Document details

Nollywood: The Creation of Nigerian Film Genres

Chicago; London: University of Chicago Press (2016), xxviii, 375 pp.

Contains illustrations, filmography pp. 325-338, bibliogr. pp. 339-353, index

ISBN 978-0-226-38795-6 (pbk); 978-0-226-38800-7 (ebook)

Reviewed in: Journal of African Media Studies, vol. 9:1, pp. 229-234

"Haynes describes the major Nigerian film genres and how they relate to Nigerian society—its values, desires, anxieties, and social tensions—as the country and its movies have developed together over the turbulent past two decades. As he shows, Nollywood is a form of popular culture; it produces a flood of stories, repeating the ones that mean the most to its broad audience. He interprets these generic stories and the cast of mythic figures within them: the long-suffering wives, the business tricksters, the Bible-wielding pastors, the kings in their traditional regalia, the glamorous young professionals, the emigrants stranded in New York or London, and all the rest." (Publisher description)
PART 1
1 Creating Nollywood: Conditions and Foundations, 3
2 Living in Bondage: Money and Values, 18
3 Nnebue's Glamour Girls: Scandalous Women, 59
4 Family Films, 77
5 Tunde Kelani, the Auteur, 113
PART 2
6 The Cultural Epic: Representing the Past, 141
7 Crime, Vigilante, and Village Films: Violence and Insecurity, 165
8 Political Films, 192
9 Comedies, 214
PART 3
10 The Nollywood Diaspora: Nigerians Abroad, 237
11 Campus Films, 257
12 New Nollywood and Kunle Afolayan, 285
Postscript, 2013: Toward the Future, 301