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Perpetrators in Documentaries on Genocide
Edinburgh: Edinburgh University Press (2026), 268 pp.
"Perpetrators in Documentaries on Genocide is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading,
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Televisión con memoria: Entrevistas a creadores de ficción histórica en Chile y Colombia
Berlin; Bogotá: Laboratorio de Investigación de la Memoria y Métodos Digitales (GUMELAB); Friedrich-Ebert-Stiftung (FES); FES Comunicación (2025), 395 pp.
"La televisión latinoamericana no solo entretiene, también recuerda. En Chile y Colombia, series y telenovelas han hecho de la pantalla un espacio donde se discute la historia reciente, la dictadura, el conflicto armado, el narcotráfico, la corrupción. En Televisión con memoria, la historiadora
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Latin America's Contested Pasts in Telenovelas and TV Series: History as Fuel for Entertainment
Deep Insights
Berlin: De Gruyter (2025), xxii, 381 pp.
"In Latin America, the production of telenovelas and TV series about the region's recent and traumatic past has grown considerably in the last 20 years, affecting societal perceptions of the past, historical consciousness, and political culture. While these TV products are usually perceived as trivi
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Holocaust Representations in Animated Documentaries: The Contours of Commemoration
Edinburgh: Edinburgh University Press, 1st ed. (2024), xvii, 242 pp.
"Animated documentaries dealing with the Holocaust, Holocaust survivors, and their descendants constitute a new phenomenon and inaugurate a new field of Holocaust commemoration. This book is the first comprehensive analysis of animated Holocaust documentaries. It explores movies produced in the USA,
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Microhistories of Memory: Remediating the Holocaust by Bullets in Postwar West Germany
New York; Oxford: Berghahn (2024), xxxii, 244 pp.
"The West German novel, radio play, and television series, Through the Night (Am grünen Strand der Spree, 1955-1960), which depicts the mass shootings of Jews in the occupied Soviet Union during World War II, has been gradually regaining popularity in recent years. Originally circulated in post-war
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Historical Media Memories of the Rwandan Genocide: Documentaries, Films, and Television News
Edinburgh: Edinburgh University Press (2024), xii, 297 pp.
"The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in 39 countries between 1994 and 2021. Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreati
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Mediating Violence from Africa: Francophone Literature, Film, and Testimony after the Cold War
Lincoln: University of Nebraska Press (2023), xx, 227 pp.
"Mediating Violence from Africa explores how African and non-African Francophone authors, filmmakers, editors, and scholars have packaged, interpreted, and filmed the violent histories of post–Cold War Francophone Africa. This violence, much of which unfolded in front of Western television cameras
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Romper el silencio: Historias para no repetir la historia. Una estrategia de eduentretenimiento basada en la realidad colombiana, para cambiar la realidad colombiana
Bogotá: Fundación Imaginario (2022), 8 pp.
"A través de historias que nos conmueven y nos tocan emocionalmente, Romper el Silencio tiene como objetivo enseñarnos a escuchar a otras personas con apertura y empatía, aunque piensen distinto; a reconocer sus argumentos aunque no sean los nuestros; a respetar sus ideas sin señalamientos y al
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The Transition Will be Televised: Telenovelas, Reconciliation and Transitional Justice in Colombia
Baden-Baden: Nomos (2022), 453 pp.
"This book explores the imprint that the peace process involving the guerilla organisation FARC-EP left on Colombian TV fiction. To that end, it scrutinises the phenomenon of Colombian reconciliation telenovelas, which are intrinsically linked to the national Transitional Justice process. Based on a
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Big Perpetrator Cambodian cinema, the documentary duel and moral resentment
Screen, volume 62, issue 1 (2021), pp. 37-58
"Perpetrator cinema is a new global phenomenon, an unprecedented 21st-century boom in films that deal with genocidal or other mass-killing events by focusing on the perpetrator figure as their main protagonist or interviewee. In many respects it sheds light on the 21st-century emergence of the new p
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Kino und Katharsis? Bilder vom Nationalsozialismus im deutschen Film
In: Aufarbeitung des Nationalsozialismus: Ein Kompendium
Bonn: Bundeszentrale für politische Bildung (bpb), Sonderausg. (2021), pp. 534-556
Melodrama and Public Pedagogy: The Construction of Memory from Television Fiction
Comunicación y Sociedad, issue e7362 (2020), pp. 1-19
"This article presents the main results of a research project that aims to analyze the construction of cultural memory through fictional series that represented the dictatorship period of Augusto Pinochet in Chile. Based on interviews and focus groups with young people between 18 and 24 years old wh
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Intermediality in the Visualization of Peace: Contradicting Narratives About Peace and Violence in Timor-Leste
Peace & Change, volume 45, issue 1 (2020), pp. 78-100
"The documentary dalan ba dame was produced by the East Timorese Commission for Reception, Truth and Reconciliation (Comissao de Acolhimento, Verdade e Reconciliaao de Timor-Leste, CAVR) and covers the twenty-four years of Indonesian occupation of Timor-Leste, during which nearly one quarter of the
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Perpetrator Cinema: Confronting Genocide in Cambodian Documentary
New York: Columbia University Press (2020), xxii, 285 pp.
"Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting
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Documenting atrocities around the world: Why engage with the perpetrators?
International Journal of Cultural Studies, volume 22, issue 6 (2019), pp. 804-822
"Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims’ point of view. However, a new tendency has emerge
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Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
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Filmische Zeugenschaft im Abseits: Kulturelle Dekolonisierungsprozesse und Dokumentarfilme zwischen Mosambik und Portugal
Bielefeld: transcript Verlag (2018), 284 pp.
"Wie wird koloniale Gewalt historisch thematisiert? Wie gehen dokumentarische Filme und geschichtspolitische Diskurse mit ihr um? Robert Stock nähert sich diesen Fragen mit kritischem Blick auf den Kolonialkrieg Portugals in Afrika und den nationalen Befreiungskampf Mosambiks. Dabei fokussiert er s
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The Perpetrator’s mise-en-scène: Language, Body, and Memory in the Cambodian Genocide
Journal of Perpetrator Research, volume 2, issue 1 (2018), pp. 65-94
"Rithy Panh’s film 'S-21. The Khmer Rouge Killing Machine' (2003) was the result of a three-year shooting period in the Khmer Rouge centre of torture where perpetrators and victims exchanged experiences and re-enacted scenes from the past under the gaze of the filmmaker’s camera. Yet, a crucial
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Trauma, Memory and Religion
Journal for Religion, Film and Media (JRFM), volume 4, issue 1 (2018), pp. 7-77
"How can we screen trauma? This question might lead the perception of documentary movies about atrocities in the 20th and 21st centuries, like S21 The Khmer Rouge Killing Machine (Rithy Panh, CAMB/FR 2003) about Cambodia, The Look of Silence (Joshua Oppenheimer, ID/DK 2014) about Indonesia or Das Ra
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