Introduction: More than Film School-Why the Full Spectrum of Practice-Based Film Education Warrants Attention / Mette Hjort
I. AFRICA
1 Audience Response in Film Education [AFDA, South Africa] / Anton Basson, Keyan Tomaselli, and Gerda Dullaart
2 Bridging the Gap: Answering the Questions of Crime, Youth Unemployment, and Poverty through Film Training in Benin, Nigeria / Osakue Stevenson Omoera
3 Global Interchange: The Same, but Different / Rod Stoneman
II. THE MIDDLE EAST
4 Branch-Campus Initiatives to Train Media-Makers and Journalists: Northwestern University's Branch Campus in Doha, Qatar / Hamid Naficy
5 Film Education in Palestine Post-Oslo: The Experience of Shashat / Alia Arasoughly
6 Art and Networks: The National Film School of Denmark's "Middle East Project" / Mette Hjort
III. THE AMERICAS
7 Goodbye to Film School: Please Close the Door on Your Way Out / Toby Miller
8 "An Arrow, Not a Target": Film Process and Processing at the Independent Imaging Retreat [Canada] / Scott MacKenzie
9 The School for Every World: Internationalism and Residual Socialism at EICTV [Escuela Internacional de Cine y TV, Cuba] / Nicholas Balaisis
10 Building Film Culture in the Anglophone Caribbean: Film Education at the University of the West Indies / Christopher Meir
11 Practice-Based Film Education for Children: Teaching and Learning for Creativity, Citizenship, and Participation [Mexico] / Armida de la Garza
12 Audiovisual Educational Practices in Latin America's Peripheries / George Yudice