"In this article, I discuss that quality TV for the specific children audience can be described with some new quality indicators afforded by child neuroscience and child epigenetic development; there is a reappreciation of the ludic and emotional genetic abilities of child brain to enjoy and compreh
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end ludic narrative fiction. But also, from a systemic view of the TV communication process; quality on children’s TV depends not only on the program content but on the broadcast and on the reception. A review of children's TV channels, and a few dozen of the new programs broadcast, allows us to find several new criteria regarding the quality of children's TV and audio-visual content." (Abstract)
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"Welche Qualität haben Medien? Sind sie es »wert«, ausgezeichnet zu werden? Nachdem es in den 1960er Jahren sensationell war, mit dem Grimme-Preis Qualität im Fernsehen zu würdigen, kam als große Innovation vor 20 Jahren der Grimme Online Award hinzu, um hochwertige Internetangebote auszuzeich
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nen – und seit zehn Jahren würdigt der Deutsche Radiopreis Qualität und Stärken von Hörfunkprogrammen. Die Beitragenden des Bandes beleuchten erstmals übergreifend die Hintergründe rund um Qualität und Medien aus Sicht des Grimme-Instituts, mit Blick auf seine Jurys sowie aus wissenschaftlicher Warte." (Verlagsbeschreibung)
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"The purpose of this research is to empirically examine Indonesian media content, their workings and the factors influencing their work [...] There is no open diversity in content. Content analysis of television shows that the coverage of majority and minority groups is unequal. We find that content
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is heavily Jakarta-centric in terms of geographical context, Islam-centric in terms of religious orientations and Java-centric in terms of ethnic identities. Content with geographical identities is ruled 34.1% by Jakarta (69.6% by Java), content with religious qualities is dominated 96.7% by Islamic identities and content with any ethnic reference is led by Javanese identities by 42.8%. This does not only imply that there is a lack of open diversity, but more dangerously that there may be evidence of hyper-impositions of content favouring the majority over the minority. Our research concludes that the profit-led media industry has left citizens on the edge of the media sector. Homogenous content is a simple proof that the media regard citizens merely as consumers rather than a group of people with rights." (Executive summary, page 5)
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"A través de un estudio sistemático basado en el monitoreo de las producciones de ficción televisiva, este anuario presenta y analiza datos de producción, circulación, distribución y consumo de programas de ficción exhibidos en el 2010 y presenta una síntesis comparativa de lo que fue el añ
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o en términos de ficción televisiva." (Contratapa)
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