"Unruly Speech explores how Uyghurs in China and in the diaspora transgress sociopolitical limits with "unruly" communication practices in a quest for change. Drawing on research in China, the United States, and Germany, Saskia Witteborn situates her study against the backdrop of displacement and sh
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ows how naming practices and witness accounts become potent ways of resistance in everyday interactions and in global activism. Featuring the voices of Uyghurs from three continents, Unruly Speech analyzes the discursive and material force of place names, social media, surveillance, and the link between witnessing and the discourse on human rights. The book provides a granular view of disruptive communication: its global political moorings and socio-technical control. The rich ethnographic study will appeal to audiences interested in migration and displacement, language and social interaction, advocacy, digital surveillance, and a transnational China." (Publisher description)
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"Indigenous Language for Social Change Communication in the Global South brings together voices from the margins to engage in dialogue about common social change issues in Latin America, Africa, and Asia. This book argues that resistance and social movements, expressed in music and songs and exchang
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ed via radio, remain fundamental to ensure that the linguistic and cultural diversity of the world progresses despite colonizing pressures. Contributors present cases that explore how indigenous communities use mediums such as the radio to help support their language, identity, and expand their own social change. Highlighting the centrality of music in the development of political discussions and language as a central part of collective identity, contributors analyze how these mediums function as both a vessel and a link for information and cultural cohesion of those engaging in social change." (Publisher description)
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"Kunst dient als wichtiges Mittel im Kampf gegen Diskriminierung und stereotype Zuschreibungen. So auch in der kulturellen Selbstbehauptung der Sinti und Roma: Künstlerinnen und Künstler haben zahlreiche Wege gefunden, kreativ auf Marginalisierung und Antiziganismus zu reagieren, sei es in der Fot
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ografie, in der bildenden Kunst, im Tanz, im Film oder in der Literatur. Das kulturelle Schaffen der Sinti und Roma entfaltete eine produktive Wechselwirkung mit der Bürgerrechtsbewegung, gleichermaßen spielt es eine wichtige Rolle in der Erinnerung an die Verfolgung und systematische Ermordung der Sinti und Roma durch das NS-Regime. Für das digitale Pionierprojekt RomArchive wurden zahlreiche wichtige Arbeiten von unterschiedlichen Künstlerinnen und Künstlern zusammengetragen. Diese zweisprachige Ausgabe (Deutsch/Romanes) versammelt zentrale Werke des Archivs und einordnende Begleittexte und spiegelt die Vielfalt des kulturellen Schaffens von Sinti und Roma wider." (Buchrückseite)
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"Seit Beginn des 21. Jahrhunderts nehmen Konflikte um Land und Ressourcen in vielen lateinamerikanischen Ländern stark zu. Dieses Phänomen einer vermehrt neo-extraktivistisch orientierten Politik bedroht insbesondere Gebiete, in denen indigene Gemeinschaften leben. Im Kontext des indigenen Filmsch
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affens sind derartige Konflikte daher ein zentrales Thema. Wie werden Machtverhältnisse, unterschiedliche territoriale Vorstellungen und Mensch-Umwelt-Beziehungen hier verhandelt? Teresa Millesi analysiert eine Auswahl von Filmen unter Einbezug raumwissenschaftlicher und ökokritischer Ansätze. Im Zentrum steht dabei die Bedeutsamkeit der Filme als Widerstandspraxis gegen die nationalstaatliche Hegemonie." (Verlagsbeschreibung)
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"While there is strong continuity in the values that resisters perceive to be at stake, there are also profound changes. One important change is that media resistance increasingly has moved from the political to the personal domain. Three explanations are offered for how media resistance is sustaine
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d as a strong cultural current: media resistance is flexible and adaptable, media resistance is connected with other great narratives of hope and decline, and media resisters keep a distance from (empirical) media research." (Abstract chapter 7, page 119)
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"Despite the repressive power of the current regime the immense creativity of popular cultural practices, that negotiate and resist a repressive system, is a potent and dynamic force. This book draws on the expertise and experience of Iranian and international academics and activists to address dive
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rse areas of social and cultural innovation that are driving change and progress. While religious conservatism remains the creed of the establishment, this volume uncovers an underground world of new technology, media and entertainment that speaks to women seeking a greater public role and a restless younger generation that organises and engages with global trends online." (Publisher description)
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"In this book, based on the culture-centered approach to social change, we listen to the voices of resistance across the globe that foreground alternative rationalities of social, political, and economic organizing, challenging the hegemony of neoliberal ideology in organizing global economies. Prim
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arily based on the economic substratum of resistance work, the book highlights the discourses, messages, and narratives of change that are articulated by the very people who are rendered invisible by the structures of neoliberalism. Drawing upon earlier work in Communication Studies that outlines the relationships between the discursive and material processes of resistance, the voices in this book engage with the possibilities of transformative politics as embodied in the agentic expression of those across the globe who are participating in varied forms of collective actions in order to be recognized and to resist the unequal policies promoted by neoliberalism. Drawing upon the Subaltern Studies framework, on one hand, the book begins with the key concepts of deconstruction that are embodied in the critical communication literature; on the other hand, the deconstructive turn is seen as an opening for engaging with the positive sites of transformative politics that depict subaltern struggles for recognition and representation." (Preface, pix-x)
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