"The religious dimension of Chinese cinema is, it has been observed, a "triple lacuna" in contemporary scholarship: in research on religion in China, in research on Chinese cinema, and in interdisciplinary research on film and religion. From 2002 to 2012, independent filmmaker Gan Xiao'er directed t
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hree low-budget features that portrayed rural Christianity in China, a subject almost entirely absent from both Chinese mainstream media and independent films. In this article, I analyze Gan's films by locating them in their social, political, and religious contexts, by comparing them with other Chinese films, and by linking them to the tradition of Western films that portray spirituality. I observe a progression in themes and style from Gan's first feature, The Only Sons, CN 2002, to his third, Waiting for God, CN 2012. I seek to show that Gan developed a restrained directorial style in order to connect with the spirituality of Chinese peasants. Although he had to grope in the dark on many aspects, his engagement with Christian themes has greatly expanded the narrative space of Chinese cinema. "(Abstract)
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"Es reconocida la influencia que tienen los medios de comunicación en la construcción y reproducción de estas representaciones sociales. Los contenidos comunicativos contribuyen a la creación o refuerzo de estereotipos, que en algunos casos generan valoraciones inadecuadas que fomentan la exclus
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ión o la estigmatización de determinados grupos poblacionales. Es por esto que la Comisión de Regulación de Comunicaciones - CRC - consideró primordial conocer los elementos que caracterizan a las representaciones sociales que se emiten en los contenidos audiovisuales, ya que los medios de comunicación y, en especial, la televisión tiene gran incidencia en la manera en que los colombianos nos identificamos y nos reconocemos cultural y socialmente. Por lo tanto, conocer los roles y los comportamientos que se les asignan a los diferentes grupos poblacionales en los contenidos televisivos es fundamental para evidenciar cómo la diversidad y el pluralismo son tenidos en cuenta en estos." (Introducción, página 4)
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"In today’s climate in the media industry, reporters are expected to cover a broad range of issues. They no longer have the luxury of concentrating on a small piece of a larger puzzle, and at times, they may feel as if they need a better understanding of the background information before moving fo
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rward. Covering eight different topics, this book is not intended to provide reporters with in-depth information on any single topic. It is, instead, intended to provide the necessary building blocks on a variety of themes, and to assist journalists in seeing each story they tackle through a variety of ‘lenses’. This book is also based on a belief that a holistic approach to reporting is important in today’s media industry. The links between the economic recession, poverty, food insecurity, water issues, rural issues, xenophobia, gender issues and children’s issues cannot be emphasised enough." (Introduction)
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