"A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged
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from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once artistic and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. In contexts of stigma and exclusion, cartonera collectives give form to a decolonial aesthetics of resistance, making possible a space of creative experimentation through which plural worlds can be brought to life." (Publisher description)
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"The informal practices revealed in this book include emotion-driven exchanges (from gifts or favours to tribute for services), values-based practices of solidarity and belonging enacting multiple identities, interest-driven know-how (from informal welfare to informal employment and entrepreneurship
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, often not seen or appreciated as expertise), and power-driven forms of co-optation and control. The paradox – or not – of the invisibility of these informal practices is their ubiquity. Expertly practised by insiders but often hidden from outsiders, informal practices are, as this book shows, deeply rooted all over the world. Fostering informal ties with ‘godfathers’ in Montenegro, ‘dear brothers’ in Finland and ‘little cousins’ in Switzerland – known locally as kumstvo, Hyvä veli, and Vetterliwirtschaft – as well as Klüngel (solidarity) in Cologne, Germany, compadrazgo (reciprocity) in Chile, or blat (networks of favours) in Russia, can make a world of difference to your well-being. Yet just like family relations, social ties not only enable but also limit individual decisions, behaviour and rights, as is revealed in the entries on janteloven (aversion to individuality) in Denmark, Norway and Sweden, or krugovaia poruka (joint responsibility) in Russia and Europe. The Global Informality Project (GIP) assembles pioneering research into the grey areas of informality, known yet unarticulated, enabling yet constraining, moral to ‘us’ yet immoral to ‘them’, divisive and hard to measure or integrate into policy. While typically unmentioned in official discourse, these practices are deeply woven into the fabric of society and are as pervasive as the usage of the terms, or language games, associated with them: pulling strings in the UK, red envelopes in China, pot du vin in France, l’argent du carburant paid to customs officials in sub-Saharan Africa, coffee money (duit kopi) paid to traffic policemen in Malaysia, and many others (Blundo, Olivier de Sardan, 2007: 132). While they may be taken for granted and familiar, such practices can also be uncomfortable to discuss and difficult to study." (Preface, page vii-viii)
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Ziel des Sammelbandes ist es, "die Dichotomie von Allmacht bzw. Ohnmacht der Medien zugunsten einer differenzierteren Betrachtungsweise aufzulösen. Die Beiträge erläutern die gesellschaftlichen Rahmenbedingungen und stellen die bisherigen kommunikationswissenschaftlichen Befunde vor. Abschließen
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d werden mögliche Konsequenzen aus der Wirkungsdebatte und Forschungsperspektiven diskutiert". (Verlagsbeschreibung)
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"This volume of essays examines the far-reaching changes that have occurred in the realm of information, communications media, and public debate in the Soviet Union since Gorbachev began implementing his policies of Glasnost. The fifteen articles address these changes with an eye toward their histor
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ical precedent, conflicting responses, and chance for survival. Topics covered include: mass culture and the market; youth culture; glasnost, journalism, and the media; and television and perestroika." (Publisher description)
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