"Fragen nach israelbezogenem Antisemitismus stellen sich in Ländern, die sich teilweise im Kriegszustand mit Israel befinden oder – wie Libanon, Irak, Saudi-Arabien und Katar – keine offiziellen Kontakte zu Israel unterhalten, anders dar als in Ländern wie Deutschland. Die hierzulande präsent
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e Diskussion um Israelkritik in Form und Inhalt spielt in den arabischen Leitmedien keine Rolle. Vor diesem Hintergrund ist dann auch die in Deutschland vorherrschende Problematisierung von Begriffen wie "vom Fluss zum Meer", Genozid und Apartheid im Zusammenhang mit dem Nahost-Konflikt in der arabischsprachigen Öffentlichkeit nicht relevant. Hier sind die arabischen Leitmedien eher dem internationalen Presse- und Wissenschaftsdiskurs und der juristischen Auseinandersetzung mit dem Nahostkonflikt (Internationaler Gerichtshof, Internationaler Strafgerichtshof) näher.
Weder Vernichtungsfantasien gegen Israel noch platte monokausale Argumentationen spielen in den arabischen Leitmedien eine dominierende Rolle – gleichwohl gibt es natürlich auch israelfeindliche Beiträge. Wiederum gehören – auch staatliche – israelische Stimmen zum "Informationsbuffet" der arabischen Medien. Häufig wird auch die Rolle des Westens kritisiert und dessen Haltung als einseitig angeprangert. Immer wieder wird Gaza mit der von Russland angegriffenen Ukraine verglichen und die Unterschiede in der Positionierung insbesondere der USA und europäischer Staaten als Doppelmoral kritisiert. Traditionelle antisemitische Diskurse, wie sie Shaykh Qaradawi vor 15 Jahren auf Al Jazeera pflegte, sind in der aktuellen Debatte der arabischen Leitmedien dagegen selten.
Vielfach ist ein Verlautbarungsjournalismus zu beobachten, der Vertretern und Sprechern der verschiedenen Konfliktparteien Raum für ihre medienwirksamen Äußerungen gibt. Gleichzeitig wird die Entwicklung der Kampfhandlungen und der politischen Lage durch eine Art Verlaufsjournalismus begleitet, in dem politische Analysten und auch Militärexperten das Tagesgeschehen darstellen und einordnen.
Palästinensische Perspektiven und Anliegen werden in den Medien des arabischen Raums stärker gewichtet als in Europa. Das ist naheliegend und insofern nachvollziehbar. Die Darstellung und auch die Interpretation der Ereignisse könnte sich dennoch auch im hoch emotionalen Kontext des aktuellen Gaza-Krieges durch mehr Neutralität und Ausgewogenheit auszeichnen. Insgesamt dreht sich die Berichterstattung über den Gaza-Konflikt aber vor allem um die Entwicklungen auf dem Schlachtfeld und um territoriale Ansprüche, Antisemitismus spielt dagegen eine eher untergeordnete Rolle. Wie die Berichterstattung jenseits der Leitmedien, insbesondere in den Medien der jeweiligen politischen Gruppierungen und in den Social-Media-Kanälen aussieht, bleibt in diesem Zusammenhang aber unbeantwortet und muss an einem anderen Ort geklärt werden." (Fazit)
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"Carole Grimaud propose une plongée au cour de la complexité des processus de réception médiatique dans un contexte où la perception et l'interprétation des informations sont soumises à une incertitude palpable. À travers une approche interdisciplinaire, cet ouvrage explore les dynamiques so
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us-jacentes à la formation des représentations et des croyances chez les récepteurs. En s'appuyant sur une étude qualitative approfondie, cette recherche analyse les influences exercées par les médias, les processus cognitifs impliqués dans le traitement de l'information et les mécanismes de régulation cognitive et métacognitive, offrant ainsi une vision nuancée des réactions du public face à la surmédiatisation de la guerre en Ukraine. Ce livre donne des clés de compréhension essentielles pour appréhender les enjeux de la réception médiatique en période de crise." (Description de la maison d'édition)
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"How are Western journalists who are killed in the course of their work remembered? Using the biographies of journalists killed covering conflict, this article investigates the discursive repertoires through which the memorialization of journalists killed while reporting conflict is accomplished. Th
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e authors argue that such journalists are consistently constructed as humanitarian, cosmopolitan witnesses engaged in supererogatory moral projects involving justice and voice for those outside of these journalists’ geopolitical home communities. This particular articulation appears to herald a recent shift in the memorialization of the journalistic dead, although it is continuous with longer discourses in fields such as photojournalism and its idea of the ‘concerned photographer’. We speculate that this shift is consistent with material changes in the field – in particular, the precaritization of conflict reporting driving journalists into the material and social world of professional humanitarianism, whose discourses around the moral worth and cosmopolitan nature of the work have colonized the subfield of conflict reporting." (Abstract)
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"This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freel
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ancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists’ testimonials of fear and their perception of danger and vulnerability provide a humanistic lens not only on the scope of what revolution and war mean to many who have lived it and been transformed by it, but also on the reality of informing in dangerous contexts. The study contemplates the practitioners’ working risks and perceptions of fear and threats, as well as their personal security measurements. The characterization of fear during the militarization of the rebellion as a semi-normalized way of life, suggested by Pearlman’s article, ‘Narratives of fear in Syria’ (2016), allows the authors to place their study in a conceptual frame. The implementation of a survey answered by 82 Syrian journalists was complemented by semi-structured interviews with a selected group of 12 participants. In a context in which 86.6 percent of the respondents had colleagues who had died while working, the findings illustrate that Syrian reporters and media activists perceive their work as extremely dangerous. In the perception of fear, the adoption of personal safety measures by practitioners does not always contribute to decreasing it; the trauma experience can act both as a paralysing and empowering working factor." (Abstract)
