"Ist der Krieg im Irak nötig, ist er legitim und welche Folgen wird er haben? Diese Fragen spalten im Frühjahr 2003 die Welt. Im Kampf der Meinungen entscheidet die Macht der Medien dabei mehr denn je über Anerkennung oder Ablehnung eines Krieges. Die Studie der COMDAT Medienforschung analysiert
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die Rolle der deutschen Presse im Irak-Krieg. Sie deckt auf, dass die Berichterstattung der Maxime unterliegt: "Der Erfolg heiligt die Mittel". Klaus Kocks und Klaus Merten komplettieren diesen Band mit scharfsinnigen Beiträgen über den casus belli und den Krieg in der Mediengesellschaft." (Verlagsbeschreibung)
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"La 'guerre préventive' contre l'Irak, dans le sillage des attentats du 11 septembre 2001, est sans conteste l'un des faits les plus médiatisés de l'histoire de l'humanité. Jamais les préparatifs d'une guerre n'ont été aussi abondamment décrits et jamais son déroulement n'a été ainsi tran
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smis en direct par le truchement de cohortes de journalistes. Partout, les médias se sont ingéniés à relater dans ses moindres rebondissements le faux suspense diplomatique d'avant le 20 mars 2003, à spéculer longuement sur la probabilité et la date de déclenchement de l'intervention, à mobiliser une armada d'experts capables de disserter avec aplomb sur les armes de destruction massives irakiennes et les bunkers de Saddam tout en n'en sachant rien ou presque [...] C'est pourquoi cette guerre offre un matériau inédit pour une analyse critique du comportement des médias dominants. Les contestations de rue que la perspective puis le déclenchement de la guerre ont provoquées, les doutes et le déficit de légitimité entourant l'aventure états-unienne, le malaise des régimes arabes craignant une extension de l'ingérence des Etats-Unis dans leurs propres territoires, les critiques émanant de certains gouvernements européens ont placé le champ médiatique face à un conflit qui résiste fortement à la simplification. A travers six contributions, où les auteurs décrivent en fait six guerres différentes vues de six postes d'observation distincts (les Etats-Unis, la France, Israël, la Turquie, l'Irak lui-même et la chaîne panarabe Al Jazira), le livre explore les modes de restitution des mots et des images de la guerre. Il tente de resituer les médias dans le cadre des enjeux de pouvoir nationaux. Il explicite leur rôle dans la mobilisation du consentement ou de l'opposition à la guerre." (https://www.actes-sud.fr)
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"This collection of conversations between journalists and federal officials aims to capture the tensions between the press and the government during wartime. They cover issues including military censorship and the difficulties of maintaining security in an era of satellite technology." (Publisher de
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scription)
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"This guide is both ambitious and modest. Ambitious because it wants to help journalists working in war situations. Modest because we have no miracle solution to offer. But the suggestions you will find in this guide, based on an all too often ignored common sense, should help many reporters to stee
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r clear of a lot of problems. We have recalled first key documents that spell out the principles of press freedom, along with charters and declarations concerning the journalistic profession. They come from all over the world, ranging from the African Charter on Human and People’s Rights to the Munich Charter about rights and duties of journalists to a charter the staff of the Japanese newspaper Nihon Shinbun Kyokaï use as guidance. As well as general documents, we thought it very important to include practical advice, such as the BBC gives to all its journalists when they go on a dangerous assignment. We have listed all the precautions to be taken to give better protection in such situations, such as where there are snipers, where people are taken hostage and when journalists are ambushed or have to pass a checkpoint. And when these measures fail, how to start saving a wounded or injured person. Also in the guide are how to go about investigating press freedom violations, as well as a list of the operating rules of the International Committee of the Red Cross and NGOs involved in freedom of expression. These recommendations are practical ones based on long experience in the field. With each new edition, we add suggestions from journalists who work daily in conditions of constantly changing information techniques and technology." (Preface)
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"The CNN Effect examines the relationship between the state and its media, and considers the role played by the news reporting in a series of 'humanitarian' interventions in Iraq, Somalia, Bosnia, Kosovo and Rwanda. Piers Robinson challenges traditional views of media subservience and argues that sy
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mpathetic news coverage at key moments in foreign crises can influence the response of Western governments." (Publisher description)
