"Can the stories people tell influence the way they see the world? This book seeks to address that question through a study of the viability of movie making as a critical pedagogy activity. Positioned at the intersection of education and communication for social change, it explores the relationship
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between the generation of subjective knowledge through storytelling and analysis, and systemic change. Central to the book is a case study from Nepal. By using video as the action element and analytical material of coursework, youth participants generated a new critical awareness, engendered by themes arising from group discussion. Through the analysis of these themes participants initiated an emergence known as conscientization. Led by two critical educators, participants used the production, screening, and analysis of their own movies to propel the course, or praxis, forward. This book seeks to inform the practice of critical pedagogy both practically and theoretically, and also offers a contribution to the fields of participatory action-research and communication for social change." (Publisher description)
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"This handbook is designed to provide tools for civil society institutions interested in developing and utilizing participatory videos as part of their toolkit. It is intended to serve as a practical guide for aiding organizations to conceptualize, produce, and screen participatory videos in communi
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ty settings. Participatory video is a tool for positive social change, used across the globe as a means of empowering marginalized communities to take control of their destinies. This handbook outlines the Michigan State University approach to participatory video. Our approach differs from traditional participatory video methods in its emphasis on the use of video as a scalable teaching tool rather than advocacy. Our approach focuses on integrating farmers' stories in a narrative storytelling style in order to enhance the relevance of agricultural information for local communities." (Foreword)
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"Video Ethnography in Practice is a brief guide for students in the social disciplines who are required to produce an ethnographic video, the most significant new methodological technique in 21st century social analysis. The authors, both accomplished videographers, cover the basic techniques of cre
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ating a video that documents human culture and behavior with true stories of the process of videography throughout. This text shows how new technologies like smart phones, widely available video editing software, and YouTube, have turned video ethnography into something that is within reach of students in a conventional course framework." (Publisher description)
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"Study findings indicate that community videos aid spousal communication in support of maternal, infant, and young child nutrition (MIYCN) behaviors even if husbands do not attend the disseminations. The visual presentation of MIYCN messages improved the transmission of information, which then facil
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itated communication between the husband and wife. Community members and family members confirmed these findings; they indicated that community video is a promising approach for strengthening spousal communication on important health issues." (Conclusion, page 3)
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"The stories in this volume were gathered as part of a Writeshop held in Nairobi on 9–10 November, in the context of the Access Agriculture Week 9–13 November, 2015. People are story-tellers as well as creatures who walk and make tools. Stories are important to us. Statistics tell us what happen
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ed; stories tell us why. These stories celebrate the creativity of the many organisations involved in making, translating, distributing, and screening videos, as well as those that do follow-up studies, especially the MSc and PhD students that Access Agriculture supports. We learn what it feels like to be involved in one of the more creative efforts in international development and communication. We read, for example, about the radio producer who began to make videos because his father, a Kenyan farmer, said that farmers wanted to see the images, as well as the words. We learn why farmers in Malawi find videos from West Africa more convincing than learning from lead farmers in their own villages. We read about the journalist in Benin who is so inspired by the videos that he has become a farmer himself. We learn what it’s like to translate a video script into an African language, and other personal experiences of getting videos and DVDs into the hands of farmers." (Foreword)
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"Der fünftägige Workshop beinhaltet nicht nur die persönliche Reflektion, sondern vor allem das Ausprobieren und das eigene Erleben mit der Videokamera. Gemeinsam geht die Gruppe der Frage nach, was es heißt, eine persönliche Geschichte im Format des Digital Storytelling so zu entwickeln, dass
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sie auch andere anspricht. Wie kann man in einem kollektiven Prozess eine Geschichte über gesellschaftliche Belange filmisch entwickeln und umsetzen? In wenigen Tagen entstehen so gemeinsam entwickelte Videos. Die Gruppe erlebt systemische Methoden, wie sie der Sozialwissenschaftler Otto Scharmer in der so genannten „Theorie U“ entwickelte. Sie macht eigene Erfahrungen mit der Radikalität des filmpädagogischen Ansatzes des Participatory Video, das die Deutungshoheit über die eigene Realität komplett der Gruppe überlässt. Das ist es, was die Teilnehmenden später auch Jugendlichen und jungen Erwachsenen ermöglichen werden." (Seite 23)
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"Emerging literature highlights that in the Pacific, the use of participatory video (PV) is a new trend in research and community action. It can be employed as a tool to empower communities to have agency over their media outputs, meaning that they have full control of the content creation, producti
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on and distribution processes. But to date there is still a dearth of studies that fully explore its potential use in different contexts, especially within diasporic networks. To address this gap, a pilot project was undertaken where PV methodologies were tested in collaboration with a diasporic Pacific community group based in West Auckland, New Zealand. This report feeds back on the overall process of developing the pilot project." (Abstract)
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"Community video is a powerful approach to improving nutrition practices, even in areas beset by drought, conflict, and food shortages. When community members create and share videos that promote optimal nutrition and hygiene behaviors, friends and neighbors pay attention. This report details the po
