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Filmmaking for Change: Make Films That Transform the World
Seattle: Wiese Productions (2012), xii, 236 pp.
"[...] I present the three primary stages of the life of a movie, from the seed of an idea (Development) to the making of the film (Production) through the final delivery to the audience (Distribution). Throughout these general sections, as you will see in the Table of Contents, there are subcategor
...
Film als Mittel der Befreiung und der Einheit Afrikas
In: 50 Jahre afrikanische Un-Abhängigkeiten: eine (selbst)-kritische Bilanz
Bonn: Bundeszentrale für politische Bildung (bpb) (2012), pp. 170-179
Apuntes para una historia del video en Chile
Santiago de Chile: Ocho Libros Editores (2010), 244 pp.
Palestinian Cinema: Landscape, Trauma and Memory
Edinburgh: Edinburgh University Press (2008), vii, 224 pp.
"One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the develop
...
Circuits of Culture: Media, Politics, and Indigenous Identity in the Andes
Minneapolis: University of Minnesota Press (2008), xxiii, 246 pp.
Cinémas engagés
Manière de Voir (Le Monde Diplomatique), issue 88 (2006), 98 pp.
"Un panorama du « cinéma engagé » sous deux de ses aspects : en première partie, onze auteurs examinent la façon dont le cinéma, dans différents pays et à différents moments de son histoire, aborde le plus chargé de tous les thèmes sociaux, celui de la guerre. La seconde partie entrepren
...
Plano secuencia: 20 pelÃculas argentinas para reafirmar la democracia
Buenos Aires: La CrujÃa; Signis Argentina (2004), 240 pp.
Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
Austin: University of Texas Press (2003), xvii, 323 pp.
"Following the Sandinista Revolution in 1979, young bohemian artists rushed to the newly formed Nicaraguan national film institute INCINE to contribute to "the recovery of national identity" through the creation of a national film project. Over the next eleven years, the filmmakers of INCINE produce
...
Movie-mientos. Der lateinamerikanische Film: Streiflichter von unterwegs
Stuttgart: Schmetterling-Verlag (2000), 314 pp.
Stellt die Entwicklung des lateinamerikanischen Kinos vom politischen Aufbruch in den Sechzigern bis ans Ende der 90er Jahre dar. Einzelne Kapitel behandeln die kulturelle Identität Lateinamerikas, die Geschlechterverhältnisse, Diktatur und Exil, den fremden Blick auf Lateinamerika, den aktuellen
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The Search for Reality: The Art of Documentary Filmmaking
Studio City, Los Angeles: Michael Wiese Productions (1998), xi, 387 pp.
Mythen der Nationen: Völker im Film
Berlin: Deutsches Historisches Museum (1998), 408 pp.
The Social Documentary in Latin America
Pittsburgh: University of Pittsburgh Press (1990), xi, 455 pp.
Film and Politics in the Third World
New York: Autonomedia (1987), xi, 317 pp.
Cinema and Social Change in Latin America: Conversations with Latin American Filmmakers
Austin: University of Texas Press (1986), xvi, 302 pp.
Cuban Image: Cinema and the Cultural Politics in Cuba
Bloomington: Indiana University Press (1985), 314 pp.
"Cuban Image is written from a Marxist perspective. "If anyone wants to call this book a partisan history, I will make no apology for it, " Chanan says of this study of Cuban film and its place in the social and political structure, which resulted from his visit there at the invitation of the Cuban
...
