"Dans quelle mesure la télévision a-t-elle contribué, et contribue-t-elle encore, à forger la mémoire nationale et l'identité nationale dans chaque pays ? Y a-t-il eu une politique volontariste en ce domaine ? Quels sont les effets du statut des chaînes de télévision, privées ou publiques
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? Les chaînes de télévision ont-elles contribué à promouvoir d'autres formes d'identités que l'identité nationale et lesquelles ? Cet ouvrage tente de répondre à ces questions." (Description de la maison d'édition)
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"Until the advent of African independence, Africans were not considered fitting subjects for historical research and their words, voices, and experiences were largely absent from the continent's history. In 13 lively and provocative essays focusing on all areas of Sub-Saharan Africa, oral sources ar
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e seen as a way to restore African expression to African history. African Words, African Voices evokes the richness and relevance of oral sources for understanding a complex past for readers at all levels." (Publisher description)
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"There is currently a great deal of discussion in the humanities and social sciences about collective memory, but there is very little agreement on what it is. The first goal of this volume is to review various understandings of this term to bring some coherence to the discussion. Drawing on this re
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view, James V. Wertsch goes on to outline a particular version of collective remembering grounded in the use of 'textual resources', especially narratives. This takes him into the special properties of narrative that shape this process and into the issues of how these textual resources are produced and consumed. Wertsch brings these general ideas to life by examining the rapid, massive transformation of collective memory during the transition from Soviet to post-Soviet Russia." (Publisher description)
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"Um die Ansätze und Erkenntnisse der unterschiedlichen Forschungsrichtungen zusammenzuführen, präsentiert dieses interdisziplinäre Lexikon das weite Feld der Gedächtnicforschung in seiner historischen und theoretischen Vielfalt. Mit über 450 Artikeln deckt es die Disziplinen ab, in denen die P
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hänomene Gedächtnis und Erinnerung untersucht werden: Kulturwissenschaften, Medientheorie, Neurobiologie, Pädagogik, Philosophie und Psychologie." (Verlagsbeschreibung)
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"This book aims at a dual objective: first, to analyze the formation of the Brazilian commercial television system and the emergence of a genre, the novela; and second, to establish theoretical guidelines so as to understand better the stakes of critical reflection on the upheavals occurring in tele
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vision today [...] In ten years, Brazil has succeeded in creating a national audiovisual program industry that has shown itself capable of exporting on a grand scale. The internationalization of Brazilian programs goes hand-in-hand with the attraction of a cheap, efficient mode of production. Confronted with the dual need to increase their production and lower their costs, European television channels have recently developed an interest in the novela; it copies neither the European serial nor the U.S. series, yet fits into the dynamics of serialization. This book invites the reader to consider the history of genres, the ideological and aesthetic forms that have crystallized the collective imagination and in which popular memory and national memory are always in tension." (Preface, page x-xi)
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