"The author describes how the function of Lithuanian media has changed in different historical phases - due to changing political, economic and cultural conditions. The aim is to show how innovations, e.g. technological innovations, new media structures or cultural patterns, entered Lithuanian media
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and at the same time linked them to the changes that took place on the international level. It will be shown how Lithuanian journalism has formed its specifics to meet numerous changes in the national environment. The contemporary Lithuanian media situation is measured against the normative ideal of democratization and a journalistic culture is described that has survived in the historical development of media as institutions within specific social millieus. The overview follows a comparative approach based on the idea that a national perspective is too narrow. Therefore, the development of Lithuanian media is partly compared, partly contrasted with the changes that have occurred in relations with neighboring countries, especially Latvia and Estonia. The main task is to describe the peculiarities - with the aim not to comment on them, but to understand them." (Publisher description)
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"This report records and analyzes the results of a study in which partners of the Justice Initiative in 14 countries filed a total of 1,926 requests for information. In each country, seven different requesters twice submitted up to 70 questions to 18 public institutions. Requesters included NGOs, jo
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urnalists, business persons, non-affiliated persons, and members of excluded groups, such as illiterate or disabled persons or those from vulnerable minorities. The requests were for the types of information that public bodies hold—or should hold." (Summary of findings, page 11)
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"Media monitoring found a low incidence of HIV/AIDS stories across most media in the six countries. Researchers variously described the incidence of HIV stories during the media monitoring as “small” (Cambodia and the Philippines), “miniscule” (South Africa), and “infrequent” (India). In
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Nigeria, the researcher noted that cartoonists in particular had “gone to sleep on HIV/AIDS”. When they appeared in Asian media, HIV stories were generally given a moderate to high prominence, although researchers in all three Asian countries felt this was related to World AIDS Day (which occurred during the monitoring period in Asia). Researchers in African countries found that prominence varied and that many stories were event-based and buried. All researchers reported that, overall, the number of HIV/AIDS stories in print and broadcast media was low compared to other stories during the two monitoring periods. In Zambia and Nigeria especially, television coverage was extremely low, a particular problem given the low literacy rates in these countries. In Zambia, the research found that HIV/AIDS stories accounted for only 20.5 minutes of the 700 news minutes (just under 3%) broadcast on television and radio combined over the two week monitoring period. Similarly, in Cambodia, even including World AIDS Day, stories that mentioned or featured HIV/AIDS accounted for less than 3% of all the total news stories of the outlets monitored." (Executive summary, page 4)
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"This book discusses the fundamental elements of media systems and shows how they are used in eight sample countries. Unlike other books, it is organized according to media elements, with comparative discussions of all eight countries within each chapter. This helps readers make connections and comp
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arisons between the countries and allows them to apply the concepts to other countries not discussed in the book. Comparing Media from Around the World also features exciting photographs from the sample countries showing not only the media but how they are experienced in context (for example, a newspaper stand in France and an internet cafe in Ghana)." (Publisher description)
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"In transitional societies where political pressure on the press is coupled with a commercial media system and a professional journalistic culture, the politics of self-censorship is likely to involve a strategic contest between the media and political actors. Language plays a significant role in th
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is contest. The present study focuses on the case of Hong Kong. It analyzes how two local newspapers, facing an important yet sensitive political issue, constructed two different overall storylines and used two different sets of discursive strategies in their editorials to handle political pressure, market credibility, and journalistic integrity simultaneously. The elite-oriented Ming Pao constructed a storyline of the debate as a factional struggle in order to posit itself as an impartial arbitrator. This approach was further sustained and justified by the discursive strategies of balanced and qualified criticisms and the rhetoric of rational discussion. The mass-oriented Apple Daily, on the other hand, constructed a storyline of a sovereign people whose rights are encroached upon by a powerful entity. The paper was therefore much more critical towards the power center. Nevertheless, it also appropriated the dominant discourse, constructed internal contradictions, and decentralized the Chinese central government to smooth out the radicalism of its criticisms." (Abstract)
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"This article will describe the impact of North American religious television in two very different Latin American contexts: Guatemala in Central America and Brazil in South America. From these common North American roots, Guatemala and Brazil provide contrasting case studies of how religious entrep
