"Waarneming.nl is the largest nature observation platform in the Netherlands, with over 70,000 users contributing data on biodiversity through their website and mobile applications. Using Waarneming.nl as an example, the theoretical exploration in this article offers a new lens to look at platforms
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for nature observations. Users of Waarneming.nl read and write digital traces of encounters with other species, creating a ‘hybrid experience’ of nature, where digital and physical information are intertwined. As physical experiences become scarcer in threatening times of species endangerment and extinction, Waarneming.nl should additionally be understood as a place to memorialize lost nature. By conceptualizing Waarneming.nl as a digital 'lieu de mémoire' (‘place of memories’) and a place where hybrid experiences of nature are inspired, this article reflects on the positive and negative consequences of such platforms for humans and their multispecies relationships." (Abstract)
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"This open access handbook presents a multidisciplinary and multifaceted perspective on how the 'digital' is simultaneously changing Russia and the research methods scholars use to study Russia. It provides a critical update on how Russian society, politics, economy, and culture are reconfigured in
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the context of ubiquitous connectivity and accounts for the political and societal responses to digitalization. In addition, it answers practical and methodological questions in handling Russian data and a wide array of digital methods. The volume makes a timely intervention in our understanding of the changing field of Russian Studies and is an essential guide for scholars, advanced undergraduate and graduate students studying Russia today." (Publisher description)
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"[...] Im günstigen Falle bilden Bibliotheken, Archive, Museen, Forschungseinrichtungen und Medien mit digitalen Angeboten, geeignet kontextualisiert und erklärt, Anlaufpunkte der Orientierung und befördern den Diskurs über den Nationalsozialismus und die damit verbundenen abscheulichen Gräuelt
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aten. Diese Institutionen können zusammen als „Stimmen der Vernunft“ in die Resonanzräume des Internets gegen die Polemik der „Schnellen und Lauten“ wirken, die diese öffentlichen Räume auch zur Verbreitung nationalsozialistischen Gedankenguts nutzen. Im vorliegenden Tagungsband wird die kritische, transdisziplinäre Debatte zur zentralen Frage nach dem „richtigen“, das heißt verantwortungsvollen Um gang mit „toxischen“ Inhalten geführt. Sie widmet sich den rechtlichen und ethischen, aber auch organisatorischen, technischen, und gesellschaftlichen Aspekten dieser Frage. Ich wünsche diesem Tagungsband aufmerksame Leser*innen und der Debatte die erforderliche Gestaltungskraft, so dass daraus Impulse für den umsichtigen Umgang mit den Digitalisaten der NS-Zeit erwachsen." (Begleitwort Seite 15)
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"Museums and archives all over the world digitize their collections and provide online access to heritage material. But what factors determine the content, structure and use of these online inventories? This book turns to India and Europe to answer this question. It explains how museums and archives
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envision, decide and conduct digitization and online dissemination. It also sheds light on born-digital, community-based archives, which have established themselves as new actors in the field. Based on anthropological fieldwork, the chapters in the book trace digital archives from technical advancements and postcolonial initiatives to programming alternatives, editing content, and active use of digital archives." (Publisher description)
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"Cultural heritage organizations face at least three main challenges. First, the volume of digital archives makes it extremely difficult for archivists to assess records. Applying Artificial Intelligence (AI) and machine learning (ML) to archives is still at an experimental stage, but AI/ ML could b
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ecome an integral part of archival processes. To manage the sheer bulk and potential sensitivity of records, archivists will also rely on creators to help them make appraisal and selection decisions at the point of deposit. Second, most born-digital collections are currently closed due to a wide range of reasons (including technical issues, copyright, and data protection). Regardless of whether archives are digital or not, archivists need to balance individual rights and the public interest in the context of the General Data Protection Regulation (GDPR) in Europe. Nobody would reasonably claim that all born-digital data should be unlocked and openly accessible. Yet, it is important to recognize that “dark” archives contain vast amounts of data essential to scholars – including email correspondence, drafts of manuscripts, digital photos and videos. Within current legal frameworks, making born-digital archives more accessible is an urgent priority to fully make sense of our cultural heritage. Third, data science and AI are becoming essential tools, but very few scholars (particularly in the humanities) have been trained to master these research methods, a skills gap which in turn has an impact on the training we offer to students." (Introduction, page 7-8)
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"This volume explores the shifting tides of how political violence is memorialized in today's decentralized, digital era. The book enhances our understanding of how the digital turn is changing the ways that we remember, interpret, and memorialize the past. It also raises practical and ethical quest
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ions of how we should utilize these tools and study their impacts. Cases covered include memorialization efforts related to the genocides in Rwanda, Cambodia, Europe (the Holocaust), and Armenia; to non-genocidal violence in Haiti, and the Portuguese Colonial War on the African Continent; and of the September 11 attacks on the United States." (Publisher description)
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"As the revolutions across the Arab world that came to a head in 2011 devolved into civil war and military coup, representation and history acquired a renewed and contested urgency. The capacities of the internet have enabled sharing and archiving in an unprecedented fashion. Yet, at the same time,
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these facilities institute a globally dispersed reinforcement and recalibration of power, turning memory and knowledge into commodified and copyrighted goods. In The Arab Archive: Mediated Memories and Digital Flows, activists, artists, filmmakers, producers, and scholars examine which images of struggle have been created, bought, sold, repurposed, denounced, and expunged. As a whole, these cultural productions constitute an archive whose formats are as diverse as digital repositories looked after by activists, found footage art documentaries, Facebook archive pages, art exhibits, doctoral research projects, and ‘controversial’ or ‘violent’ protest videos that are abruptly removed from YouTube at the click of a mouse by sub-contracted employees thousands of kilometers from where they were uploaded. The Arab Archive investigates the local, regional, and international forces that determine what materials, and therefore which pasts, we can access and remember, and, conversely, which pasts get erased and forgotten." (Back cover)
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"Cet ouvrage se propose d’initier le lecteur aux enjeux humains et techniques de l’archivage de la Toile, de la collecte à l’analyse en passant par la création et le partage de corpus ou encore le cadre législatif. Il étudie de manière pragmatique cet archivage, en essayant de rendre palp
