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Television, Emotion and Prison Life: Achieving Personal Control
Participations: Journal of Audience & Reception Studies, volume 12, issue 1 (2015), pp. 19-40
"This article describes the precarious and sensitive relationship prisoners have with television; it focuses exclusively on the voices of male prisoners to identify how they relate to their viewing experiences within the prison space. This article foregrounds the chief emotional responses prisoners
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Bücher öffnen Welten: Medienangebote für Menschen in Haft in Deutschland und international
Berlin: De Gruyter Saur (2013), x, 416 pp.
"In diesem Band wird sowohl das Gefangenenbüchereiwesen in Deutschland als auch international vorgestellt. Neben der Geschichte der Gefangenenbüchereien werden die Gesetzesgrundlagen und unterschiedliche Bibliotheksangebote für Menschen in Haft erstmalig in einem Band zusammengefasst." (Verlagsbe
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Raising the Civil Dead: Prisoners and Community Radio
New York: Peter Lang (2012), 275 pp.
"Internationally, radio that operates for, or by, prisoners exists almost exclusively within the community radio context. Little has been documented about the genre so far. Raising the Civil Dead seeks to address this lack of information. It examines prisoners' radio as citizens' media, connecting d
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Gefängnisfilm: Ein enzyklopädischer Eintrag
Hamburg: Universität Hamburg, Institut für Germanistik (2010), 10 pp.
"Der Gefängnisfilm ist letztlich ein Gangsterfilm, der seinen Haupthandlungsschauplatz in die Haftanstalt verlegt hat und dort entweder von der Läuterung des Gangsters, von dem Schicksal eines zu Unrecht Verurteilten oder einem Gefängnisaufstand erzählt. Gerade der amerikanische Gefängnisfilm n
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Applied Theatre: International Case Studies and Challenges for Practice
Bristol: intellect (2009), vii, 224 pp.
"Applied Theatre is the first collection to assist practitioners and students in developing critical frameworks for their own community-based theatrical projects. The editors draw on thirty case studies in applied theatre from fifteen countries—covering a wide range of applications from theatre, e
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Why We Write: The Politics and Practice of Writing for Social Change
New York; Abingdon: Routledge (2005), 191 pp.
"This volume grew out of the Why We Write conference held at Columbia University in the spring of 2003. The conference was the second part of a series of conferences organized by graduate students in the history department that explored issues related to history, social change, and the politics of w
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Captured by the Media: Prison Discourse in Popular Culture
Cullompton: Willan Publishing (2005), xii, 240 pp.
"This book turns on the television, opens the newspaper, goes to the cinema and assesses how punishment is performed in media culture, investigating the regimes of penal representation and how they may contribute to a populist and punitive criminological imagination. It places media discourse in pri
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