"Der Band basiert auf einer Tagung der Sektion Religionssoziologie in der Deutschen Gesellschaft für Soziologie. Er vereinigt sowohl theoretische als auch empirische Beiträge." (Verlagsbeschreibung)
"From outbreaks of the flesh eating viruses Ebola and Strep A, to death camps in Bosnia and massacres in Rwanda, the media seem to careen from one trauma to another, in a breathless tour of poverty, disease and death. First we're horrified, but each time they turn up the pitch, show us one image mor
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e hideous than the next, it gets harder and harder to feel. Meet compassion fatigue--a modern syndrome, Susan Moeller argues, that results from formulaic media coverage, sensationalized language and overly Americanized metaphors. In her impassioned new book, Compassion Fatigue, Moeller warns that the American media threatens our ability to understand the world around us. Why do the media cover the world in the way that they do? Are they simply following the marketplace demand for tabloid-style international news? Or are they creating an audience that as seen too much--or too little--to care? Through a series of case studies of the Four Horsemen of the Apocalypse--disease, famine, death and war--Moeller investigates how newspapers, newsmagazines and television have covered international crises over the last two decades, identifying the ruts into which the media have fallen and revealing why. Throughout, we hear from industry insiders who tell of the chilling effect of the mega- media mergers, the tyranny of the bottom-line hunt for profits, and the decline of the American attention span as they struggle to both tell and sell a story. But Moeller is insistent that the media need not, and should not, be run like any other business. The media have a special responsibility to the public, and when they abdicate this responsibility and the public lapses into a compassion fatigue stupor, we become a public at great danger to ourselves." (Publisher description)
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"This work is an attempt to use theatre in a political context to create a truer form of democracy - a method to engage the populace. At the heart of Boal's method of Forum Theatre - which is already used in diverse contexts - is the dual meaning of the verb "to act": to perform and take action. In
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'Legislative Theatre' he takes one stage further his concept of the "spect-actor" - the spectator who intervenes in an unresolved scenario on stage and attempts to break a depicted cycle of oppression. As a politician in his native Rio de Janeiro, Boal demonstrated that his ideas of mixing theatre and politics could generate needed legislation and social change. This amazing work includes full explanation of the development and principles of legislative theatre and a description of the process in operation in Rio. Also included are essays, speeches, and lectures on Popular Theatre, Paulo Freire, cultural activism, and the point of playwriting that Boal has written since his involvement with Brazilian Parliament." (Intermediate Technology Bookshop 2000 catalogue)
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Includes articles on: tracking change together; monitoring and evaluating in the Nepal-UK Community Forest Project; participatory self-evaluation on World Neighbours, Burkina Faso; institutional issues for monitoring local development in Ecuador; growing from the grassroots: building participatory p
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lanning, monitoring and evaluation methods in PARC; ELF - three year evaluation; Participatory monitoring and evaluation in flood proofing pilot project.
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"This short book describes an Oxfam video team's experience of using video as a participatory development tool in a rural community in Vietnam. The author describes the process in detail, including the day-to-day details of the team's stay in Ky Nam village, with team members, villagers and the comm
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une and district authorities' reactions. This is a critical reflection on the issues raised, how villagers' expectations were heigthened by the work but not always fulfilled, and how the nature of 'participation' is more complex than first appears. The book makes a powerful claim for the usefulness of this medium. It will be interesting reading not only for development workers with an interest in video work, but for anyone committed to participatory approaches to development." (Media development, nr. 2/1999 pages 79-80)
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"This handbook covers most aspects of journals publishing and journals management, but special emphasis is put on systems management, subscription fulfilment, financial control, and effective marketing and distribution, including a chapter on journals marketing on the internet. It also includes a se
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ries of model guidelines, model forms, and other documentation that provide illustrative examples of good practice. Additionally, a resources section gives names and addresses of major subscription agents worldwide, resources for developing mailing lists, and details of major review and publicity outlets for African journals. There is also a annotated bibliography and a appendix about "Professional editorial standards" which sets out the requisite skills needed by all those editing in the English-language print media." (Catalogue African Books Collective 1998)
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"This collection • reveals the dynamic position of the arts and culture in post-independent countries through changes in both influences and audiences; • shows African theatre to be about aesthetics and rituals, the sociological and the political, the anthropological and the historical; • exam
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ines theatre’s role as a performing art that represents ethnic identities and defines intercultural relationships; • investigates African theatre’s capacity to combine contemporary cultural issues into the whole artistic fabric of performing arts; • considers the variety of voices, forms and practices through which contemporary African intellectual circles are negotiating the forces of tradition and modernity." (Back cover)
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"With the increasing use of PRA methods and practices by NGOs, governments and multinational agencies, the potential impact for poor people is phenomenal. The book demonstrates the far-reaching implications of such approaches for the development sector. It is presented in an easily readable three pa
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rt structure. Part 1 explores case studies in which participatory methods and approaches have been used to influence policy, Part 2 concentrates on PPA (Participatory Poverty Analysis), an innovative approach designed to bring local poverty and policy analysis into the policy process, and Part 3 discusses key issues arising during the Institute of Development Studies workshop, and includes chapters by several participants." (Catalogue Intermediate Technology Publications 2000)
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