"The Afghan media have flourished since the Taliban were ousted from power in 2001. Under Taliban rule, television was banned and there was only one government-controlled radio station. Today Afghanistan boasts over 75 TV stations, 175 radio station and hundreds of newspapers and magazines. However,
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according to pro-democracy groups, heavy handed government controls on radio, television and newspapers and the harassment and intimidation of journalists remain major problems. Radio is still the main channel for communicating news and information. But it is losing ground steadily to television, particularly in the towns and cities. As television ownership grows, the number of households with a radio set is declining. A media audience survey commissioned by USAID in 2010 found that 63% of all Afghans listen to radio regularly. The survey, conducted by Altai Consulting, found that only 48% of all Afghans watch television regularly. But it showed that once Afghans get a television in their home, they tend to abandon the radio. The Altai Consulting survey of 6,648 people in over 900 towns and villages indicated that 58% of households with a TV no longer possess a radio. Other recent audience surveys by BBC World Service Trust and the Asia Foundation indicate a slightly higher rate of radio listening than the Altai Consulting study. But all three point to a steady drift of broadcasting audiences from radio to television. It is therefore vital that humanitarian agencies communicate with the public through television as well as radio to ensure that they engage a wide audience." (Media overview, page 9)
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"Radio has been called ‘Africa’s medium’. Its wide accessibility is a result of a number of factors, including the liberalisation policies of the ‘third wave’ of democracy and its ability to transcend the barriers of cost, geographical boundaries, the colonial linguistic heritage and low l
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iteracy levels. This sets it apart from other media platforms in facilitating political debate, shaping identities and assisting listeners as they negotiate the challenges of everyday life on the continent. Radio in Africa breaks new ground by bringing together essays on the multiple roles of radio in the lives of listeners in Anglophone, Lusophone and Francophone Africa. Some essays turn to the history of radio and its part in the culture and politics of countries such as Angola and South Africa. Others – such as the essay on Mali, gender and religion – show how radio throws up new tensions yet endorses social innovation and the making of new publics. A number of essays look to radio’s current role in creating listening communities that radically shift the nature of the public sphere. Essays on the genre of the talk show in Ghana, Kenya and South Africa point to radio’s role in creating a robust public sphere. Radio’s central role in the emergence of informed publics in fragile national spaces is covered in essays on the Democratic Republic of Congo and Somalia. The book also highlights radio’s links to the new media, its role in resistance to oppressive regimes such as Zimbabwe, and points in several cases – for example in the essay on Uganda – to the importance of African languages in building modern communities that embrace both local and global knowledge." (Publisher description)
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"This article presents a combination of factors as a framework for examining how globalization and media impact developing democracies in the Global South. In particular, it pays attention to the interplay of changing technologies, regulatory regimes and local entrepreneurs with global expertise (ob
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tained primarily through education overseas) and their combined impact on the media ecology in such countries. Using a historical analysis of the trends that started in the early 1990s, the article shows how countries like Ghana took advantage of key changes in globalization to create a vibrant media ecology that directly impacts the role of citizens. Specifically, the author posits that in Ghana the liberalization of the broadcast industry, the expertise of glocal entrepreneurs, and the explosion of new communication technologies like the Internet and mobile phones have led to a reconstitution of the public sphere and the creation of a new cultural elite." (Abstract)
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