"Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in deal
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ing with their recent history: 'What really happened to us?' and, accordingly, 'Why?' The book covers important issues in Russian television today, including:"the reworking of new 'national' on-screen heroes its relationship with classic literature, the revisionist portrayal of a romantic portrait of life in the Soviet era, the role of thematic elements such as love, fidelity, humour and irony, the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration." This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society." (Publisher description)
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"The text focuses on the process of genre analysis, using the selected approaches discussed. The book provides examples and analyses of genres in an effort to support, illustrate, and extend any abstract concepts that have been introduced. More important, it gives students the theoretical tools to c
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onduct their own primary research into genres. In that sense, the methodology is expansive rather than reductive. Presumably, two students could conduct an analysis of the same genre using different approaches and come up with divergent interpretations. In all cases, for an interpretation to be valid: (1) the analysis must be systematically applied, and (2) the analysis must be supported with concrete examples from the text (i.e., film, television episode, newspaper). It must be emphasized, however, that depending on the specific area of study, one approach may be more useful than another." (Preface, page xiii)
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"There is a great deal at stake for everyone in the future of Arab television. Political and social upheavals in this central but unsettled region are increasingly played out on television screens and in the tussles over programming that take place behind them. Al-Jazeera is of course only one playe
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r among a still-growing throng of satellite channels, which now include private terrestrial stations in some Arab states. It is an industry urgently needing to be made sense of; this book does exactly this in a very readable and authoritative way, through exploring and explaining the evolving structures and content choices in both entertainment and news of contemporary Arab television. It shows how owners, investors, journalists, presenters, production companies, advertisers, regulators and media freedom advocates influence each other in a geolinguistic marketplace that encompasses the Arab region itself and communities abroad." (Publisher description)
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"Der Band ist eine systematische und grundlegende Einführung in die Medieninhaltsforschung in Deutschland. Der erste Teil beschäftigt sich mit der quantitativen Inhaltsanalyse als Methode und gibt dem Leser Kriterien an die Hand, die ihm die Beurteilung der Qualität und die Interpretation von inh
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altsanalytischen Befunden erleichtern sollen. Der zweite Teil stellt die wichtigsten Ergebnisse inhaltsanalytischer Studien in den Bereichen aktuelle Berichterstattung (z.B. Politikdarstellung, Gewaltanteil, Darstellung von Risiken), unterhaltende Medieninhalte sowie Werbung zusammen. Ziel des Lehrbuchs ist ein systematischer Überblick über die Medieninhalte in Deutschland." (Verlagsbeschreibung)
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"In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media like film and television, as well as through particularistic media like home movies and videos. "Shooting the Family" has a
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double meaning. On the one hand, this book claims that the family is under pressure from the forces of globalization and migration; it is the family that risks being shot to pieces. On the other hand, family matters of all kinds, including family values, are increasingly being constructed and refigured in a mediated form. The audiovisual family has become an important medium for intercultural affairs - this is a family that is being re-established as a place of security and comfort in times of upheaval; it is the family shot by cameras that register and simultaneously create new family values." (Publisher description)
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"In this volume, experts discuss the content, audiences, and cultural and legal aspects of their respective countries, all of which are major TV markets. The country-specific chapters draw on the individual insights, expertise, and currency of 10 resident authors. Contributions represent every hemis
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phere of the globe, offering detailed examinations of media entertainment in United Kingdom, Germany, Egypt, Nigeria, South Africa, India, Japan, China, Brazil, and Mexico. The two concluding chapters provide cross-national case studies that look at familiar TV experiences - The Olympics and the "Who Wants to Be a Millionaire" show - in global and novel ways." (Publisher description)
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"The objective of this document is to outline a framework for a communication policy (content regulation) that can tackle portrayal and representation issues. The main obstacle in the way to do sensible content regulation concerning stereotyped representations is that these portrayals perform their
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effect in a longitudinal and cumulative way – features that make these phenomena as social facts easy to analyze for social scientists, but make it rather difficult to be addressed by media regulators, because content restrictions –on human dignity, privacy, and professional standards– seek to address content issues through the portrayed individual’s right to appropriate media treatment. This discrepancy results in serious moral and justice-related concerns especially in the case of the portrayal of economically disadvantaged groups by television factual entertainment programs, such as current affair entertainment and human interest magazines, confessional chat shows, police magazines, crime buster shows, docusoaps, ambulance and hospital reality programs, etc; programs which have occupied solid positions in commercial stations’ prime time program." (Results of content and production analysis, page 3)
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"Como sao feitos os programas de televisao? Quem sao os profissionais que trabalham na TV e o que fazem? Como funciona a engrenagem desse circo eletronico? Nossa televisao e uma das melhores do mundo, mas quase nao temos livros que expliquem como ela funciona. Daniel Filho - um dos maiores diretores
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e produtores da televisao brasileira - conta aqui alguns segredos dessa maquina, num livro inteiramente atual que inclui: capitulos sobre producao, direcao, equipe, atores, concorrencia e audiencia, entre outros, alem de um dedicado exclusivamente a Janete Clair, com facsimile do 1 capitulo da novela "Pecado capital"; mais de 800 imagens, incluindo material iconografico nunca publicado: fotos de cenas e bastidores de programas, storyboards, plantas de cenarios e desenhos de figurinos; alguns depoimentos de profissionais da TV, desde estrelas como Tony Ramos e Regina Duarte, ate autores como Gilberto Braga e Euclydes Marinho." (Descrição da casa editora)
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"Divided into three parts, the book moves from the European broadcasting environment, through current patterns and trends in programming and programme making, to TV genres and issue-specific broadcasting. Incorporating a range of pedagogical devices: boxes of key facts, activities and notes for furt
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her reading, Television across Europe offers an essential introductory guide to television in Western Europe." (Publisher description)
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"Die Autorin beschreibt die spezifische ästhetische Erscheinungsform des Fernsehens, die Vermittlungsstruktur seiner Inhalte, narrative Vermittlungsformen und seine kollektive mediale Wirkung. Dabei wird erstmals die Vielzahl der vorliegenden Publikationen zu Teilaspekten der Fernsehvermittlung in
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eine umfassende Darstellung integriert." (Verlagsbeschreibung)
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