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African Cinema
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Journals
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Curating Africa in the Age of Film Festivals
New York: Palgrave Macmillan (2015), xvii, 270 pp.
"Tracing the history of Africa's relationship to film festivals and exploring the festivals' impact on the various types of people who attend festivals (the festival experts, the ordinary festival audiences, and the filmmakers), Dovey reveals what turns something called a "festival" into a "festival
...
In Focus: Studying African Cinema and Media Today
Cinema Journal, volume 54, issue 2 (2015), pp. 114-150
"This author started elaborating aspects of the present synthesis of strains of debates in African cinema following the “Semaphores and Surfaces” conference on African cinema held at Princeton University on November 1–3, 2013—co-organized by Wendy Belcher and Beatriz Leal Riesco and featurin
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Contemporary Cinema of Africa and the Diaspora
Chichester: Wiley Blackwell (2014), x, 261 pp.
The Education of the Filmmaker in Africa, the Middle East, and the Americas
New York et al.: Palgrave Macmillan (2013), xiv, 302 pp.
Cinema and Development in West Africa
Bloomington: Indiana University Press (2013), xiv, 222 pp.
"Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African ident
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Les cinémas d'Afrique des années 2000: Perspectives critiques
Paris: L'Harmattan (2012), 439 pp.
Film als Mittel der Befreiung und der Einheit Afrikas
In: 50 Jahre afrikanische Un-Abhängigkeiten: eine (selbst)-kritische Bilanz
Bonn: Bundeszentrale für politische Bildung (bpb) (2012), pp. 170-179
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
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African Film: New Forms of Aesthetics and Politics
Munich et al.: Prestel Verlag (2010), 319 pp.
African Film and Video: Pleasure, Politics, Performance
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 1-6
"This special issue aims to contribute to African film scholarship, popular culture studies, and broader cultural studies in four ways. First, the issue is one of the first publications to bring together scholars of African Cinema and scholars of African video film so as to encourage conversation an
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Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
Afrika Filmfestival Leuven 2009
Leuven: vzw Film en Cultuurpromotie (2009), 154 pp.
Afrika Filmfestival Leuven 2008
Kessel Lo: vzw Film en Cultuurpromotie (2008), 130 pp.
Dictionnaire des cinéastes africains de long métrage
Paris: Karthala (2008), 402 pp.
African Film and TV Yearbook and Directory 2009/2010
London: Balancing Act (2008), 117 pp.
Frame by Frame III: A Filmography of the African Diasporan Image 1994-2004
Bloomington: Indiana University Press (2007), 1082 pp.
The Greenwood Encyclopedia of Popular Culture: Sub-Saharan Africa
Westport, Conn.; London: Greenwood Press (2007), xviii, 387 pp.
African Filmmaking: North and South of the Sahara
Deep Insights
Edinburgh; Bloomington: Edinburgh University Press; Indiana University Press (2006), xv, 224 pp.
Focus on African Films
Bloomington: Indiana University Press (2004), ix, 327 pp.
"Emphasizing post-independent films released since the 1950s and the burgeoning commercial film production of the last decade, Focus on African Films provides unique and pluralistic perspectives on filmmaking throughout Africa. As a whole, the collection highlights the distinct thematic, stylistic,
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