Document details

Contesting Copyright: A History of Intellectual Property in East Central Europe and the Balkans

New York: Central European University Press (2025), xxi, 481 pp.

Contains acronyms pp. xi-xii, bibliogr. pp. 445-467, index

Series: Leipzig Studies on the History and Culture of East-Central Europe, 8

ISBN 978-963-386-615-3 (ebook); 978-963-386-614-6 (hbk)

CC BY-NC-ND

Other editions: University of Leipzig, Habilitation 2022

"The creative sector, including the cultural industry, is key for today’s economy. Copyright has the capacity to x the roles and tasks of the actors involved and determine the direction of cash ows within this sector. The study of the evolution of copyright helps understand and adjust the regulation and commercialization of creative labor. Augusta Dimou provides a thoroughly researched, interdisciplinary and comparative study of the historical development of copyright regimes in three countries – Czechoslovakia, Yugoslavia, and Bulgaria. She examines the function and significance of copyright in the institutionalization, development, and regulation of modern culture in East Central Europe and the Balkans during the diverse political regimes of the modern era, and at the interface between the various nationalization and globalization processes of the 20th century." (Publisher description)
Introduction, 1
Where It All Started: Translation, 25
The Empires of East and Southeast Europe, 69
The Expansion of Copyright in Eastern Europe: Preconditions of Development and European Comparisons, 115
Comparisons: Europe and Beyond, 135
Orchestrated Globalization: The Expansion of Intellectual Property Rights in Southeast and East Central Europe in the Context of World War I, 159
Interwar Bulgaria, 187
Interwar Yugoslavia, 225
Interwar Czechoslovakia, 289
Comparative Perspectives on National, Regional, International and Transnational Trajectories up to and Including the Interwar Period, 337
Communist Copyright, 377
Conclusions, 423