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Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds

Rose Ferrell, Rosanne Welch (eds.)

Bristol: Intellect (2025), 658 pp.

"This volume, Shaping Global Cultures through Screenwriting: Women Who Write Our Worlds, tells stories of women who have worked with and within communities to bring the communities’ stories to life through screenwriting. In gathering these examples, we asked for stories that achieved some level ... of impact for the communities. Impact was considered across a number of indices. We wanted to show that attitudes have shifted, policies have been rewritten and the life experiences and ranges of possibility for some have changed for the better as a result of women’s work. We hope to show through our stories that film can change lives; that sharing stories matters; and that women are everywhere, using their skills in screen production for the good of many. In her excellent book, Women in the International Film Industry: Policy Practice and Power, Susan Liddy (2020) offers ‘a wide-ranging, critical assessment of practice, policy and progress’ to establish the range and scale of gender inequality that currently exists in the world of screen production. She quotes O’Neill and Domingo (2015) to point out that social, economic and political conditions vary, and ‘combine in different ways to enable or constrain women’s agency and leadership’ in screen production (Liddy 2020: 1). In contrast, our book approaches the same problem from the opposite perspective: we seek to correlate the ‘policy, practice and power’ (Liddy 2020) with the actual work of women screenwriters. Our aim is to point out what women screenwriters, creators and filmmakers are doing in disparate corners of the world, and how their effort is positively impacting communities, shaping culture and creating change. We argue that, despite the fact that women screenwriters are underrepresented in leadership roles in film industries worldwide, the impact of their films remains visible and palpable. We provide evidence that, as women step into the roles of screenwriter, filmmaker and collaborator, using known and emerging technologies, formats and genres under the broad scope of ‘screen production’, they raise the voices of other women and other communities. This volume shows the impact of women’s voices in creating real change for the communities whose stories are told through the topics and themes of these women’s screen works. Not least, this volume seeks to celebrate these women and their communities and bring awareness of that impact to broader communities worldwide." (Introduction, page 1) more

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Perpetrators in Documentaries on Genocide

Julian Koch

Edinburgh: Edinburgh University Press (2026), 268 pp.

"Perpetrators in Documentaries on Genocide is a wide-ranging comparative study that analyses how numerous genocides and their perpetrators have been presented in documentary film. Spanning seven 20th-century genocides across three continents and combining interviews with filmmakers, distant reading, ... more

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Wild paroxysms of the turbulent 90s: How 'The Traitors' documentary exposed the Russian liberal milieu

Lev Kadik

Bonn: Friedrich-Ebert-Stiftung (FES) (2024), 13 pp.

"The story which The Traitors tells is pretty simple and well known to academic scholars who deal with the modern Russian state: it was corrupt from its inception and Putin’s regime is in no way an aberration, but smooth continuity of the Yeltsin system. The documentary precipitated a wave of slan ... more

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Historical Media Memories of the Rwandan Genocide: Documentaries, Films, and Television News

Tommy Gustafsson

Edinburgh: Edinburgh University Press (2024), xii, 297 pp.

"The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in 39 countries between 1994 and 2021. Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreati ... more

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Holocaust Representations in Animated Documentaries: The Contours of Commemoration

Liat Steir-Livny

Edinburgh: Edinburgh University Press, 1st ed. (2024), xvii, 242 pp.

"Animated documentaries dealing with the Holocaust, Holocaust survivors, and their descendants constitute a new phenomenon and inaugurate a new field of Holocaust commemoration. This book is the first comprehensive analysis of animated Holocaust documentaries. It explores movies produced in the USA, ... more

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Documentaries and China's national image

Yi Chen

London; New York: Routledge (2023), viii, 245 pp.

"Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these wo ... more

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Rethinking Film Festivals in the Pandemic Era and After

Marijke de Valck, Antoine Damiens (eds.)

Cham: Palgrave Macmillan (2023), xix, 342 pp.

