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Countries
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Journals
Output Type
On Media Memory: Collective Memory in a New Media Age
Basingstoke, Hampshire; New York: Palgrave Macmillan (2011), xvi, 300 pp.
"This volume offers a comprehensive discussion of Media Memory and brings Media and Mediation to the forefront of Collective Memory research. The essays explore a diversity of media technologies (television, radio, film and new media), genres (news, fiction, documentaries) and contexts (US, UK, Spai
...
Trauma, Media, Art: New Perspectives
Newcastle upon Tyne: Cambridge Scholars Publishing (2010), vii, 285 pp.
"The essays collected in this book follow a contemporary critical trend in the field of trauma studies that reflects comparatively on artistic and media representations of traumatic histories and experiences from countries around the world. Focusing on a diversity of art and media forms—including
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Trauma and Media: Theories, Histories, and Images
New York et al.: Routledge (2010), 224 pp.
"This book provides the first comprehensive account of trauma as a critical concept in the study of modern visual media, from Freud to the present day, explaining how contemporary trauma studies emerged from research on Holocaust representation in which the audiovisual testimony of survivors was pos
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Genocide: Truth, Memory, and Representation
Durham: Duke University Press (2009), 349 pp.
"What happens to people and the societies in which they live after genocide? How are the devastating events remembered on the individual and collective levels, and how do these memories intersect and diverge as the rulers of postgenocidal states attempt to produce a monolithic "truth" about the past
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The Continuum Companion to Religion and Film
London: Continuum (2009), x, 426 pp.
Holocaust im Comic - Tabubruch oder Chance? Geschichtscomics für den Unterricht am Beispiel der Graphic Novel »Die Suche«. Eine Fachtagung des Anne Frank Zentrums 10. Oktober 2008. Tagungsdokumentation
Berlin: Anne Frank Zentrum (2008), 34 pp.
"Im Jahr 2007 erschien im Anne Frank Haus der pädagogische Comic »Die Suche«, der in den Niederlanden entwickelt und erprobt wurde. Von Februar bis Juli 2008 testete das Anne Frank Zentrum den Einsatz von »Die Suche« im Geschichtsunterricht an verschiedenen Schulen in Berlin und Nordrhein-Westf
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Teaching Holocaust Literature and Film
New York: Palgrave Macmillan (2008), xi, 170 pp.
"The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand alternative pedagogic strategies? What is the role of ethics in the classroom encounter with the Holocaust? " (Publisher d
...
Nationalist Myths and Modern Media: Contested Identities in the Age of Globalization
London; New York: Tauris (2006), 280 pp.
"A fascinating look at the role of the media in fostering nationalism, with a comparative approach that shows the interactions between American, Russian and German nationalism. Extreme nationalism is a subject of enormous contemporary significance today. Does patriotic pride inevitably develop into
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Trauma and Cinema: Cross-Cultural Explorations
Hong Kong: Hong Kong University Press (2004), 288 pp.
"The book discusses how trauma presented in the media spills over national boundaries and can be found in images across divergent cultures in Africa, Asia, Australia, Europe and America." (Publisher description)
Weltreligionen im Film: Christentum, Islam, Judentum, Hinduismus, Buddhismus
Marburg: Schüren (2002), 268 pp.
"Sind religiöse Inhalte im Film darstellbar? Welche Verstellungen und Verschiebungen finden dabei statt? In jedem Fall kann bei vielen Werken der Filmgeschichte eine ernsthafte Auseinandersetzung mit religiösen Themen und Lebenswelten und deren Verhältnis zu modernen Sinnfragen und Gesellschaftss
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War and Remembrance in the Twentieth Century
Cambridge; New York: Cambridge University Press (1999), vii, 260 pp.
"No scholarly consensus exists about how the terms 'memory' and 'collective memory' may most fruitfully inform historical study. Hence there is still much room for reflection and clarification in this branch of cultural history. How war has been remembered collectively is the central question in thi
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Radio Drama: Theory and Practice
London; New York: Routledge (1999), xi, 296 pp.
"Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory. From the early audio broadcasts of 1914 and the development of General Electric’s New York WGY station in 1922, through Orson Wellesâ€
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International Radio Journalism: History, Theory and Practice
London: Routledge (1998), 308 pp.
"Radio journalists have witnessed much of the history of the twentieth century. From early documentary recordings, to the ground-breaking war reporting of Ed Murrow and Richard Dimbleby, to the sophisticated commentaries of Alistair Cooke and reporters such as Fergal Keane, International Radio Journ
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