"This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don't conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Ro
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mania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the "other," anthropomorphism, and colonialism." (Publisher description)
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"The subject of this paper is communicating with indigenous communities via grassroots comics, in this case the Khwe San who live in Platfontein in the Northern Cape province of South Africa. The study is largely informed by contemporary shifts in development theory, particularly that of participato
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ry communication, which values individuals who live in the community as active participants in the research process. The use of grassroots comics is based on theoretical concepts surfacing in current literature regarding the field of development communication nd is somewhat critical of older, top-down theories of development." (Abstract)
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"The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future. Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it
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unprecedented in its global reach. The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page. Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud." (Publisher description)
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"This guide is made for civil society activists who plan to run wallposter comics workshops within their own organisations or groups. All steps needed to run a workshop are fully explained in the guide and it should be used together with our manual “How to make wallposter comics”, which should b
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e given as a handout to the participants. To arrange a wallposter comics workshop you need two trainers, a hall, pens, papers, and access to a copying machine. Your participants (about 15-20) should be motivated people, e.g. community activists, who wish to have their voices heard about issues they want to raise." (Page 3)
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"Caricaturistes - Fantassins de la démocratie est publié à l’occasion de la sortie du film-événement éponyme, co-écrit et produit par Radu Mihaileanu et réalisé par Stéphanie Valloatto, qui présente douze grands caricaturistes internationaux, reconnus pour leur courage et leur engagemen
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t en faveur de la démocratie. Radu Mihaileanu et Plantu les ont rencontrés dans leurs pays respectifs. Chacun d’eux a été invité à retracer son parcours, donner les motifs de son combat, raconter les épisodes comiques ou tragiques qui ont ponctué sa carrière. Le livre prolonge ces entretiens avec une large sélection de dessins reproduits, près de 300, et explique le processus créatif des auteurs. Grâce à ces douze lanceurs d’alerte armés seulement d’un crayon, Caricaturistes - Fantassins de la démocratie dit bien l’état du monde d’aujourd’hui et du combat pour la démocratie toujours et partout menacée." (Description de la maison d'édition)
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"Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. Contributors introduce a wide range of critical perspectives on comics, including fan
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dom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more." (Publisher description)
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"Zimbabwean journalists and civil society activists in the diaspora have employed humour not merely to mock or ridicule but to conscientize people, and to raise attention for and awareness of the situation in Zimbabwe, including the social, economic and political realities and everyday life concerns
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and hardships experienced by ordinary people in the country. This article explores how diasporic Zimbabweans have made use of the freedoms in their current locations and of new media and other means to express their dissatisfaction with the Zimbabwean government and the state of affairs in their home country through satire and related forms of political humour. This article focuses particularly on the dissemination of cartoons and satirical messages from liberal host countries through the Internet. It is argued that political humour in the Zimbabwean diaspora has a counter-discursive function and serves as a ‘medium of communicating dissent’." (Abstract)
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"Depuis le séisme du 12 janvier 2010, l'aide internationale afflue à Haïti. Passés les premiers secours, c'est maintenant tout un pays qui doit se reconstruire. Un soutien durable est donc nécessaire pour que les Haïtiens puissent retrouver une vie normale. C'est pourquoi les dessinateurs de p
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resse et de bandes dessinées se sont mobilisés en réalisant ces 100 illustrations. En partenariat avec Le Monde, Radio France et l'association Cartooning for Peace, les Editions Casterman reverseront l'intégralité des profits de ce livre à la Fondation de France. Cette dernière se chargera de répartir les fonds entre les différents projets concrets sur place pour venir en aide aux victimes du tremblement de terre de la Perle des Caraïbes."
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"Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling sto
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ries that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling." (Publisher description)
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"This volume documents from historical and contemporary perspectives, the situations, trends and issues of cartooning in a number of African countries, and profiles the individuals, forms and phenomena that stand out. All types of cartooning are covered, including comic books, comic strips, gag and
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political cartoons, and humour magazines. The contributors are scholars, writers, and practitioners of comic art who are either residents of or research visitors to Africa. Their approaches run the gamut from historical/contemporary overviews, to problem analysis of the profession and cartoonists, to textual analysis." (Publisher description)
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"Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the A
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CK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production." (Publisher description)
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"The use of comics as a campaigning tool for grassroots organisations is a relatively new phenomenon and has been tested so far only in India, some other South Asian countries and in a few countries in Africa. This manual on the creation of comics as a medium for communication of development ideas s
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hares the experiences the authors gained in seven countries. It gives a number of examples of comics from these countries, photographs from workshops on grassroots comic creation, and manuals that demonstrate how to approach this communication medium with local non-governmental organisations (NGOs) or with community members. It explains how to make wall poster comics, booklet comics, strips, and accordion folded mini comics for local distribution - at meeting places, bus stops, shops, offices, schools, on notice-boards and electricity poles, etc. Reproduction methods include: photocopying for issues up to 30-40 copies, screen printing for issues from 100 copies upwards, and offset printing for issues from 200-300 copies upwards." (CAMECO Update 4-2008)
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