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reneurs struggle to place their messages in the media marketplace. Guatemala provides a study in marginality: despite having built impressive religious institutions, Guatemala’s Pentecostal television preachers have had little success in getting their message before the general populace on commercial television. Guatemala’s highly fragmented social and ecclesial climate has led to fierce competition for the loyalty of the faithful between religious entrepreneurs who have only limited impact in the larger society. Brazil, on the other hand, provides examples of Pentecostal preachers who have built successful religious franchises that have accumulated sufficient resources to finance major incursions into the commercial media. The concluding section will explore how symbolic goods are marketed in today’s global religious supermarket." (Introduction, page 49)
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"[...] Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indige
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nous filmmaking in each of the three Maghreb countries--Algeria, Morocco, and Tunisia--arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography." (Publisher description)
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"Media support should have a long term approach (3-5 years); media support should be framed to capacity building related to media production supporting development of media management targeting mainly women; development of producer skills and screenwriting targeting women and young people; developme
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nt of civil society and its media capacity targeting especially Human Right focused organisations and associations; development of internal democracy in media entities, and development of a platform for young media producers in the Middle East and North Africa. Media support should mainly target the audiovisual media sector; Media support should promote exchange between different Arab regions and promote exchange between the Arab Region and the Western world." (Executive summay, page 13)
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"Gegenstand der hier vorgestellten Arbeit sind Streetpapers und deren Anpassung an ihr jeweiliges Verbreitungsgebiet. Beispielhaft werden die „Trott-war“ aus Baden-Württemberg, Deutschland, und „The Big Issue Namibia“ analysiert. Die Unterschiede zwischen den beiden Streetpapers sowie zu ko
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mmerziellen Printmedien werden untersucht, unterteilt in Unterschiede bezüglich journalistischer Inhalte und struktureller Besonderheiten, und in Zusammenhang mit den Gegebenheiten im jeweiligen Verbreitungsgebiet gebracht. Im Vorfeld dieser Untersuchung wird das publizistische Phänomen der Streetpapers zusammengefasst. Länderprofile von Baden-Württemberg und Namibia sowie deren Medienlandschaften werden erstellt." (Kurzfassung)
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"This study considers the conflicts in India, Nepal and Sri Lanka, primarily looking at restrictions, highlighting similarities and differences and drawing some general conclusions about the ways in which authorities and combatants restrict freedom of expression. It also sets out international stand
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ards pertaining to freedom of expression and information relevant to conflict situations." (Introduction)
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"Alongside other measures such as funding of public broadcasting services, regulation of relations between broadcasters and producers and the implementation of tax incentive schemes, direct funding is one of the most traditional and important ways in which public authorities support the film and aud
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iovisual industry. Virtually all European States, as well as territorial communities, regions, some municipalities, the European institutions (Council of Europe, European Community) and various intergovernmental organisations have set up direct aid mechanisms that provide around EUR 1,3 billion of funding for the industry each year. The European Audiovisual Observatory's KORDA database, an important source of information for this report, lists more than 170 support bodies and around 600 different aid programmes. Backed up with facts and figures, this study illustrates the enormous diversity of these mechanisms: diversity in terms of legal foundations, the tasks fulfilled by national support bodies, funding, methods of intervention and, in particular, the sums involved. Despite this variety, which results from the history and political and administrative structure of each European state, the support bodies are keen to find common conceptual ground for their policies, based on the notion that film and audiovisual creativity cannot be governed solely by the rules of the market and that funding is justified by the need for cultural diversity. The European Commission does not question this principle, although it does have to ensure that funding does not disrupt the correct functioning of the common market. The report describes how this whole issue has evolved since 1963 up to the recent European Commission Communication of 16 March 2004. The report covers recent events up to spring 2004: reform of Eurimages, new laws in Germany, Italy, Hungary, draft laws in Poland and Portugal, etc. Finally, Olivier Debande, an expert at the European Investment Bank, analyses the role of private investors and intervention by the banking sector in three countries using distinct models (USA, United Kingdom, France)." (Back cover)
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