"Popular theatre occupies a special space in Matabeleland because it is situated in the everyday lives of ordinary people, and is able to articulate their experiences and to create spaces for them to ‘speak to power’. In the wake of the Gukurahundi massacres and perceived marginalization of Matabeleland in the 1980s, theatre groups used their plays to probe issues that were shunned by mainstream media. We argue that theatre has been used as part of radical citizen media in a context in which mainstream public spheres are restricted. We also demonstrate that theatre groups in Matabeleland have shifted between ‘Matabeleland particularism’ and addressing broader, ‘national’ concerns, reflecting historical context. However, theatre is not always used to express views that support the downtrodden against the establishment. In the Matabeleland case and also Zimbabwe as a whole, theatre has also been employed by the state and other pro-establishment groups for ideological mobilization." (Abstract)