"This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexua
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lities, race, cultural values, political systems, and religious beliefs as they analyze how these programs allow us to indulge our innate desire to share human narratives in a way that binds us together and encourages audiences to persevere as a community on a global scale. Contributors also go on to explore the role of television dramas as a medium that indulges fantasies and escapism and reckons with reality as it allows audiences to experience emotions of happiness, sorrow, fear, and outrage in both realistic and fantastical scenarios." (Publisher description)
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"On May 22nd 2014, The Kingdom of Thailand experienced its latest successful military coup. A few months later, in November 2014, The Hunger Games: Mockingjay Part 1 was released in Thai cinemas sparking new protests using symbols from the series. With this article, I seek to examine the reception o
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f The Hunger Games series in Thailand by different interest groups in light of recent political developments. I present a system of shared reference that is based on Jonathan Cohen’s discussions of ‘identification’ and ‘spectatorship’ (2001) to illustrate the relationship between The Hunger Games series in Thailand, pro-democracy protesters, and the military junta. I aim to illuminate how the two opposing sides use and understand references from The Hunger Games as part of their actions in an ongoing tense political climate." (Summary)
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