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"Les articles sont issus de trois conférences organisées à Accra en 1996, Kampala en 1997 et Accra en 1999 sur le thème "Les médias et la construction de la paix en Afrique". Le comportement et la coresponsabilité des médias pendant le génocide rwandais de 1994 ont été à l'origine de cett
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e réflexion. Dans ce contexte, les auteurs s'interrogent sur le rôle que les journalistes doivent (ou peuvent) jouer dans les sociétés africaines en cas de conflit et sur la possibilité pour eux d'adopter une attitude impartiale lorsque l'État justifie la répression sous diverses formes par l'argument de la sécurité nationale. Les explications d'ordre général sont étayées par des exemples individuels détaillés." (DÜI-Wgm)
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"From outbreaks of the flesh eating viruses Ebola and Strep A, to death camps in Bosnia and massacres in Rwanda, the media seem to careen from one trauma to another, in a breathless tour of poverty, disease and death. First we're horrified, but each time they turn up the pitch, show us one image mor
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e hideous than the next, it gets harder and harder to feel. Meet compassion fatigue--a modern syndrome, Susan Moeller argues, that results from formulaic media coverage, sensationalized language and overly Americanized metaphors. In her impassioned new book, Compassion Fatigue, Moeller warns that the American media threatens our ability to understand the world around us. Why do the media cover the world in the way that they do? Are they simply following the marketplace demand for tabloid-style international news? Or are they creating an audience that as seen too much--or too little--to care? Through a series of case studies of the Four Horsemen of the Apocalypse--disease, famine, death and war--Moeller investigates how newspapers, newsmagazines and television have covered international crises over the last two decades, identifying the ruts into which the media have fallen and revealing why. Throughout, we hear from industry insiders who tell of the chilling effect of the mega- media mergers, the tyranny of the bottom-line hunt for profits, and the decline of the American attention span as they struggle to both tell and sell a story. But Moeller is insistent that the media need not, and should not, be run like any other business. The media have a special responsibility to the public, and when they abdicate this responsibility and the public lapses into a compassion fatigue stupor, we become a public at great danger to ourselves." (Publisher description)
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"Kommunikation hat in jedem Konflikt der Geschichte eine tragende Rolle gespielt. Seit der Erfindung des Buchdruckes werden Flugblätter und Handzettel auf dem Kriegsschauplatz und im Hinterland eingesetzt. Zeitungen werden von Beginn an entweder von Streitkräften herausgegeben oder mittels Zensur
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beeinflußt. Auch der Film wird früh in den Dienst des Krieges gestellt. Bereits im Ersten Weltkrieg entfaltet er seine suggestive Kraft. Mit dem Aufkommen des Hörfunks beginnen die Gegner des Zweiten Weltkrieges Propaganda und Kriegsberichterstattung zu senden. Sobald das Fernsehen verbreitet ist, wird es auch von Konfliktgegnern genutzt. Im Vietnamkonflikt kommt der Krieg mit geringer Verzögerung in die Wohnzimmer. Im Golfkrieg induzierten Iraker und Alliierte Desinformation in die verzuglose Berichterstattung "in Echtzeit". Heute werden selbst Individualmedien wie Telefon und Fax und Datennetze wie das Internet in Konflikten eingesetzt. Der Kosovo-Konflikt fand auch im Internet statt. Zunehmend tritt Kommunikation aber auch in anderer Weise in Konflikten auf: sie ist nicht länger nur Waffe, sie wird in friedenserhaltenden Maßnahmen nun auch zur Brücke." (Verlagsbeschreibung)
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"Radio journalists have witnessed much of the history of the twentieth century. From early documentary recordings, to the ground-breaking war reporting of Ed Murrow and Richard Dimbleby, to the sophisticated commentaries of Alistair Cooke and reporters such as Fergal Keane, International Radio Journ
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alism explores the way radio has covered the most important stories this century and the way in which it continues to document events in Britan, America, Europe and many other countries around the world. International Radio Journalism is both a theoretical textbook and a practical guide for students of radio journalism, reporters, editors and producers. The book details training and professional standards in writing, presentation, technology, editorial ethics and media law in America, Britain, Australia and other English speaking countries and examines the major public sector broadcast networks such as the BBC, CBC, NPR and ABC as well as the work of commercial and small public radio stations. Timothy Crook investigates the way in which news reporting has been influenced by governments and media conglomerates and identifies an undercurrent of racial and sexual discrimination throughout the history of radio news." (Publisher description)
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