Document details

The Televised Community: Culture, Politics, and the Market of Visual Representation in India

Frankfurt, Oder: European University Viadrina, Faculty of Cultural Sciences, Doctoral Thesis (2007), 384 pp.

Contains bibliogr. pp. 356-375, glossary pp. 376-379, acronyms pp. 380-381, chronology pp. 382-384

"This thesis provides, firstly, an analysis of the interplay of transnational media corporations, particularly Rupert Murdoch's Star TV, in their pursuit of creating profitable national consumer markets, preferably in a democracy like India, with the anti-minority politics, modes of popular/populist mobilisation and discursive strategies of Hindu nationalism. It looks at the economic, technological, medial, political, social, visual/iconographic and legal aspects of this interplay and delineates their concrete manifestations in news as well as in entertainment programming of everyday television (particularly in very popular shows and channels at the time). These aspects are set into the larger framework of globalisation, privatisation, commercialisation and neo-liberal policies, the related thrusts of social upward mobility (especially in the new middle classes), ‘good governance’ (instead of socio-economic justice) and shifting class-, caste-, majority-minority and national-regional relations in the context of a re-formulation of nation and state that defines and legitimises new logics of inclusion and exclusion. Secondly, this work is a study of "Indianisation" and lingual/representational politics in the context of the growing precariousness of the liberal-secular discourse and of democratic, independent mass media in India. Especially English-language journalists, whose largely critical coverage of the anti-Muslim violence experienced an hitherto unknown rejection on the part of TV audiences (and consequently produced a slump in advertising revenues), turned with the Gujarat crisis out to epitomise the ambivalence of challenging the definitional power of a privileged postcolonial class: its rightful critique carries the danger of vindicating and naturalising anti-minority cultural nationalism. The study follows and examines, before the background of a normative construction of a Hindi-speaking, ‘authentic’ media consumer, the changing position of both English and Hindi-producing journalists and producers, their respective perceptions of alienation, speechlessness and empowerment, their unwanted role as activists in the context of shifting meanings of 'neutrality' and 'objectivity', their difficulties or agility in assessing their options and maintaining, changing or even developing their convictions, and the strategies they find or reject for adapting to the circumstances." (Abstract)
1. Introduction, 1
PART I
2. RE-INVENTING THE NATION AND ITS MEDIUM, 10
Difference Instead of Distinction: The Nation-State in Appadurai and the Subaltern Studies Group -- The Anthropologicalisation of the Subaltern -- The Local and the Global: Visions of Salvation in Nandy and Appadurai -- Whither the Nation-State? -- The Location of Television 45
3. THE LIMITS OF TRANSNATIONALISM AND THE LIMITS OF RESISTANCE, 63
De-Ideologising the Medium: Transnational Companies and the ‘Cultural Turn’ -- The Defensive, the Absentee and the Complicit State -- The Wave of Indian Television and the Difficulties in Getting to the Shore -- De-Ideologising the Message: The Nation of Numbers -- Moral Panic in the Making: The Nation of Values
4. THE ‘SPLIT PUBLIC’ REVISITED: THE TRAJECTORY FROM ‘ENGLISH’ TO ‘HINDI’, 115
The Freedom of Imprisonment on a Hinglish Island -- Prepositions of ‘Culture’: Education Denied and Training Disabled -- Terminating Hybridity: From the Elite to ‘The People’ -- Aaj Tak: The Upward Mobility of ‘Hindi Hindi’
PART II
5. THE ETHNOGRAPHIC MOMENT: ARRIVING AT “GUJARAT”, 155
Time and the Vanishing Other -- Not Just Another Riot: Why Gujarat was Different -- The Economical and the Ideological
6. THE MEDIA AND ITS (UNRAVELLING) PUBLIC, 201
The Inability to Mourn and the Unwillingness to Resist -- Democracy Deadlocked: The Sangh Parivar’s Dominant Discourse of Defense -- In Medias Res: The Power of Impotency
PART III
7. FROM THE SOCIETY OF DISCIPLINE TOWARDS THE SOCIETY OF CONTROL, 260
The Visual and the Commercial -- The Battle of Images and People’s Television -- Entertaining Hindutva
8. THE WAVES OF HINDUTVA AND THE VICTORY OF TELEVISION, 298
De-Ideologising the Image: The Educational and the Commercial -- Closing the Circle: From the Mythological to the K-formula -- Manufacturing Success: The Tandem of the K-formula
CONCLUSION, 350