"Based on a wealth of primary data collected during five years, Reality Television and Arab Politics analyzes how reality television stirred an explosive mix of religion, politics, and sexuality, fueling heated polemics over cultural authenticity, gender relations, and political participation in the
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Arab world. The controversies, Marwan M. Kraidy argues, are best understood as a social laboratory in which actors experiment with various forms of modernity, continuing a long-standing Arab preoccupation with specifying terms of engagement with Western modernity. Women and youth take center stage in this process. Against the backdrop of dramatic upheaval in the Middle East, this book challenges the notion of a monolithic “Arab Street” and offers an original perspective on Arab media, shifting attention away from a narrow focus on al-Jazeera and toward a vibrant media sphere that compels broad popular engagement and contentious political performance." (Publisher description)
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"This article focuses on events surrounding the third season of 'Indian Idol' in order to assess the changing relationship between television, everyday life, and public political discourse in contemporary India. In the summer of 2007, media coverage of Indian Idol focused on how people in Northeast
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India cast aside decades-old separatist identities to mobilize support for Amit Paul and Prashant Tamang, the two finalists from the region. Situating this media phenomenon in relation to the changing landscape of Indian television and the socio-historical context of ethno-national politics in Northeast India, I explore how reality television, combined with mobile media technologies and practices, has enabled new modes of cultural and political expression. Positing the notion of “mobile publics,” I argue that participatory cultures surrounding television create possibilities for the renewal of everyday forms of interaction in public settings that may have been forgotten, subdued, or made impossible under certain political circumstances." (Abstract)
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"This article aims at understanding the popularity and cultural and social significance of the highly prominent Chinese television show Super Girls’ Voice (the 2005 season), a talent contest largely modeled upon “reality shows” such as American Idol in the United States and Pop Idol in the Uni
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ted Kingdom. We focus particularly on whether the show, as some critics have claimed, has altered the power relationship between the media and the audience. Theoretically, we follow Couldry’s (2000) framework and consider the media’s construction of the symbolic boundary separating the “media world” and the “ordinary world” as crucial to the legitimization of media power. Based on an analysis of media discourses, review of publicized materials about the show’s organization, and a focus group study on young female audience members, we contend that the Super Girls’ Voice has involved a temporary suspension of the media/ordinary boundary. Yet the boundary was re-established toward the end of the show, thus relegitimizing media power. The audience members, meanwhile, were largely complicit throughout the process: they both enjoyed the temporary suspension and the ultimate re-establishment of the media/ordinary boundary." (Abstract)
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"This book explores people's everyday experience of the media in Asian countries in confrontation with huge social change and transition and the need to understand this phenomenon as it intersects with the media. It argues for the centrality of the media to Asian transformations in the era of global
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ization. The profusion of the media today, with new imaginations, new choices and contradictions, generates a critical condition for reflexivity engaging everyday people to have a resource for the learning of self, culture and society in a new light. Media culture is creating new connections, new desires and threats, and the identities of people are being reworked at individual, national, regional and global levels. Within historically specific social conditions and contexts of the everyday, the chapters seek to provide a diversity of experiences and understandings of the place of the media in different Asian locations. This book considers the emerging consequences of media consumption in people's everyday life at a time when the political, socio-economic and cultural forces by which the media operate are rapidly globalizing in Asia." (Publisher description)
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"[...] This authoritative book answers key questions about the connections between media and political change in the Arab world. Using research into, for example, practices of Internet users, journalists, demonstrators and producers of reality TV, it explores the interface between public interaction
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over the airwaves, at the polls and on the streets. A lively group of contributors explores such issues as whether young people are served well by new media, whether blogging is an influential political tool, whether satellite news helps or hinders diasporic communities politically, and much more." (Publisher description)
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"Verheißung, Vergebung, Verkündigung, Geborgenheit, Trost, Caritas und Magie haben, wenn auch in neuen Kleidern, ein neues Heim gefunden: nicht mehr (allein) in der Kirche sind sie ansässig, sondern (auch) im Fernsehstudio. Diese These wird im vorliegenden Essay aufgrund der Analyse solcher Sendu
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ngen wie 'Traumhochzeit' oder 'Nur die Liebe zählt' hergeleitet und begründet." (Verlagsbeschreibung)
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"Enthält die Ergebnisse und eine Diskusion von zehn der wichtigsten Untersuchungen, die in den letzten Jahren zum Reality-TV, zur Nutzung von Informationssendungen im Fernsehen, zur Rezeption von Gewaltdarstellungen in Fernsehen, zum Umgang von Kindern und Jugendlichen mit Werbung, sowie zu Jugends
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tilen und Medien durchgeführt wurden." (Verlagsbeschreibung)
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