"Insgesamt wird deutlich, dass mit einer Beeinträchtigung weiterhin spezifische Risiken in der Mediennutzung durch Zugangs- und Teilhabebarrieren einhergehen. Die bedeutsamsten Handlungsfelder für die Gestaltung von Inklusionsprozessen durch mediale Teilhabe und die größten Handlungsbedarfe aufg
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rund bisher ausgrenzender Strukturen zeigen sich wie folgt.
• Das Fernsehen ist für die Befragten das meistgenutzte Medium. Dabei zeigt sich ein breites Spektrum an Lieblingssendungen quer durch alle Sparten, Formate und Sender. „Mitreden können“ ist ein spezifisches Nutzungsmotiv. Gleichberechtigte mediale Teilhabe wird im linearen ausgestrahlten Programm gewünscht, deshalb sind barrierefreie Angebote dort wichtig und nicht nur in den Mediatheken.
• Mangelnde Tonqualität, geringe Sprachverständlichkeit und Schwierigkeiten bei der Gerätebedienung sind Probleme, die in allen untersuchten Gruppen auftreten. So wäre zum Beispiel eine einfache Möglichkeit, die Lautstärke von gesprochener Sprache und Hintergrundgeräuschen separat zu regulieren, ein bedeutender Gewinn für zahlreiche Zuschauer und Zuschauerinnen.
• Durchgehende Untertitelung sowie Ausbau von Audiodeskription und Angeboten in Deutscher Gebärdensprache sind für sinnesbeeinträchtigte Mediennutzer_innen essentiell, um in der mediatisierten Gesellschaft teilhaben zu können.
• Die Auffindbarkeit barrierefreier Angebote ist von immenser Bedeutung. Es ist nicht immer leicht, sich einen Überblick darüber zu verschaffen.
• Die empirische Datenlage zu Teilhabekonstellationen muss weiterhin verbessert werden. Die Studie bietet eine gute Grundlage, auf der inhaltlich und methodisch aufgebaut werden kann, um in Folgeuntersuchungen Teilhabebarrieren in der Mediennutzung weiter zu erforschen.
Ob Inklusion ermöglicht wird, entscheidet sich auch an der Art und Weise wie Medienangebote gestaltet und genutzt werden. Die Digitalisierung bietet gute Chancen, vielfältige Lösungen als Wahlmöglichkeiten anzubieten, um individuellen Bedarfen gerecht zu werden." (Fazit, Seite 10)
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"Cyberpsychology is an emerging area of psychological study that aims to understand and explain all facets of online behaviour. This book brings together overviews from a number of leading authorities in the field, to suggest how academic theory and research can be applied to a variety of online beh
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aviours. Both positive and negative behaviours are considered, including topics as diverse as parenting the online child, age-related internet usage and cultural considerations in online interactions. Psychological research can no longer view online and offline worlds as different entities, but must consider online behaviours as equally distinct as offline activities. This is especially apparent when looking at online dating, the role that social networks play in organisations and online consumer behaviours, and in a consideration of the role that psychological research plays in underpinning the multi-billion pound gaming industry." (Publisher description)
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"This book brings together several key anthropologists working with digital culture to demonstrate just how productive an anthropological approach to the digital has already become. Through a range of case studies from Facebook to Second Life to Google Earth, Digital Anthropology explores how human
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and digital can be defined in relation to one another, from avatars and disability; cultural differences in how we use social networking sites or practise religion; the practical consequences of the digital for politics, museums, design, space and development to new online world and gaming communities. The book also explores the moral universe of the digital, from new anxieties to open-source ideals. Digital Anthropology reveals how only the intense scrutiny of ethnography can overturn assumptions about the impact of digital culture and reveal its profound consequences for everyday life." (Publisher description)
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"Disability and New Media examines how digital design is triggering disability when it could be a solution. Video and animation now play a prominent role in the World Wide Web and new types of protocols have been developed to accommodate this increasing complexity. However, as this has happened, the
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potential for individual users to control how the content is displayed has been diminished. Accessibility choices are often portrayed as merely technical decisions but they are highly political and betray a disturbing trend of ableist assumption that serve to exclude people with disability. It has been argued that the Internet will not be fully accessible until disability is considered a cultural identity in the same way that class, gender and sexuality are. Kent and Ellis build on this notion using more recent Web 2.0 phenomena, social networking sites, virtual worlds and file sharing. Many of the studies on disability and the web have focused on the early web, prior to the development of social networking applications such as Facebook, YouTube and Second Life. This book discusses an array of such applications that have grown within and alongside Web 2.0, and analyzes how they both prevent and embrace the inclusion of people with disability." (Publisher description)
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"This book, a first in its kind, offers a survey of the present state of affairs in media accessibility research and practice. It focuses on professional practices which are relative newcomers within the field of audiovisual translation and media studies, namely, audio description for the blind and
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visually impaired, sign language, and subtitling for the deaf and the hard-of-hearing for television, DVD, cinema, internet and live performances. Thanks to the work of lobbying groups and the introduction of legislation in some countries, media accessibility is an area that has recently gained marked visibility in our society. It has begun to appear in university curricula across Europe, and is the topic of numerous specialised conferences." (Piublisher)
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"In the past decade, the mass media discovered disability. Spurred by the box-office appeal of superstars such as the late Christopher Reeve, Michael J. Fox, Stephen Hawking, and others, and given momentum by the success of Oscar-winning movies, popular television shows, best-selling books, and prof
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itable websites, major media corporations have reversed their earlier course of hiding disability, bringing it instead to center stage. Yet depictions of disability have remained largely unchanged since the 1920s. Focusing almost exclusively on the medical aspect of injury or illness, the disability profile in fact and fiction leads inevitably to an inspiring moment of “overcoming.” According to Riley, this cliché plays well with a general audience, but such narratives, driven by prejudice and pity, highlight the importance of “fixing” the disability and rendering the “sufferer” as normal as possible. These stories are deeply offensive to persons with disabilities. Equally important, misguided coverage has adverse effects on crucial aspects of public policy, such as employment, social services, and health care. Powerful and influential, the media is complicit in this distortion of disability issues that has proven to be a factor in the economic and social repression of one in five Americans. Newspapers and magazines continue to consign disability stories to the “back of the book” health or human-interest sections, using offensive language that has long been proscribed by activists. Filmmakers compound the problem by featuring angry misfits or poignant heroes of melodramas that pair love and redemption. Publishers churn out self-help titles and memoirs that milk the disability theme for pathos. As Riley points out, all branches of the media are guilty of the same crude distillation of the story to serve their own, usually fiscal, ends. Riley’s lively inside investigation illuminates the extent of the problem while pinpointing how writers, editors, directors, producers, filmmakers, advertisers and the executives who give their marching orders go wrong, or occasionally get it right. Through a close analysis of the technical means of representation, in conjunction with the commentary of leading voices in the disability community, Riley guides future coverage to a more fair and accurate way of putting the disability story on screen or paper. He argues that with the “discovery” by Madison Avenue that the disabled community is a major consumer niche, the economic rationale for more sophisticated coverage is at hand. It is time, says Riley, to cut through the accumulated stereotypes and find an adequate vocabulary that will finally represent the disability community in all its vibrant and fascinating diversity." (Publisher description)
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