"Desde una aproximación ética, reconocidos profesionales con amplia experiencia en los medios y en organismos, como la Oficina Española de Cambio Climático o la Agencia Estatal de Meteorología, profesores doctores de catorce universidades, entre ellos una decena de investigadores del Observator
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io de la Comunicación del Cambio Climático y el director del Centro Knight de Periodismo Ambiental de la Michigan State University, abordan los asuntos propios de la especialidad aportando reflexión y claves para comunicar sobre medio ambiente y cambio climático de la mejor manera posible." (Tapa posterior)
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"Twitter is a key site for understanding the highly polarized and politicized debate around climate change. We examined large datasets comprising about 15 million tweets from different parts of the world referencing climate change and global warming. Our examination of the twenty most active users e
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mploying the term ‘global warming’ are likely to be automated accounts or bots than the most active users employing the term ‘climate change’. We used a mixed method approach including topic modelling, which is a digital method that automatedly identifies the top topics using an algorithm to understand how Twitter users engage with discussions on ‘climate change’ and ‘global warming’. The percentage of the top 400 users who use the term ‘climate change’ and believe it is human-made or anthropogenic (82.5%) is much higher than users who use the term ‘global warming’ and believe in human causation (25.5%). Similarly, the percentage of active users who use the term ‘global warming’ were much more likely to believe it is a results of natural cycles (18%) than active users who use the term ‘climate change’ (5%). We also identified and qualitatively analysed the positions of the most active users. Our findings reveal clear politically polarized views, with many politicians cited and trolled in online discussions, and significant differences reflected in terminology." (Abstract)
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"As connected platforms such as Twitter, Instagram and TikTok rise in popular use, communication strategies are forced to grow more condensed and to be transmitted primarily across digital screens. Online short-form video has consequently become a primary format for environmental communication, thou
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gh research on digital communication remains largely limited to frame analysis and discussions of print and still images. Filling a need in current scholarship on environmental media and aiming to further bridge humanities and communication research, this article offers a model for assessing environmentally themed short-form videos that complements communication studies’ focus on messaging rhetoric with humanities-based film and visual culture analytic tools for assessing the connotative aspect of aesthetic and narrative elements. Intending to offer an applicable framework for environmental messengers, we develop a genre system of short-form videos along cognitive and emotional axes that can be quantitatively identified according to formal practices, demonstrated through an examination of four environmental short-form videos." (Abstract)
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