Document details

Shaking the World for Jesus: Media and Conservative Evangelical Culture

Chicago: University of Chicago Press (2004), 256 pp.

Contains illustrations, bibliogr. pp. 239-248, index

Signature commbox: 201:10-Religion 2004

"This book moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s. Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs, and even national chains such as Kmart and Wal-Mart. The author explores the vast industries of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy “Christian lifestyle” products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace. To garner a wider audience, evangelicals have had to carefully temper their message, but in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages." (Publisher description)
PART ONE: COMMODIFICATION
1 For-Profit Prophets: Christian Cultural Products and the Selling of Jesus, 17
2 Why Should the Devil Have All the Good Music? Christian Music and the Secular Marketplace, 52
PART TWO: SEXUALITY
3 Virgins for Jesus: The Gender Politics of Therapeutic Christian Media, 87
4 Holiness Codes and Holy Homosexuals: Interpreting Gay and Lesbian Christian Subculture, 114
PART THREE: FILMMAKING
5 Putting God under the Microscope: The Moody Institute of Science’s Cinema of Devotion, 145
6 Praying for the End of the World: The Past, Present, and Future of Christian Apocalyptic Media, 176
Conclusion: The End Is Near, 210