"[This book] gives you ideas for building an emergency radio network (ERN) for your community. An ERN uses small Family Radio Service (FRS) radios or combined FRS/General Mobile Radio Service (GMRS) radios for members of the community. The community relay station can be (1) a basic or "fancy" ham st
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ation, (2) a GMRS station, (3) a basic amplitude modulation (AM) or "fancy" single sideband (SSB) Citizens Band (CB) station, or (4) a ham station using near vertical incidence skywave (NVIS). 'Community Eergency Radio Networks' makes planning your community ERN easy. It has easy-to-use tables (known as coverage planning tables) for your suburban or rural community depending on wether you're located on a smooth plain, in a hilly area, or in a mountainous area. The book also has guidelines to help you set up an effective ERN in a city." (Back cover)
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"Spielt das Radio für die zeitgenössische Literatur eine Rolle? Antworten auf diese Frage geben 21 bekannte deutschsprachige Schriftsteller, die sich von den Ätherwellen inspirieren ließen. Sie erzählen von ihren Erfahrungen mit dem Radio; sie reflektieren, rühmen, glossieren oder poetisieren
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es. Entstanden ist eine einzigartige Sammlung literarisch-essayistischer Texte zur Radiokultur und zugleich eine Fülle von Geschichten, wie sie nur das Radio schreibt: John von Düffel zum Beispiel weiß von Stimmen, die man anfassen kann, für Ulrike Draesner ist das Radio lange der fünfte Küchenbewohner gewesen, Wilhelm Genazino interessiert sich für die Marotten der Moderatoren, Feridun Zaimoglu erzählt von der Vorliebe seines »russenfressenden« Großvaters für Militärsender, und Wolf Wondratschek erklärt uns, dass es das Radio deshalb gibt, weil es Mitleid mit den Schlaflosen hat. Diese und andere »Dichter am Äther« waren zwischen 2001 und 2004 in der WDR 3-Kultursendung Mosaik zu hören; ihre Beiträge liegen hier erstmals gesammelt als Buch vor." (Klappentext)
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"This book is a real novelty: it is not – like many other publications – about radio production or radio management, but about the requirements for building of a radio station. The author has been involved in establishing many radio stations, both big and small ones, for 16 years, and he summari
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ses his knowledge in quite a clear and didactical fashion. He explains the pros and cons of different types of building and location and provides guidelines for calculating the space required for both technical and office areas. Then he gets more technical, discussing acoustic problems and providing practical methods of providing studio isolation. Detailed sections on electrical supplies and technical studio installations follow, and there is useful advice on studio layout as well as on the “central technical area”, i.e. the engine room of any modern radio station. Although aimed at engineers, this book is very accessible for non-technicians too and therefore helpful for anyone involved in the commissioning or building of radio studios." (CAMECO Update 1-2010)
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"An easy-to-read introduction for non-technical people. It contains concrete suggestions for the necessary equipment according to the planned range of the radio station. The cost of technical equipment for the "Micro Radio Station" (15 watts, up to 5 km range) is only US-$ 1,100 (as of 2004). For th
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e "Village Radio Station" (30 watts), the cost is US-$ 7,800. The "Community Radio Station" (1 kilowatt, range normally up to 30 kilometers) costs US-$ 18,000. The technical equipment of the "Regional Radio Station" (two kilowatts, range up to 100 kilometers with a favorable location and a high transmission tower), on the other hand, already costs US-$ 100,000." (commbox).
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"This collection of essays shows how in North America, the United Kingdom, Europe, Australia and the South Pacific, radio continues to provide distinctive forms of content for the individual listener, yet also enables ethnic and cultural groups to maintain their sense of identity. Ranging from radio
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among the primordial communities to digital broadcasting and the internet, these essays suggest that the benefits and gratifications which radio confers remain unique and irreplaceable in this multi-media age." (Publisher description)
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"Brett Davidson makes a convincing case for radio being the most hospitable media environment for retaining the human characteristics of public deliberation. In South Africa, for example, radio reaches far more people in their own languages than other media do. Moreover, radio can broadcast live,
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allowing hundreds, perhaps thousands, more citizens to listen in.” Although television has the same theoretical advantage, in some countries channels may be limited to those supported by the government. Radio is also cheaper and more pervasive than television, particularly in poor countries. Brett Davidson did not find countless examples of radio being used as a space for public deliberation. What he did find, however, were examples of radio playing a role in strengthening civil society by hosting other forms of public talk. From there, it is comparatively easy to add deliberative fora to the roster of other events such as panel discussions or public hearings." (Foreword)
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"Radio in the Global Age offers a fresh, up-to-date, and wide-ranging introduction to the role of radio in contemporary society. It places radio, for the first time, in a global context, and pays special attention to the impact of the Internet, digitalization and globalization on the political-econo
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my of radio. It also provides a new emphasis on the links between music and radio, the impact of formatting, and the broader cultural roles the medium plays in constructing identities and nurturing musical tastes. Individual chapters explore the changing structures of the radio industry, the way programmes are produced, the act of listening and the construction of audiences, the different meanings attached to programmes, and the cultural impact of radio across the globe. David Hendy portrays a medium of extraordinary contradictions: a cheap and accessible means of communication, but also one increasingly dominated by rigid formats and multinational companies; a highly 'intimate' medium, but one capable of building large communities of listeners scattered across huge spaces; a force for nourishing regional identity, but also a pervasive broadcaster of globalized music products; a 'stimulus to the imagination', but a purveyor of the banal and of the routine. Drawing on recent research from as far afield as Africa, Australasia and Latin America, as well as from the UK and US, the book aims to explore and to explain these paradoxes - and, in the process, to offer an imaginative reworking of Marshall McLuhan's famous dictum that radio is one of the world's 'hot' media." (Publisher description)
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"Radio has played a pivotal role in situations of conflict, crisis, change and development on the African continent. Local radio stations are as important as international broadcasters being both the barometers and agents of change. This text examines African radio broadcast cultures." (Publisher de
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scription)
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"Superseded by television as the primary source of entertainment and information, radio still has a unique place in the mass media spectrum. At once powerfully pervasive and totally invisible, it's a fascinating subject for study. On Air adopts a wide-ranging theoretical and critical approachto prov
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ide an in-depth examination of radio's codes (speech, music, noise, and silence), the conventions of using these codes, and the dominant modes of reception. The text offers a vocabulary and methodology for analyzing radio programs, drawing on work by both media theorists and professionalbroadcasters in Britain, Australia, and North America. Written by an academic and a practitioner, On Air provides a critical overview of radio for media students, as well as suggestions for practical activities, a time-line of major events in the history of radio, and a glossary of key terms." (Publisher description)
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