"This edited collection aims to document the effects of Covid-19 on film festivals and to theorize film festivals in the age of social distancing. To some extent, this crisis begs us to consider what happens when festivals can't happen; while films have found new (temporary) channels of distribution ... more

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What Difference Does it Make? The Importance of Documentary to Sustainable Development Goals in a Post-Truth World

Rhys Davies

In: The Mediation of Sustainability: Development Goals, Social Movements, and Public Dissent

Ben Harbisher (ed.)

Rowman & Littlefield (2023), pp. 117-136

"The landscape of documentaries has changed greatly in the twenty-first century. From a niche form, with few productions, to global distribution via social media. Post-truth documentaries largely have a sense of outsiders challenging the status quo, delivered by self-proclaimed experts with anecdote ... more

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Le cinéma amazigh-berbère et les autres médias

Amar Améziane, Daniela Merolla (eds.)

Paris: L'Harmattan (2023), 227 pp.

"Des échanges intertextuels entre films, oralité et écriture ont caractérisé la production cinématographique des années 1990 et un certain nombre d’études leur ont été dédiées. Moins traitées par la recherche sont les relations entretenues par le cinéma avec la télévision et l’In ... more

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The Mediation of Sustainability: Development Goals, Social Movements, and Public Dissent

Ben Harbisher (ed.)

Lanham; Boulder; New York; London: Rowman & Littlefield (2023), 250 pp.

"This book examines the way in which SDG initiatives have been disseminated by mainstream media, in government discourse and by NGO’s, charitable organisations, and campaign groups. It questions to what extent sustainability narratives are being supported and how they are represented; how saving t ... more

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Gente alzada en cámaras: Canibalismo cultural y subjetividad en el video indígena

César Alegría Vallejo

Bogotá: Universidad Pontificia Javeriana (2023), 133 pp.

"En el umbral del nuevo siglo, las naciones indígenas en Colombia pasaron de ser presentadas en el cine y el video a ser agentes de su representación: para esto, pueblos e individuos han delineado estrategias de apropiación y comunicación. Gente alzada en cámaras analiza cómo dos directores de ... more

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Film Practice in the Context of War in Greater North Kivu Region of the Democratic Republic of Congo: The Film Message as a Tool for Peace

Jean-Paul Paluku Kamili

Nairobi: Daystar University, Doctoral Thesis (2023), xii, 348 pp.

"Greater North Kivu is a region in the East of the DRC characterized by an unending socio-cultural and political crisis that has brought about insecurity, war, massacres, and land conflicts since 1996. Efforts to resolve this war crisis to restore justice and peace have not been successful. The aim ... of this research was to evaluate the film practice in the Greater North Kivu region in the context of this war situation and if those films which were set against this reality had messages that focused on sustainable peace. The specific research questions of the study were: What could be the varying contexts of war and related conflicts from which each of the selected films acquires its character? In what way do the cinematographic messages reflect the context of war in the Greater North Kivu? How do the thematic messages aim to sensitize the population towards peace in the region? What are the opportunities and challenges of film making for peace in the region? What construct emerges as a typology of context and types of persuasion messages that may emerge from selected films of the study. The study adopted a qualitative research design, and constructivism and interpretivism philosophical research paradigms. The target population consisted of film makers in the Greater North Kivu, civil society, community and government leaders. The study concluded that the multiple contexts of the war manifest in the character of the variety of films produced but that the film codes reflecting this reality aim to break and change it thereby creating a new grammar for a new context. In addition, the film for sensitizing works with strategies of arousing emotions that are carefully selected with great sensitivity because of the fragile context of the war situation in its causes, consequences, and what is to be done. The thesis of this study is that the many contexts of the war situation in the region of study manifest themselves in the selected films chosen for the research. In a simultaneous manner the film maker’s codes aim to break the existing contexts to new beginnings. While the film codes may be of the grammar of existing context, their very ambition and motivation is to introduce a new grammar for a vision of a new context, transforming the old one. Based on the findings of the current study, the study recommends the film makers to continue to use potent symbolism in their stories to effectively sensitize the population to the situation and promote the necessary actions. The study recommends to the government and policymakers makers to allocate resources towards the Ministry of Arts and Culture to support local film production, recognizing its potential as a tool for peacebuilding and societal change." (Abstract) more

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Decolonising Political Communication in Africa: Reframing Ontologies

Beschara Karam, Bruce Mutsvairo (eds.)

