"1. The current use of imagery, particularly photography, in the anti-slavery movement risks harming anti-slavery efforts and survivors through misinformation and re-exploitation [...] 2. In order to utilise photography effectively and ethically, organisations looking to generate or use photography should seek out practices which incorporate survivor voice and perspective [...] 3. Participatory photography is an ideal methodology for creating original and impactful imagery. 4. Informed consent should be a priority in anti-slavery imagery [...] 5. Creativity and originality are vital when generating survivor imagery." (Summary of findings)
Historical context, 7
Case study: The GSI Report 2018, 8
Current perceptions of Modern Slavery, 10
Case study: PAG-ASA, 12
Participatory photography, 14
Case study: HAART Kenya, 16
The importance of survivor voice, 18
Case study: Voice of Freedom, 20
The ethics of documentary photography, 22
Case study: EYESeeMe, 24
Getting creative with genre, 26
Case study: The Dark Figure, 28
Conclusions and recommendations, 30