Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Amsterdam; Boston; Amsterdam et al.: Focal Press;Elsevier ScienceDirect (2009), ix, 326 pp.
Contains bibliogr. pp. 309-315, index
ISBN 978-0-240-80973-1; 978-0-08-092764-0
1 Introduction, 1
I. FINDING IT
2 What are archival materials? 15
3 Finding what you need, 25
4 Should you hire a professional? 51
5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington, 61
II. USING IT
6 Practical considerations, 85
7 Ordering what you need, 97
8 Creative considerations, 117
9 An ongoing process: A conversation with Geoffrey C. Ward, 131
10 Ethical considerations: A roundtable, 141
III. LICENSING IT
11 Introduction to rights and licenses, 159
12 The public domain, 189
13 Getting theings right: A conversation with Lawrence Lessig, 201
14 Fair use, 211
15 Fair dealing, moral rights, and more: A conversation with Hubert Best, 229
16 Licensing visuals, 241
17 Licensing music, 265
18 Legal considerations: A roundtable, 283
19 Afterword, 295
I. FINDING IT
2 What are archival materials? 15
3 Finding what you need, 25
4 Should you hire a professional? 51
5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington, 61
II. USING IT
6 Practical considerations, 85
7 Ordering what you need, 97
8 Creative considerations, 117
9 An ongoing process: A conversation with Geoffrey C. Ward, 131
10 Ethical considerations: A roundtable, 141
III. LICENSING IT
11 Introduction to rights and licenses, 159
12 The public domain, 189
13 Getting theings right: A conversation with Lawrence Lessig, 201
14 Fair use, 211
15 Fair dealing, moral rights, and more: A conversation with Hubert Best, 229
16 Licensing visuals, 241
17 Licensing music, 265
18 Legal considerations: A roundtable, 283
19 Afterword, 295
