"While studies on alternative media and community radio stations have primarily focused on the media content and production techniques, scant attention has been paid to audience participation, a crucial aspect of community radio. This paper is based on ethnographic interview with the listeners and p
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rogram producers of RadioJU, the community radio station of Jadavpur University, which was the first community radio station of West Bengal. The radius around RadioJU covers two districts of the state that includes urban areas as well as suburban regions, including a large refugee colony. The paper focuses on the three dimensions of alternativeness: the relationship with social context, nature of the content, and organizational structure. The objective of this study is to explore in what manner community radio continues to be relevant in contrast to the mainstream media and in what way audience participation positions community radio within the alternative–mainstream debate. The paper also points to the challenges and the limitations of audience participation in community radio, and suggests that the notion of supplementary media can be an important move towards opening up the category of the alternative media in an increasingly commercialized broadcast environment." (Abstract)
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"This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement
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in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself." (Publisher description)
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"This chapter will look into the Ignatian Pedagogy as it is applied in the education and practice of development communication in Xavier University - Ateneo de Cagayan, in the Mindanao island of the Philippines, I will try to relate how this pedagogy is related to mindful communication in the contex
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t of the delivery of instruction and the application of communication by key players in the community." (Page 150)
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"Popular theatre occupies a special space in Matabeleland because it is situated in the everyday lives of ordinary people, and is able to articulate their experiences and to create spaces for them to ‘speak to power’. In the wake of the Gukurahundi massacres and perceived marginalization of Mata
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beleland in the 1980s, theatre groups used their plays to probe issues that were shunned by mainstream media. We argue that theatre has been used as part of radical citizen media in a context in which mainstream public spheres are restricted. We also demonstrate that theatre groups in Matabeleland have shifted between ‘Matabeleland particularism’ and addressing broader, ‘national’ concerns, reflecting historical context. However, theatre is not always used to express views that support the downtrodden against the establishment. In the Matabeleland case and also Zimbabwe as a whole, theatre has also been employed by the state and other pro-establishment groups for ideological mobilization." (Abstract)
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"This study examines the role of alternative media in the socio-environmental movement for justice for the Lumad, the indigenous peoples of the southern Philippines, and the fight to protect the environment in the Philippines from extractive companies and mono-crop plantations. Using thematic textua
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l analysis and framing analysis, the study analysed selected news articles, press releases and advocacy articles from bulatlat.com and civil society group websites posted online from September to December 2015. Anchored on Downing’s theory of alternative media as social movement media and Fuchs’ theory of alternative media as critical media, the study reveals four categories of alternative media: (1) as giver of voice to the oppressed Lumad; (2) as social movement media used for social mobilisation; (3) as an alternative media outfit fulfilling a complementary role with the socioenvironmental movement; and (4) as making social movements’ offline activism visible. It concluded that alternative media play a vital role in socio-environmental movements and the continuing challenge to mitigate the climate crisis." (Abstract)
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"While there is strong continuity in the values that resisters perceive to be at stake, there are also profound changes. One important change is that media resistance increasingly has moved from the political to the personal domain. Three explanations are offered for how media resistance is sustaine
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d as a strong cultural current: media resistance is flexible and adaptable, media resistance is connected with other great narratives of hope and decline, and media resisters keep a distance from (empirical) media research." (Abstract chapter 7, page 119)
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"En el “Seminario Latinoamericano: Internet, Redes Sociales y Radios Comunitarias” se busco conjuntamente entre académicos, activistas de medios, comunicadores comunitarios y gestores culturales, exponer una gran diversidad de reflexiones acerca del estado de la comunicación en la región desd
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e las perspectivas de apropiación y reapropiación de tecnologías, desde las organizaciones sociales que se han expresado históricamente, por medio de radios comunitarias, como también las comunidades que han emergido gracias al uso de plataformas sociales y herramientas digitales en los últimos años." (Descripción de la casa editorial)
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"The quest for competitiveness and popularity of a campus radio station needs to be balanced with the epistemological frames of community radio, which include participation, community ownership, and opposition to hegemonic discourse in the mainstream media as well as independence from political and