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sitive impact of a pilot community video project for better maternal, infant, and young child feeding in Niger and offers important lessons learned." (Back cover)
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"El proyecto Videoteca de las Culturas de la Dirección de Diversidad Cultural y Eliminación de la Discriminación Racial, prioriza la utilización del medio audiovisual para generar procesos reflexivos y pedagógicos en niños, niñas y adolescentes . El lema del proyecto ‘Desde tus ojos, con tu
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voz’ plantea que a través del registro audiovisual propio, la ciudadanía, especialmente los niños, niñas y adolescentes de pueblos indígenas u originarios y población afroperuana puedan utilizar este medio para expresar su mirada, para comunicar su voz. El énfasis del proyecto está en reconocer la importancia que tienen la experiencia y subjetividad de las personas y colectividades que portan la cámara y que representan el mundo desde sus culturas. Así, el proceso audiovisual participativo puede aportar en la construcción de un ciudadano que desde su pensamiento crítico hace pleno ejercicio de su derecho a la comunicación. Al examinar esta posibilidad, debemos entender que los contenidos audiovisuales resultantes no son neutrales, siempre tienen un rol en la formación ciudadana. Es por eso que presentamos las lecciones audiovisuales para ciudadanos y ciudadanas interculturales, a partir de una selección de vídeos participativos y documentales que expresan la mirada y la voz de distintas comunidades afroperuanas, andinas y amazónicas de nuestro Perú. Proponemos estos materiales como disparadores de una reflexión y un trabajo que acerquen a nuestros estudiantes a la comprensión del nosotros peruano." (Presentación, página 4)
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"Videos have been used to successfully raise awareness on disability inclusion in many contexts. They can play a powerful role in helping transform negative attitudes that prevent the full and equal participation of persons with disabilities. Producing a video - even a short one - has many component
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s to consider, so it is important to approach it with a detailed plan, as you would with any project. This toolkit is designed to help you create video(s) that include persons with disabilities at all stages of the process. This toolkit is relevant to all video making, not just those that directly relate to disability as a topic. All videos, whether or not they are about disability, can and should take an inclusive approach. There are many talented persons with disabilities who are able and willing to contribute to making video or films." (Page 4)
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"Over the past decade there has been a growing interest in participatory video, but accounts have often been celebratory and uncritical. At the same time there has been an ever-increasing multiplicity of interpretations, thus making participatory video seem ‘nebulous’ and ‘perplexing’. This
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special section seeks to develop some of the critiques developed over the past five years, by bringing together a series of provocative thought pieces. Through this special section we seek to continue to develop a critique of participatory video as both a methodology and method." (Page 401)
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"This thesis offers a study on the nuanced understandings of and the interplay between participatory video (PV), citizen voice and international development. The study investigates contemporary PV practitioners’ conceptualisations of the phenomenon of using PV to raise citizen voice in internation
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al development contexts. The study participants were 25 global PV practitioners who had experience on more than 650 PV projects. Of those projects, approximately 250 specifically aimed to raise the voice of excluded groups in international development contexts. Through investigating the PV practitioners’ perceptions of the phenomenon, the study identified three distinct epistemologies relevant to PV practice and raising citizen voice. The study called these the amplified, engaged and equitable voice pathways. Making the three categories explicit is of critical value to the PV field. They provide a language and theoretical grounding for why certain PV approaches may be more effective than others for social and/or political change. Of the three pathways, the research ultimately deemed equitable voice as the most viable for citizen voice to be both authentically representative and respectively valued in decision-making spaces. Accordingly, the study drew from scholarship and the characteristics within the equitable voice pathway to develop a conceptual framework for raising valued citizen voice with PV. The framework offers five key principles; named as personal recognition, collective representation, social and political recognition, responsive listening and empathic relationships. While having a framework is valuable for PV practice, the study also recognised that a conceptual framework in itself is often insufficient. Its viability requires an enabling environment for meaningful application. Thus, the research also identified six institutional views of PV practice in international development contexts with potential to diminish voice. It named them as the output-focused, voice opportunity, apolitical, agenda-led, harmless and uncomplicated views. These were views the PV practitioners in the study described as constraining their ideals in practice. The views ranged from institutions prioritising PV film outputs over political dialogue to institutions setting agendas with potential to suppress authentic citizen voice. The study interrogated the identified institutional views to discover their differing possibilities for legitimising or limiting citizen voice. The thesis concludes by encouraging three areas of consideration for participatory video to enhance citizen voice in democratic decision-making processes. First, it proposes deliberate attention on strengthening voice representation and voice receptivity in PV activities to reduce social and political inequity. Second, it promotes recognition of how political and institutional environments influence PV’s ability to raise citizen voice sufficiently. Third, it suggests greater reflection on how PV practitioners’ conceptualisations of voice affect citizen voice outcomes; and how practitioners might use their own agency to ensure meaningful change. Such forethought and action expands possibilities for PV practice to support citizen voice in being heard, valued and influential." (Abstract)
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