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"While most research on the Syrian revolution has been focussing on content analysis about how Western mainstream media cover and frame the conflict, this paper aims at exploring journalistic practices by Syrian journalists. We look at three concrete aspects: the socio-labor profile of the practitio
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ners and their circumstances, the dynamics of journalistic practices when covering the war and the perception of “objectivity” when doing so. A mixed method approach is employed in this study through a survey, answered by 86 Syrian journalists, and semi-structured interviews with 12 practitioners to enrich the data. Participants are members or collaborators of SIRAJ (Syrian Investigative Reporting for Accountability Journalism). The concept of “communities of interpretation” has been adopted to fit the role and work of both “professional” and “citizen journalists” within the sample. Findings show that local journalists, a heterogeneous group of different socio-labor backgrounds, have a preference for humanitarian topics, stories about conflicts between the government and the opposition, as well as the international global consequences of the conflict. On the other hand, there is an important gap between practitioners “positive” perceptions about their ability to achieve “objectivity” and the practical constraints they encounter when working in such extraordinarily difficult and risky circumstances." (Abstract)
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"This volume aims to deepen understanding of the dynamic intersections of war and media in the rapidly transforming media ecology and the reordered geopolitical context. The volume examines the ways in which the digital media and communication environment is involved in and shape the war in Ukraine.
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The chapters in the volume analyse expanding mesh of media-from mainstream broadcasting and press to social media platforms, and the latest digital technologies and addresses four key themes: media infrastructures and the interplay between platforms, technologies, institutions and civic actors; open-source intelligence contributing to (dis)information about the war; the everyday life of war performed and documented on social media; and different interplays between the local and the global in the news coverage of the war." (Publisher description)
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"This edited book expands the applicability of peace journalism research beyond war to cover terrorism and radicalization, an issue that has not yet been touched by peace journalism scholars." (Publisher description)
"The Russian war against Ukraine illustrates how the disinformation ecosystem works in Hungary, and it also reveals its devastating impact on democratic public discourse. Public service media play a prominent role in spreading disinformation. We were able to identify several false narratives in the
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period of the first year since the start of the war. In the first few months of the war, a key element of disinformation that was being spread in Hungary suggested that Ukraine had provoked the armed conflict. Later, the prevailing message was that only Hungary wanted peace, while the Western powers were interested in a continuation of the war. During autumn, the focus of the disinformation campaign increasingly shifted to the EU, disseminating an anti-EU message that was more concerned with the sanctions than the war. The pro-government media constantly told news consumers that the economic difficulties and the rise in energy prices had not been caused by the war launched by Russia but by the sanctions that the EU had imposed in response to the aggression. Public opinion research clearly shows the impact of these narratives on the perceptions of the Hungarian public. The polls readily capture how the Hungarian public's opinion has changed over time. This study is primarily based on a content analysis of the relevant shows of the M1 public television channel, but we have also relied on some insights from public opinion polls to inform our analysis." (Abstract)
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"This paper analyzes all the articles and corresponding comments of Al-Jazeera Arabic’s coverage of the Syrian war from 2011 to 2017. I propose a multilayered Critical Discourse Analysis Guided Topic Modeling method that includes context of social structures and processes in the analysis of topics
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. This article shows that the employment of topic modeling without Critical Discourse Analysis does not unravel the power relations embedded within the platform. Two different applications of this method are used to demonstrate how a guided topic modeling method can lead to more nuanced results that can unravel important social dynamics which would have remained unperceived if applying traditional computational methods." (Abstract)
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"The topic of the war in Ukraine dominated the media during the first three months of the war and completely marginalized all other topics. The most foreign actor reported on most in the media was Russia, while the countries of the West, the US, the EU, and NATO were far less noticeable. Although th
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e initial open support for Russia has softened since the beginning of the war, the media continue to report in favour of Russia, and against the West. Television stations with national coverage (especially their morning news programmes), as well as parts of the daily press, are at the forefront of supporting Russia. Internet portals have a more balanced approach. Among state officials, President Vucic has monopolized the discussions of the war in Ukraine, and he is the person most credited in the media for establishing Serbia's neutral stance on this issue. Disinformation in the media is placed in such a way as to present Russia in a positive light, and the West negatively. Disinformation was most prevalent on internet portals and the printed edition of Vecernje novosti, the daily Informer, and television stations Pink and Happy." (Key findings)