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market influences. I contribute to these reflections by highlighting how within this frame ATL FM is facing dilemmas and challenges that have not occupied community media theorists so far. Through content analysis and in-depth interviews, I investigate whether a community radio can serve and encourage the participation of the local community when professional rather than community members exclusively manage it. I propose a conscious incorporation of stakeholders in the community radio business model as a possible solution to this dilemma." (Abstract)
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"This ethnographic study explores how four alternative media projects in El Salvador integrated digital technologies-particularly social media-into their practices, and whether incorporating these technologies affected citizen participation not only in the media production process, but in a broader
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discursive sphere of civic and political life as well. Summer Harlow investigates the factors that influence the extent to which alternative media producers are able to use digital tools in liberating ways for social change by opening a space for participation in technology (as content producers) andthrough technology (as engaged citizens). The book advances existing literature with two main contributions: extending our understanding of the digital divide to include inequalities of social media use, and including technology use-whether liberating or not-as a fundamental component of a mestizaje approach to the study of alternative media." (Publisher description)
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"Consumption-Critical media practices are those practices which are either using media for criticising (certain) consumption or which are (consciously practiced) alternatives to the consumption of media technologies such as repairing, exchanging or producing durable media technologies. While the for
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mer can be found on the level of media content, the latter are practiced on the levels of production and appropriation. This article aims at conceptualizing the phenomenon ‘consumption-Critical media practices’ by analysing examples on the levels of media production, appropriation and content. Moreover, consumption-Critical media practices are discussed as political participation as they are aiming at shaping and changing society – often striving for sustainability." (Abstract)
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"Our interest in this book is to examine the contribution of citizens’ movements to a uniquely intense period of policy reforms in public communication in Latin America during the 2000–2015 period. We examine a range of experiences of citizen participation to reshape media systems and change med
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ia policy-making processes in the region. The analysis dips in and out of cases of media activism at both national and regional levels. Because we are interested in understanding the overall characteristics of media activism and policy reforms as well as similarities and differences in the region, we cast a wide analytical net by looking at various experiences. We are less interested in producing a granular analysis of particular experiences by country or type of media reform than in finding connecting threads among media movements in terms of goals, strategies, and impact. Whereas our analysis primarily draws from the cases of Argentina, Ecuador, Mexico, and Uruguay, we also make references to experiences in other countries. We chose these countries because, although they present similar levels of citizen activism on various media policies, the outcomes have been notoriously different." (Introduction, page 2)
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"This book investigates the role of citizen journalism in railroading social and political changes in sub-Saharan Africa. Case studies are drawn from research conducted by leading scholars from the fields of media studies, journalism, anthropology and history, who uniquely probe the real impact of t
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echnologies in driving change in Africa." (Publisher description)
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"Fuga es un libro-disco producido en forma colectiva y colaborativa por personas que pasan por La Tribu. Imágenes intervenidas, testimonios en reposo, definiciones de lo imposible, músicas grabadas en pasillos. Intención de ofrendar aire para los fuegos que vendrán. La Tribu es un colectivo de c
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omunicación y cultura alternativa, comunitaria y popular que funciona en una casona del barrio de Almagro, en la ciudad de Buenos Aires, desde 1989." (Contratapa)
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"This timely study is based on detailed interviews with Chinese documentary makers rarely available in English, and insights gained by the author while working as a journalist in Beijing. It considers the relationship between independent documentaries and China’s official film and television secto
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rs, exploring the ways in which independent films probe, question and challenge the dominant ideas and narratives circulating in the state-sanctioned public sphere. Detailed analyses of key contemporary documentaries reveal a sustained attempt to forge an alternative public sphere where the views and experiences of petitioners, AIDS sufferers, dispossessed farmers and the victims of Mao’s repression can be publicly aired for a small, but steadily growing, public." (Publisher description)
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