Abingdon, Oxon; New York: Routledge (2022), xxviii, 226 pp.

"This book uses decolonisation as a lens to interrogate political communication styles, performance, and practice in Africa and the diaspora. The book interrogates the theory and practice of political communication, using decolonial research methods to begin a process of self-reflexivity and the cre ... more

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Children’s Documentaries: Distance and Ethics in European Storytelling About the Wider World

Naomi Sakr, Jeanette Steemers

Journal of Children and Media, volume 16, issue 2 (2022), pp. 288-302

"The material challenges of funding, commissioning and distribution that are well known to inhibit production of children’s factual content about other countries and cultures operate in parallel with challenges arising from the moral responsibilities inherent in what Roger Silverstone called “th ... more

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Generation Africa - Guide de Facilitation

Yudhvir Ranchod, Elaine Maane, Marianne Gysae

Steps (2022), 76 pp.

"Le projet Generation Africa est basé sur des expériences vécues par la jeunesse africaine qui est la plus grande démographie de jeunes dans le monde et dont le futur va déterminer la forme que prendra nos sociétés sur les décennies à venir. La collection comprend 25 réalisateurs et socié ... more

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Generation Africa - Facilitation Guide

Yudhvir Ranchod, Elaine Maane, Marianne Gysae

Steps (2022), 76 pp.

"The Generation Africa project centres on the lived experiences of African youth, the largest youth demographic in the world, whose futures will determine the shape of global fortunes over the next few decades. Working with 25 filmmakers and production companies from 16 countries in Africa, the coll ... more

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Filmischer Widerstand: Territoriale Konflikte im indigenen Dokumentarfilm Lateinamerikas

Teresa Millesi

Bielefeld: transcript (2022), 322 pp.

"Seit Beginn des 21. Jahrhunderts nehmen Konflikte um Land und Ressourcen in vielen lateinamerikanischen Ländern stark zu. Dieses Phänomen einer vermehrt neo-extraktivistisch orientierten Politik bedroht insbesondere Gebiete, in denen indigene Gemeinschaften leben. Im Kontext des indigenen Filmsch ... more

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Breaking Cultures of Silence: Learnings from a Participatory Community-Centred Approach to Leveraging and Researching Documentaries for Social Change

David Conrad-Pérez, Caty Borum, Jacqueline Olive, Lisa Flick Wilson, Vanessa Jackson, Shakita Brooks Jones

Journal of Alternative and Community Media, volume 7, issue 1 (2022), pp. 3-22

"This article offers new learnings and recommended practices for documentary-centred grassroots engagement and social change research. These learnings were developed through a community engagement effort in 2020 that centred around a documentary film about racial violence and injustice, 'Always in S ... more

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Transitional (in)justice in phasing out coal in China: Documentary as visual evidence to unveil the local experiences of coal transitions

Lisa Lin

Journal of Environmental Media, volume 3, issue 1 (2022), pp. 171-176

"This article examines how documentary film can be employed as visual evidence to create a thick description of environmental injustice among low-social-economic status communities in China. In particular, this article exemplifies the approach with a case study of a 2022 research project on transiti ... more

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Dokumentarfilm in Deutschland: Von den Anfängen bis zur Gegenwart

Peter Zimmermann

Bonn: Bundeszentrale für politische Bildung (bpb) (2022), 398 pp.

"Die Geschichte des dokumentarischen Films in Deutschland ist mehr als bloße Filmgeschichte. In ihr spiegelt sich auch die Medien-, Mentalitäts- und Gesellschaftsgeschichte. So thematisiert der Dokumentarfilm seit seinen Anfängen im ausgehenden 19. Jahrhundert die politischen, kulturellen und soz ... more