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able à la fois sa fabrique (technique, institutionnelle, juridique), la relation que ses acteurs entretiennent avec les publics et les évolutions qu’ont connues les collectes en une vingtaine d’années. Ce livre s’intéresse également à la manière dont les archives du Web, outre leur rôle patrimonial, peuvent aujourd’hui être exploitées par différents acteurs, notamment à des fins de recherche." (Présentation)
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"This is a must-read how-to guide if you are planning to embark on a scholarly digitisation project. Tailored to the specifications of the British Library’s EAP (Endangered Archives Programme) projects, it is full of sound, practical advice about planning and carrying out a successful digitisation
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project in potentially challenging conditions. From establishing the scope of the project, via practical considerations about equipment, work routines, staffing, and negotiating local politics, to backing up your data and successfully completing your work, Remote Capture walks you through every stage. Bursting with helpful hints, advice and experiences from people who have completed projects everywhere around the globe from Latin America to Africa to Asia, this book offers a taste of the challenges you might encounter and the best ways to find solutions. With a particular focus on the process of digitisation, whether using a camera or a scanner, Remote Capture is invaluable reading for anybody considering such a project." (Back cover)
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"In a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary her
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itage with the people who are represented by and in it. Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture." (Publisher description)
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"This article explores the case of right-wing Hindu nationalist volunteers in India, to turn a critical eye on a digital practice that has become prominent on new media in India in recent times-the assembling of facts, figures, and treatises as an ideological exercise by the net-savvy "nonexperts."
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Using qualitative methods, I argue that this practice of online archiving constitutes a distinct politics of history-making. I show how archiving-as-history-making is pertinent especially for religion's interface with cyberspace and the varied ways in which online users participate in religious politics. Online archiving for religious politics offers a sobering, and even troubling, picture of the digital commons, and unsettles some of the universalist claims underlying much celebrated user-generated content." (Abstract)
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"This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Library, established to document and publish online formerly inaccessible and neglected archives from across the globe. From Dust to Digital showcases the historical signifi cance of the collections ide
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ntified, catalogued and digiti sed through the Programme, bringing together articles on 19 of the 244 projects supported since its inception. These contributions demonstrate the range of materials documented — including rock inscriptions, manuscripts, archival records, newspapers, photographs and sound archives — and the wide geographical scope of the Programme. Many of the documents are published here for the first time, illustrating the potential these collections have to further our understanding of history." (Back cover)
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"Do you want your videos to be available in the future? Do you want your videos to serve as evidence of crimes or human rights abuses? Do you want your videos to raise awareness and educate future generations? If the answer is yes, it is important to begin thinking about archiving before it is too l
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ate [...] This Guide is organized into 8 sections focused on stages in a video archiving workflow: Create, Transfer, Acquire, Organize, Store, Catalog, Preserve, Share." (Pages 3-5)
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"The Digital Himalaya Project is a collection, storage and dissemination portal for scholarly content and research findings about the Himalayan region. The project website connects a worldwide user community to a vast corpus of digital resources from or about India, Nepal, Bhutan and the Tibetan pla
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teau for free and easy download - without payment, subscription or password. While Digital Himalaya began as a strategy for collecting and protecting the products of colonial-era ethnographic collections on the Himalayas - for posterity and for access by source communities - the project has now become a collaborative digital publishing environment, bringing a new collection online every month, with close to half a million web visitors since its establishment in 2000. Almost all of our digitization and scanning is now conducted in Nepal, dramatically reducing operating costs and increasing productivity. Our funding no longer comes from research councils in the United Kingdom and the United States, but through web referrals and from individual or institutional donations around the world. The project is now supported by people and organizations that recognize the work and want to contribute to it. In short, what began as an academic research project a decade ago is now a vast online portal for hosting and disseminating knowledge about the HiMalayas to a demanding, fast-growing and truly global user base." (Abstract)
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"This study focuses on digital archive management and will review the current “state of play” in archive management for content creators. It includes both academic and industry research, as well as the results of site visits to nine media organizations located in Thailand, Nepal, Sri Lanka, and
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Malaysia. The purpose of this study is twofold: firstly, to present an introduction to digital archive management for media organizations and content creators, helping to build awareness and greater understanding of the topic as a whole; secondly, to provide guidance and practical advice, in particular for small- to medium-sized media organizations, as well as for those operating with limited resources, or under challenging environmental and political circumstances. The findings of this study can be broadly divided into two areas. The first relates to the safe storage of content and the associated challenges faced by organizations attempting to store large amounts of data. The second is the effective cataloguing and management of digital archives, allowing content within an organization to be described, discovered and re-used." (Executive summary)
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"Los siguientes capítulos de esta guía práctica, planteada por la UNESCO desde su programa de comunicación para América Latina con sede en San José, y encomendada por la Organización para su producción a Radio Nederland Training Centre – Latinoamérica, tienen como objetivo central asistir
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a los radiodifusores de toda Latinoamérica en los procesos de transferencia a formato digital. Sin duda, tan actual iniciativa y excelente factura profesional constituye un aporte sustancial que ofrece información útil, amigable y de fácil didáctica para cualquier trabajo de recuperar las memorias sonoras contenidas en las diversas y numerosas fonotecas y otros archivos de emisoras de radio y centros de producción radiofónica de América Latina." (Presentación, página 7)
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