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"The contributors, ranging from prominent scholars to the Head of Newsgathering at the BBC, discuss a diverse range of key case studies, including the role of Bellingcat in conflict journalism; war and peace journalism in Bangladesh; visual storytelling in conflict zones; and rampant cyber-misogyny
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confronting women journalists in Finland, India, the Philippines and South Africa." (Publisher description)
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"Following seminal study on journalistic attitudes towards wars and peace journalism, in this study we investigated the perceptions of conflict reporters in the three most deadly countries in the world including Iraq, Afghanistan and Pakistan. A total of 317 journalists participated in this study. T
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hough generally we found support for the earlier study, the analysis shows journalists engage in wider practices than predicted that overlap war and peace journalism approaches. A closer examination showed that journalists favored active war journalism practices and passive peace journalism practices. Finally, we did not find that journalistic experience and contextual factors influenced preferences towards war and peace journalism substantially." (Abstract)
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"This article explains why Iran was unsuccessful in its efforts to persuade Shi'i Iraqis to support Iran during the critical early years of the Iran–Iraq war. Analysis of Iranian and Iraqi framing communicated to that target population shows Iran failed due to both structural and cultural factors.
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Its media strategy lacked reach and variety and it misunderstood the cultural identity of Shi'i Iraqis. The author makes use of original archive material of radio transcripts from 1981–1983 as well as other primary sources and historical accounts. The research makes an original theoretical contribution by applying media contest theory to a military confrontation between two sovereign states, rather than between a state ‘authority’ facing a non-state ‘challenger’. The findings have implications for considering how Iran today may communicate more effectively beyond its borders through regional media strategies and thus the viability of a mediatized Shi'ism." (Abstract)
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"Le reportage de guerre est une pratique journalistique qui nous est à la fois familière et mal connue. Familière par la présence au quotidien de ce type de reportage dans les médias ; mal connue en ce qui concerne les conditions de fabrication de ces reportages, autour desquelles s’est déve
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loppée la figure du correspondant de guerre aventurier « n’écoutant que son courage et cette étrange passion de reporter », comme l’écrit le journal Ce soir à propos de sa reportère-photographe officielle en Espagne durant la guerre civile, Gerda Taro, morte sur le terrain en 1937. Cette bibliographie se propose d’éclairer « l’envers du décor » du reportage de guerre à travers une sélection de documents disponibles pour la plupart en salle B de la bibliothèque tous publics." (Abstract)
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"The book was born out of the need to understand and convey the experience of journalists who testified before the International Criminal Tribunal for the Former Yugoslavia (ICTY). Aiming to shed light on the insufficiently researched role of journalists and newspaper material before the ICTY, Media
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centar Sarajevo’s research team gathered and analyzed 2,760 evidence items from the Hague Tribunal court records, while the experiences of 14 journalists who testified before the Hague Tribunal were recorded through in-depth interviews." (Publisher description)
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"In an era marked by an unprecedented refugee crisis and ongoing, seemingly unending, borderland conflicts, foreign correspondents could play a pivotal role in helping create a global public sphere that incorporates the perspectives of those who are most effected by ongoing resource-fueled wars—an
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d least powerful. However, aspects of the historical development of foreign correspondence, as well as contemporary practices, do not allow the profession to reach this potential. Borderland takes insights from postcolonial studies, international relations, development studies, and philosophy and uses the site of the world’s largest UN peacekeeping presence, in the Democratic Republic of Congo, as its case study. It examines the specific narrative styles, and news-gathering habits in these complex spaces and discovers neocolonial practices stymying ethical praxis. Brought to life through the autoethnographic descriptions and analysis of ‘behind the scenes’ events, Borderland seeks to introduce new, decolonized reporting techniques. And it argues for reporting that explores how local realities are impacted by global discourses. In a digital world where people access news direct from conflict zones, the role and value of foreign correspondents must be questioned. Borderland answers that question by proposing decolonized foundations from which foreign correspondents can be the storytellers needed in today’s global polity." (Publisher description)
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"Those working in media face plenty of challenges when it comes to handling issues around conflict more sensitively. In some countries, these difficulties could include forced or unsolicited loyalty, a lack of information, or physical and psychological threats. In others, challenges could arise from
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prejudice fostered by excessive homogeneity in newsrooms, or a lack of consciousness for the limits of certain views. In DW Akademie’s publication, authors from around the world approach the question of how media workers can cover conflict better. This includes reflections on how to cope with the deluge of hatred online and on how to deal with trauma. Rather than academic, analytical texts, the publication is made up of thoughtfully written, carefully illustrated and often personal pieces." (Publisher description)
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