Document details

Drugs, Thugs, and Divas: Telenovelas and Narco-Dramas in Latin America

Austin: University of Texas Press (2008), x, 245 pp.

Contains bibliogr. pp. 217-227, index

ISBN 978-0-292-79466-5 (ebook); 978-0-292-71712-1 (pbk)

"In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture." (Publisher description)
1 Melodrama as Ambiguous Signifier: Latin American Telenovelas and Narco-Dramas, 1
PART ONE
2 Seeing Xica and the Melodramatic Unveiling of Colonial Desire, 25
3 Producing the Global West through Latin Tales of Seduction and Envy, 46
4 Karen’s Seduction: The Racial Politics of Appropriate Dinner Guests, 67
5 A Mother’s Wrath and the Complex Disjuncturing of Class, 88
PART TWO
6 Being Narco: The Evolution of a Continental Sensibility, 111
7 Saintly Figures and Icons: The Migration of a Continental Dream, 132
8 La Reina del Sur: Gender, Racial, and National Contestations of Regional Identity, 152
9 Sex, Drugs, and Cumbia: The Hybrid Nature of Culture, 171
10 Conclusion: The Postcolonial Politics of Melodrama, 191
POSTSCRIPT
Ugly Betty, 211