultaneous developments: democratization, privatization, globalization and media digitalization. Stylistically, it comprises Hiphop and R&B as well as other styles which have been appropriated by local artists w
...
Los sistemas expresivos del lenguaje audio
Córdoba: Copy-Rápido, 2nd ed. (2011), 177 pp.
Analyzing Taliban Taranas (chants): An Effective Afghan Propaganda Artifact
Small Wars & Insurgencies, volume 22, issue 1 (2011), pp. 3-31
"This article describes and analyzes a little understood Afghan Taliban propaganda tool: chants or taranas. These melodic refrains effectively use historical narratives, symbology, and iconic portraits. The chants are engendered in emotions of sorrow, pride, desperation, hope, and complaints to mobi
...
Promoviendo Industrias Creativas: La experiencia de Trinidad y Tobago
Programa de las Naciones Unidas para el Desarrollo (PNUD) (2010), 36 pp.
El derecho de autor y los derechos conexos en la industria de la música
Bogotá: Unidad Administrativa Especial (2009), 47 pp.
Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion
Cape Town: HSRC Press (2008), xxiv, 264 pp.
"Stealing Empire poses the question, "What possibilities for agency exist in the age of corporate globalisation?" Using the work of Antonio Negri and Michael Hardt as a point of entry, Adam Haupt delves into varied terrain to locate answers in this ground-breaking inquiry. He explores arguments abou
...
Guia do mercado brasileiro da música 2008/2009
São Paulo: Imprensa Oficial do Estado de São Paulo;Instituto Totem Cultural (2008), 303 pp.
Industrias culturales, músicas e identidades: Una mirada a las interdependencias entre medios de comunicación, sociedad, cultura
Bogotá: Editorial Pontificia Universidad Javeriana (2008), 396 pp.
Unbequeme Kinder der Globalisierung: Musik als Instrument der Rebellion
Düsseldorf: DGB Bildungswerk (2006), 61 pp.
Becoming a Global Audience: Longing and Belonging in Indian Music Television
New York et al.: Peter Lang (2003), 155 pp.
Weltmusik
Stuttgart: Metzler (2000), xiii, 890 pp.
Dance, Media-Entertainment, and Popular Performance in South East Africa
Bayreuth: Breitinger (1998), 286 pp.
