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Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Producción, coproducción e intercambio de cine entre España, América Latina y el Caribe
Deep Insights
Madrid; La Habana: Fundación Carolina; Fundación del Nuevo Cine Latinoamericano (2006), 63 pp.
La historia argentina a través del cine: Las "visiones del pasado" (1933-2003)
Buenos Aires: La Crujía (2006), 209 pp.
Der swahilisprachige Videofilm Girlfriend: Eine Sprachanalyse
Mainz: Institut für Ethnologie und Afrikastudien, Johannes Gutenberg-Universität (2006), iv, 95 pp.
"Girlfriend als Teil des afrikanischen Videobooms zeigt, dass die Produktion von Filmen im Videoformat eine Möglichkeit für tansanische Regisseure ist, Filme mit ihren eigenen Themen in ihrer eigenen Sprache für den ostafrikanischen Markt gewinnbringend zu vermarkten. Die Swahili-Videofilme sind
...
Contemporary Asian Cinema: Popular Culture in a Global Frame
Oxford: New York: Berg (2006), vi, 250 pp.
"With chapters on Indonesia, Malaysia, Singapore, Vietnam, Thailand, the Philippines, India, Sri Lanka, Bangladesh, Korea, Mainland China, Taiwan, Hong Kong and Japan, the book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspe
...
Kabul, Teheran 1979ff: Filmlandschaften, Städte unter Stress und Migration
Berlin: b_books (2006), 395 pp.
"1979: Im Iran wird der Schah gestürzt, die islamische Republik entsteht; parallel eskaliert mit dem sowjetischen Einmarsch der Bürgerkrieg in Afghanistan. Bilder über Afghanistan waren seither zumeist Bilder der Zerstörung. Diesen Außenansichten setzt ›Kabul/ Teheran 1979 ff‹ Perspektiven
...
The Bible in Film - the Bible and Film
Leiden; Boston: Brill (2006), vii, 190 pp.
"There are films that retell biblical narratives and there are films that allude to the Bible or otherwise build on or appropriate biblical themes and images. The eleven lively and provocative articles in this volume explore both types of film, showcasing the cinema's impact on the perception of the
...
Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema
London et al.: Routledge (2006), ix, 143 pp.
African Filmmaking: North and South of the Sahara
Deep Insights
Edinburgh; Bloomington: Edinburgh University Press; Indiana University Press (2006), xv, 224 pp.
Iranian Cinema and the Islamic Revolution
Jefferson, N.C.; London: McFarland (2006), ix, 200 pp.
"Until recent years Iranian cinema was relatively unknown. Even now, in spite of international award-winning productions, it is under-exposed relative to films from other countries. This volume examines Iranian cinema before and after the Islamic Revolution of 1979." (Publisher description)
Dreams of a Nation: On Palestinian Cinema
London, New York: Verso (2006), 213 pp.
Cine y espiritualidad: Metodología para la formación
Key Guides
Quito: Organización Católica Latinoamericana y Caribeña de Comunicación (OCLACC) (2006), 147 pp.
Cinémas engagés
Manière de Voir (Le Monde Diplomatique), issue 88 (2006), 98 pp.
"Un panorama du « cinéma engagé » sous deux de ses aspects : en première partie, onze auteurs examinent la façon dont le cinéma, dans différents pays et à différents moments de son histoire, aborde le plus chargé de tous les thèmes sociaux, celui de la guerre. La seconde partie entrepren
...
Film and Television: A Guide to the Reference Literature
Westport, Conn.: Libraries Unlimited (2006), xvi, 366 pp.
Das Bollywood-Fanbuch
Augsburg: Weltbild, 2nd ed. (2006), 224 pp.
Audiovisuales de combate: Acerca del videoactivismo contemporáneo
Buenos Aires: La Crujía (2006), 176 pp.
Cinéma Divinité: Religion, Theology and the Bible in Film
London: SCM (2005), xvii, 373 pp.
50 christliche Film-Klassiker
Holzgerlingen: Hänssler (2005), 115 pp.
Der Filmkanon: 35 Filme, die Sie kennen müssen
Bonn: Bundeszentrale für politische Bildung (bpb) (2005), 272 pp.
Little Friends: Children's Films and Media Culture in China
Lanham: Rowman & Littlefield (2005), xiv, 139 pp.
Postcolonial Images: Studies in North African Film
Bloomington: Indiana University Press (2005), xv, 278 pp.
"[...] Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indige
...
